The Class 2 shuttle, also referred to as a Type 9 shuttlecraft, was an auxiliary space vessel utilized by Starfleet for use as an embarked craft from starships.

History Edit

As a successor to the Class 1 shuttle, this class was widely used during the 2360s by Starfleet Academy as a training ship, and were often the cause of "Class 2 claustrophobia" for the cadets who served aboard them, as they were, according to B'Elanna Torres, "fast, maneuverable, but not built for comfort." Tom Paris added that "they used to shoehorn half a dozen cadets into one of these things for weeks at a time," adding, "you did not want to be around when they opened up that airlock." (VOY: "Drone"; DS9: "Valiant")

They were part of the standard inventory of Intrepid-class vessels during the 2370s. According to Tom Paris, the decision to construct the Delta Flyer was based on the fact that "Class 2 shuttles just don't cut it in the Delta Quadrant." (VOY: "Extreme Risk") He added that "we've needed something bigger and better since we got here." (VOY: "Drone")

Technical data Edit

Specifications Edit

The main body consisted of a fuselage and a port and starboard nacelle attached via pylons. The hull was composed of tritanium alloy. (VOY: "Threshold")

Other basic or noted systems included a tractor beam, transporter, inertial dampers, com system, optical scanners, structurial integrity field, and a message buoy. (VOY: "Innocence", "Unity", "Hunters")

Propulsion systems Edit

Propulsion systems included thrusters, impulse engines, and warp drive. Other components of the propulsion systems included the stabilizer acceleration sensors and attitude control thrusters. (VOY: "Basics, Part II", "Future's End, Part II")

The Class 2 shuttle had a top speed of warp 4. (VOY: "Resolutions") However, following the discovery of a new form of dilithium that could remain stable at a much higher warp frequency by the crew of USS Voyager, the Class 2 shuttle Cochrane reachef warp 9.7 in 2372. With the engagement of the shuttle's transwarp drive, it was capable of reaching warp 10. (VOY: "Threshold")

Another shuttle was successfully modified with coaxial warp drive. (VOY: "Vis à Vis")

Defensive systems Edit

As with other Starfleet shuttles of the era, these shuttles were equipped with shields, phaser banks, and photon torpedoes. (VOY: "Innocence", "Night")

Interior configuration Edit

The interior consisted of a cockpit with seating for two, with a small cabin in the aft. Overall, it was limited to a crew capacity of approximately six. (VOY: "Drone", "Counterpoint")

Entry to the shuttle was through a large hatch in the rear of the craft. There were benches for passenger seating in the aft section, parallel to the rear walls, with ample room for cargo. The shuttle's transporter system was also located in the aft compartment. (VOY: "Day of Honor")

The relatively cramped cockpit had two swiveled chairs with approximately 180° of forward control consoles split between the two seats with a small centrally located viewscreen/monitor. The pilot's seat was located on the port side of the cockpit. (VOY: "The Swarm") The chairs were placed on a track which allowed them to access the cockpit's rear consoles, located on the half wall separating the forward and aft compartments. (VOY: "Drone", et al.)

Shuttles of the class Edit

Appendices Edit

See alsoEdit

Appearances Edit

References Edit

Background information Edit

This type of shuttlecraft was consistently referred to as a "Class 2 shuttle" on-screen. In "Resolutions", a reference was made to a "Type 9 shuttle" that was never shown in the episode. According to the Star Trek Encyclopedia (4th ed., vol. 1, p. 145), "Class-2 shuttles included shuttlecraft of Types 6, 8, and 9." However, Rick Sternbach designed this shuttle as the "Type 12 shuttlecraft". Star Trek: The Next Generation Technical Manual (p.162) used the designation Type-9A to indicate a large long-range cargo shuttle.

Studio model Edit

The design of the shuttle originated from the desire of the art department to introduce a "cool and sleek shuttle", but the opportunity only presented itself when "Threshold" entered pre-production. Sternbach was charged with designing the new shuttle early summer 1995. "We knew that "cool and sleek" was going to mean long, low and streamlined, but we also had to insure that our actors could stand up inside, so the minimum ceiling height was kept at almost six feet. If we were required to make the speedboat as sleek as, say a Lotus or Ferrari automobile, they'd have to crouch inelegantly to enter their seats," Sternbach remembers. Working closely with production designer Richard James and set designer John Chichester in order to match interior with exterior, he was able to come up early with a design that approximated the final look of the shuttle, which was very soon dubbed by the art department staff as the "Speedboat Shuttle," a name also adopted by fans. The design was a break from the established look for Starfleet shuttles, which until then were variations of the classic box shaped design. Further detailing and refining meant that Sternbach was only able to produce blueprints in November 1995 for forwarding to Tony Meininger's Brazil-Fabrication & Design where the physical studio model was built. Since Star Trek: Voyager was in the middle of the process of transition to CGI, it proved to be the last physical shuttle model built for the show and no full scale mock-up was ever built. (Star Trek: The Magazine Volume 2, Issue 5)

As of 2009, the studio model itself, having never been modified save for some additional paneling paint touch-ups, is still in the possession of Paramount Pictures, having escaped the 40 Years of Star Trek and the It's A Wrap! auctions, and has been on tour in displays such as the Star Trek World Tour, Star Trek: The Exhibition and Star Trek: The Adventure. As late as 2008 it was relabeled the Harris (NCC-74656/05).[1] It is not known if the model appeared under this name in an episode of Star Trek: Voyager, though a Voyager shuttle of that name is flown in the Jeri Taylor-penned novel Pathways.

For appearances in later seasons, a CGI model was built at Foundation Imaging where Rob Bonchune was among the artists who worked on the graphics for this model.

External links Edit

Community content is available under CC-BY-NC unless otherwise noted.

Fandom may earn an affiliate commission on sales made from links on this page.

Stream the best stories.

Fandom may earn an affiliate commission on sales made from links on this page.

Get Disney+