The first season of Star Trek: Discovery premiered on 24 September 2017 on the CBS All Access streaming service, with fifteen episodes that ran through 11 February 2018.
The first season broadcast on the same day on Space/Z in Canada, with episodes released to an international audience on Netflix the next day.
Episodes[]
Title | Episode | Production number | Stardate | US release date |
---|---|---|---|---|
Chapter One | ||||
"The Vulcan Hello" | 1x01 | 101 | 1207.3 | 2017-09-24 |
"Battle at the Binary Stars" | 1x02 | 102 | 1207.3 | 2017-09-24 |
"Context Is for Kings" | 1x03 | 103 | Unknown | 2017-10-01 |
"The Butcher's Knife Cares Not for the Lamb's Cry" | 1x04 | 104 | Unknown | 2017-10-08 |
"Choose Your Pain" | 1x05 | 105 | Unknown | 2017-10-15 |
"Lethe" | 1x06 | 106 | Unknown | 2017-10-22 |
"Magic to Make the Sanest Man Go Mad" | 1x07 | 107 | 2136.8–2137.2 | 2017-10-29 |
"Si Vis Pacem, Para Bellum" | 1x08 | 108 | 1308.9 | 2017-11-05 |
"Into the Forest I Go" | 1x09 | 109 | Unknown | 2017-11-12 |
Chapter Two | ||||
"Despite Yourself" | 1x10 | 110 | Unknown | 2018-01-07 |
"The Wolf Inside" | 1x11 | 111 | Unknown | 2018-01-14 |
"Vaulting Ambition" | 1x12 | 112 | Unknown | 2018-01-21 |
"What's Past Is Prologue" | 1x13 | 113 | 1834.2 | 2018-01-28 |
"The War Without, The War Within" | 1x14 | 114 | Unknown | 2018-02-04 |
"Will You Take My Hand?" | 1x15 | 115 | Unknown | 2018-02-11 |
Summary[]
Background information[]
- On 20 September 2016, CBS president Les Moonves boasted in a Variety interview that he had convinced streaming service Netflix to pay for all production costs of Discovery, sight unseen, in return for the worldwide exclusive streaming rights, North-America excluded. [1]
- Principal photography for the season began on 24 January 2017, [2] and wrapped on 11 October 2017. [3]
- Unlike previous Star Trek series, CBS All Access promoted the first nine episodes as "Chapter One", which concluded with "Into the Forest I Go" and was billed as the "Fall Finale". The remaining episodes of the season, which resumed with "Despite Yourself", are collectively referred to as "Chapter Two".
- Discovery is the first-ever Star Trek series without an episode title being shown at the beginning of act one.
- The title of "Descent" was shown during its teaser instead of act one; however, Discovery does not show title cards at all.
- On 29 August 2018 it was reported by Variety that each first season episode had a production cost-price attached to it of US$8 – 8.5 million, [4] the US$8 million figure also reported by the Los Angeles Times on 23 September. [5] This was already on 5 September implicitly conceded by CBS Television Studios itself, when the Variety figures were ad verbatim quoted on the CBS-owned ComicBook.com website, additionally stating that the show was therefore "one of the most expensive in television history". [6]
- The Los Angeles Times article also reported that Netflix paid US$6 million per episode for the exclusive worldwide streaming rights, dispelling internet rumors that have surfaced a short time later on social media, claiming that a by CBS overcharged Netflix had in effect paid for the series first season production in its entirety, [7] a claim that was also reiterated in a May 2018 editorial of financial magazine Forbes, [8] and contradicting the claim Moonves had made back in September 2016. Still, the 75% lion share of the first season production costs was covered by the license fee paid for by Netflix. While there were differences, this was not an entirely new phenomenon for Star Trek; when broadcaster NBC picked up Star Trek: The Original Series in February 1966 for airing, they agreed to pay a license fee that consisted of two-thirds of the budgeted (and not a cent beyond) per episode production costs, followed – contrary to Netflix's lump sum payment for a license covering a pre-negotiated time period – by half of the original fee for each subsequent rerun by the broadcaster. (These Are the Voyages: TOS Season One, 1st ed, pp. 38-39)
- The same Variety article has divulged the Klingon starship sets coming in at a cost of US$3 million.
- Characters which 'cross over' from other incarnations of Star Trek: Sarek ("The Vulcan Hello"), Harry Mudd ("Choose Your Pain"), Amanda Grayson ("Lethe"), and the Human version of Stella Mudd ("Magic to Make the Sanest Man Go Mad").
Reception[]
The critical review site Rotten Tomatoes has given the first season of Discovery a score of eighty-three percent, with an average rating of 7.07 out of ten. However, it has also recorded an audience score of fifty-two percent, with an average rating of three out of five. [9] Rotten Tomatoes' audience findings were corroborated by the customer reviews on Amazon.com showing a very similar audience rating, with an approximate ixty-forty like/dislike divide. [10]
Additionally, the critical review site Metacritic quoted a seventy-two percent critics rating score for the first season – against Tomatoes' seventy-point-o-seven percent average rating – but also reported a more substantially lower viewership rating of four-point-six out of ten, along the same lines as reported by Amazon, but now with the like/dislike divide showing a rough fifty-fifty split. [11]
The sharp like/dislike divide provided an indication that the once more-or-less homogeneous Star Trek fanbase had become split, a development that had started with the advent of the alternate reality Star Trek films in 2009, with the discourse over Discovery waged with such vehemence on social media, that it baffled outside observers. [12] In an effort to explain the phenomenon after-the-fact in regard to Discovery, some critics likened this split in "Trekdom" to the divided response to the 2017 Star Wars film The Last Jedi, with a fandom previously assumed to have been dominated by white males, supposedly resisting and/or resenting the perceived centering of women and people of color. [13] [14] [15] [16] [17] In the process these critics solely focused on Star Trek: The Original Series and Star Trek: The Next Generation, thereby conveniently bypassing the fact that the primary cast of Star Trek: Deep Space Nine was headed by an Afro-American male, whereas that of Star Trek: Voyager was headed by a female captain, with both series having been fairly well received by fandom in their day – particularly by people of color in the former case, and by women in the latter case – , the then relatively small, in comparison to Discovery, dissenting part of "Trekdom" notwithstanding, for reasons entirely unrelated to racial/gender bias. [18] [19] In the UK, Voyager even became the most rewatched Star Trek series on Netflix by the time Discovery premiered. [20]
Former VAM producer (and Original Series fan) Robert Meyer Burnett, coining himself a "canonista", sided with those fans, critical of the series for what they themselves perceived as canon/(Roddenberry) philosophy/(visual) continuity violations. [21] [22] Despite their assurances and emphatic assertions to the contrary shortly before the series debuted, [23] Burnett flat-out accused the Discovery producers in a podcast, put online on 3 March 2019, of not caring about Star Trek canon, and has cited Star Trek: The Motion Picture as a prime counterpoint example of reverence towards canon. Burnett was in particular enraged over a 2 November 2018 retweet from CBS Consumer Products head John Van Citters in which he had enigmatically postulated in response to the persistent fan accusations of canon violations, "WHAT IF...the multiverse is real and ALL Star Trek stories are canon??" [24]
Awards[]
Announced and launched with much fanfare, industry award nomination announcements have followed suit in the wake of the series' first season, such as for the 2018 GLAAD Media Award on 19 January 2018, [25] five Saturn Awards on 27 June 2018, [26] and two of the prestigious Emmy Awards on 12 July 2018. [27]
CBS Broadcasting made substantial efforts in the form of an elaborate mailer, online videos, social media, outdoor campaign and multiple events, to gain traction for their Emmy Award nomination chances, [28] [29] to no avail as it turned out as; much to their disappointment, only two nominations in minor technical categories were secured, neither of which won. Despite the efforts made, the series was not considered for any of the hoped-for major, or artistic, Emmy Awards; the ones in the various acting categories in particular none of the Star Trek television shows had ever won or had even been nominated for, when discounting three "Best Supporting Actor" nominations that Leonard Nimoy had received between 1967 and 1969. Adding insult to injury for Discovery was that the heavily Star Trek-inspired fourth-season episode "USS Callister", of the British Channel 4 cautionary tale anthology series Black Mirror, was alone nominated for six out of eight fourth-season Emmy Awards, most of them in the major categories, of which it won no less than four, including the most prestigious one of them all, for "Outstanding Television Movie". [30] [31] However, Star Trek did win a consolation Emmy Award that year, the honorary "Governors Award", but that was for the entire television franchise, of which Discovery was at that point in time only a small part as "the new kid on the block". That award, though, was not presented at the highly publicized glamorous major Emmy Award ceremony, where Black Mirror received its, but at the as-usual virtually unnoticed "Creative Arts Emmys Show", the weekend prior to the "real" ceremony. [32]
Meanwhile, the Saturn Awards had started to distinguish between productions for (classic) television and those for streaming services, which applied for Discovery. This was exemplified by the circumstance that Seth MacFarlane's Star Trek: The Next Generation-inspired science fiction series The Orville – which was rapidly becoming a franchise competitor – had won a "Best Series" award for its first season, though in its case in the original "Best Science Fiction Television Series" category.
In total, the first season of Discovery was nominated for twenty-three industry awards, of which it won three.
2017-2018 Star Trek: Discovery Season 1 awards and honors | |||
---|---|---|---|
Award | Category | Nominee(s) | Result |
CDG Awards | Outstanding Sci-Fi/Fantasy Television Series | Gersha Phillips | Nominated |
Dragon Awards | Best Science Fiction or Fantasy TV Series | Bryan Fuller, and Alex Kurtzman | |
Emmy Awards | Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special ("Will You Take My Hand?") | Glenn Hetrick (special makeup effects department head), James MacKinnon (special makeup effects department head), Hugo Villasenor (special makeup effects artist), Rocky Faulkner (special makeup effects artist), Chris Bridges (additional makeup effects artist), Shane Zander (additional makeup effects artist), Neville Page (prosthetic designer), and Michael O'Brien (prosthetic designer) | |
Outstanding Sound Editing for a One Hour Comedy or Drama Series ("What's Past Is Prologue") | Jon Mete (supervising sound editor), Tim Farrell (sound designer), Christopher Assells (sound editor), Matt Taylor (adr editor), Trevor Sperry (foley editor), Ashley Harvey (dialogue editor), Angelo Palazzo (sound effects editor), Peter D. Lago (sound effects editor), Christopher Scarabosio (sound effects editor), Matt Decker (music editor), James Bailey (foley artist), Alex Ullrich (foley artist), and Matt Salib (foley artist) | ||
Empire Awards | Best Actor in a TV Series | Jason Isaacs | Won |
GLAAD Media Awards | Outstanding Drama Series | CBS Television Studios/All Access | Nominated |
Hugo Awards | Best Dramatic Presentation - Short Form ("Magic to Make the Sanest Man Go Mad" | Aron Eli Coleite (writer), Jesse Alexander (writer), and David Barrett (director) | |
ICG Publicists Award [33] | Maxwell Weinberg Award (Television) | Kristen Hall [34] | |
IGN Award (2017) | Best TV Action Series | CBS Television Studios/All Access | |
Best New TV Series | |||
Joey Award | Best Actress in a Principal Role in a Television Series 7-12 years | Arista Arhin | |
OFTA Television Awards | Best Makeup/Hairstyling in a Series | CBS Television Studios/All Access | |
Best Sound in a Series | |||
Best Visual Effects in a Series | |||
Peabody Awards | Entertainment, Children’s & Youth | ||
Saturn Awards | Best Actress on Television | Sonequa Martin-Green | Won |
Best New Media Television Series | CBS Television Studios/All Access | ||
Best Actor on Television | Jason Isaacs | Nominated | |
Best Supporting Actor on Television | Doug Jones | ||
Best Guest Performance in a Television Series | Michelle Yeoh | ||
VES Awards | Outstanding Visual Effects in a Photoreal Episode ("The Vulcan Hello") | Jason Michael Zimmerman, Aleksandra Kochoska, Ante Dekovic, and Mahmoud Rahnama | |
Outstanding Compositing in a Photoreal Episode | Phil Prates, Rex Alerta, John Dinh, and Karen Cheng | ||
Young Artist Awards | Best Performance in a TV Series - Recurring Young Actress | Arista Arhin |
Credits[]
Starring[]
- Sonequa Martin-Green as Michael Burnham
- Doug Jones as Saru
- Shazad Latif as Ash Tyler ("Choose Your Pain"–"Vaulting Ambition", "The War Without, The War Within"–"Will You Take My Hand?")
- Anthony Rapp as Paul Stamets ("Context Is for Kings"–"Will You Take My Hand?")
- Mary Wiseman as Sylvia Tilly ("Context Is for Kings"–"Will You Take My Hand?")
- And
- Jason Isaacs as Gabriel Lorca ("Context Is for Kings"–"What's Past Is Prologue")
Special guest star[]
- Michelle Yeoh as Philippa Georgiou/Philippa Georgiou (mirror) ("The Vulcan Hello", "Battle at the Binary Stars", "The Butcher's Knife Cares Not for the Lamb's Cry", "The Wolf Inside–"Will You Take My Hand?")
Crew[]
- Casting by
- Margery Simkin, CSA
- Orly Sitowitz, CSA
- Music and Theme by
- Jeff Russo
- Costume Designer
- Gersha Phillips
- Visual Effects Supervisor
- Jason Zimmerman
- Edited by
- Jon Dudkowski, A.C.E. ("The Vulcan Hello", "Context Is for Kings", "Lethe", "Into the Forest I Go", "Will You Take My Hand?")
- Scott Gamzon, A.C.E. ("Battle at the Binary Stars", "Choose Your Pain", "The Wolf Inside", "The War Without, The War Within")
- Andrew Coutts ("The Butcher's Knife Cares Not for the Lamb's Cry", "Magic to Make the Sanest Man Go Mad", "Despite Yourself", "What's Past Is Prologue")
- Steve Haugen ("Si Vis Pacem, Para Bellum", "Vaulting Ambition")
- Andreas Karrer ("Vaulting Ambition")
- Production Designer
- Mark Worthington ("The Vulcan Hello")
- Todd Cherniawsky ("Battle at the Binary Stars"–"Choose Your Pain")
- Mark Steel ("Lethe")
- Tamara Deverell ("Magic to Make the Sanest Man Go Mad"–"Will You Take My Hand?")
- Director of Photography
- Guillermo Navarro, A.S.C. ("The Vulcan Hello")
- Colin Hoult, C.S.C. ("Battle at the Binary Stars", "The Butcher's Knife Cares Not for the Lamb's Cry", "Lethe", "Si Vis Pacem, Para Bellum", "Despite Yourself", "Vaulting Ambition", "The War Without, The War Within")
- Darran Tiernan, I.S.C. ("Context Is for Kings")
- Glen Keenan, C.S.C. ("Choose Your Pain", "Magic to Make the Sanest Man Go Mad", "Into the Forest I Go", "The Wolf Inside", "What's Past Is Prologue", "Will You Take My Hand?")
- Producers
- Geoffrey Hemwall ("The Vulcan Hello"–"Battle at the Binary Stars")
- April Nocifora
- Aaron Baiers
- Jill Danton ("The Vulcan Hello")
- Thom J. Pretak ("Battle at the Binary Stars"–"The Wolf Inside")
- Ted Miller ("The Wolf Inside"–"Will You Take My Hand?")
- Consulting Producers
- Nicholas Meyer ("The Vulcan Hello"–"What's Past Is Prologue")
- Craig Sweeny ("The Vulcan Hello"–"What's Past Is Prologue")
- Co-Executive Producers
- Jesse Alexander ("The Vulcan Hello"–"Magic to Make the Sanest Man Go Mad")
- Aron Eli Coleite ("The Vulcan Hello"–"Magic to Make the Sanest Man Go Mad")
- Joe Menosky ("The Vulcan Hello"–"Magic to Make the Sanest Man Go Mad")
- Olatunde Osunsanmi
- Lisa Randolph ("Magic to Make the Sanest Man Go Mad"–"Will You Take My Hand?")
- Jordon Nardino ("Si Vis Pacem, Para Bellum"–"Will You Take My Hand?")
- Frank Siracusa ("Battle at the Binary Stars"–"Will You Take My Hand?")
- John Weber ("Battle at the Binary Stars"–"Will You Take My Hand?")
- Ted Sullivan ("Context Is for Kings"–"Will You Take My Hand?")
- Executive Producers
- Bryan Fuller
- David Semel ("The Vulcan Hello")
- Eugene Roddenberry
- Trevor Roth
- Akiva Goldsman
- Heather Kadin
- Gretchen J. Berg
- Aaron Harberts
- Alex Kurtzman
- Based Upon Star Trek Created by
- Gene Roddenberry
- Created by
- Bryan Fuller
- Alex Kurtzman
- Associate Producer
- Dana N. Wilson
- Executive Story Editors
- Bo Yeon Kim
- Erika Lippoldt
- Staff Writers
- Kirsten Beyer
- Sean Cochran ("Battle at the Binary Stars"–"Will You Take My Hand?")
- Kemp Powers ("The Vulcan Hello"–"Choose Your Pain")
- Production Managers
- David Till ("The Vulcan Hello"–"What's Past Is Prologue")
- David Vaughan ("Despite Yourself"–"Will You Take My Hand?")
- First Assistant Directors
- Beau Ferris ("The Vulcan Hello")
- Libby Hodgson ("The Vulcan Hello", "Context Is for Kings", "Lethe", "Into the Forest I Go", "Vaulting Ambition", "Will You Take My Hand?")
- Tim Singh ("Battle at the Binary Stars", "The Butcher's Knife Cares Not for the Lamb's Cry", "Si Vis Pacem, Para Bellum", "The Wolf Inside", "The War Without, The War Within")
- Woody Sidarous ("Choose Your Pain", "Magic to Make the Sanest Man Go Mad", "Despite Yourself", "What's Past Is Prologue")
- Second Assistant Directors
- Rita Colucci ("The Vulcan Hello", "Context Is for Kings", "Lethe", "Into the Forest I Go", "Vaulting Ambition", "Will You Take My Hand?")
- Kira McCord ("Battle at the Binary Stars", "The Butcher's Knife Cares Not for the Lamb's Cry", "Si Vis Pacem, Para Bellum", "The Wolf Inside", "The War Without, The War Within")
- Jason Washington ("Choose Your Pain", "Magic to Make the Sanest Man Go Mad")
- Ben Marrello ("Magic to Make the Sanest Man Go Mad", "Despite Yourself", "What's Past Is Prologue")
- Canada Casting by
- Lisa Parasyn, CSA
- Jon Comerford, CSA
- Original Star Trek Theme by
- Alexander Courage
- Set Decorator
- Peter P. Nicolakakos
- Property Masters
- Mario Moreira ("The Vulcan Hello", "Context Is for Kings"–"Will You Take My Hand?")
- Jim Murray ("The Vulcan Hello"–"Context Is for Kings")
- Supervising Art Director
- Mark Steel ("Context Is for King"–"Choose Your Pain")
- Joshu De Cartier ("The War Without, The War Within"–"Will You Take My Hand?")
- Art Directors
- Greg Chown ("The Vulcan Hello"–"The Butcher's Knife Cares Not for the Lamb's Cry")
- Matt Middleton
- Mark Steel ("The Vulcan Hello"–"Battle at the Binary Stars")
- Jody Lynn Clement ("Choose Your Pain"–"Will You Take My Hand?")
- Motion Graphics
- Timothy Peel
- First Assistant Graphics
- Andy Tsang
- First Assistant Art Directors
- Natasha Peschlow ("The Vulcan Hello"–"Magic to Make the Sanest Man Go Mad")
- Joshu De Cartier ("Context Is for Kings"–"Choose Your Pain")
- Chris Bretecher ("Context Is for Kings"–"Will You Take My Hand?")
- Alex Brock ("Lethe"–"Will You Take My Hand?")
- Shirin Rashid ("Context Is for Kings"–"Choose Your Pain", "Vaulting Ambition"–"Will You Take My Hand?")
- Hayley Isaacs ("Context Is for Kings"–"Will You Take My Hand?")
- Alexandra Juzkiw ("Context Is for Kings"–"Choose Your Pain")
- Guinevere Cheung ("Context Is for Kings")
- John Kim ("Context Is for Kings"–"The War Without, The War Within")
- Matt Morgan ("Context Is for Kings"–"Will You Take My Hand?")
- Dan Norton ("Context Is for Kings"–"Will You Take My Hand?")
- Emilie Poulin ("Context Is for Kings"–"Will You Take My Hand?")
- Jane Stoiacico ("Context Is for Kings"–"Will You Take My Hand?")
- Itsuko Kurono ("Context Is for Kings")
- Michael Stanek ("Context Is for Kings"–"Magic to Make the Sanest Man Go Mad")
- Jeremy Gillespie ("Context Is for Kings"–"Will You Take My Hand?")
- Martha Sparrow ("Into the Forest I Go")
- Chris Penna ("The Wolf Inside"–"Will You Take My Hand?")
- Assistant Production Manager
- Kosta Orfanidis ("The Vulcan Hello"–"Battle at the Binary Stars")
- Michael Stoyanov ("Context Is for Kings"–"Will You Take My Hand?")
- Third Assistant Directors
- Ross Vivian ("Context Is for Kings"–"The Wolf Inside")
- Brooke Fifield ("Context Is for Kings"–"Will You Take My Hand?")
- Jessica Kirec ("Vaulting Ambition", "The War Without, The War Within"–"Will You Take My Hand?")
- Kieffer Moxness ("Vaulting Ambition"–"Will You Take My Hand?")
- David Lester ("What's Past Is Prologue")
- Jordan Roy ("What's Past Is Prologue")
- Script Supervisor
- Marta Borowski ("The Vulcan Hello", "The Butcher's Knife Cares Not for the Lamb's Cry", "Lethe", "Si Vis Pacem, Para Bellum", "Despite Yourself", "Vaulting Ambition", "The War Without, The War Within")
- Lisa Burling ("Battle at the Binary Stars"–"Context Is for Kings", "Choose Your Pain", "Magic to Make the Sanest Man Go Mad", "Into the Forest I Go", "The Wolf Inside", "What's Past Is Prologue")
- Samantha Armstrong ("Will You Take My Hand?")
- A Camera Operator
- Tony Guerin
- B Camera Operator
- Sean Sealey ("The Vulcan Hello"–"Si Vis Pacem, Para Bellum")
- Brad Crosbie ("Into the Forest I Go"–"Despite Yourself")
- Gilles Corbeil ("The Wolf Inside"–"Vaulting Ambition")
- Yoann Malnati ("What's Past Is Prologue"–"Will You Take My Hand?")
- Sound Mixer
- Ao Loo ("The Vulcan Hello"–"Magic to Make the Sanest Man Go Mad", "The Wolf Inside"–"Will You Take My Hand?")
- Shawn Kirkby ("Si Vis Pacem, Para Bellum"–"Despite Yourself")
- Boom Operator
- Sean Armstrong
- Casting Associate
- Emily Cook
- Canadian Casting Assistants
- Sara Dang
- Lisa Demeo
- Emily Johnston
- Location Managers
- John Musikka ("The Butcher's Knife Cares Not for the Lamb's Cry"–"Into the Forest I Go")
- Melissa Warry-Smith ("Despite Yourself"–"Will You Take My Hand?")
- Studio Manager
- Robert Jones
- Location Production Assistants
- Chris Vargas ("The Vulcan Hello"–"Battle at the Binary Stars")
- Kevin Allen ("Context Is for Kings"–"The Wolf Inside")
- Fermin Balado ("Context Is for Kings"–"What's Past Is Prologue")
- Gordon Byford ("Vaulting Ambition"–"Will You Take My Hand?")
- Richard St. Onge ("The War Without, The War Within"–"Will You Take My Hand?")
- Costume Supervisor
- Karen Lee
- Assistant Costume Designers
- Kimberly Catton ("The Vulcan Hello")
- Megan Oppenheimer ("The Vulcan Hello")
- Damion Saliani ("The Vulcan Hello"–"Si Vis Pacem, Para Bellum")
- Bernadette Croft ("Battle at the Binary Stars"–"The Butcher's Knife Cares Not for the Lamb's Cry")
- Avery Plewes ("Choose Your Pain"–"Lethe")
- John Dunnett ("Lethe"–"What's Past Is Prologue")
- Erin Daprato ("Magic to Make the Sanest Man Go Mad"–"Will You Take My Hand?")
- Deanna Sciortino ("Magic to Make the Sanest Man Go Mad"–"Will You Take My Hand?")
- Lead Creature Designer
- Neville Page
- Department Head Make-Up
- Colin Penman
- Department Head Hair
- Ryan Reed
- Make-Up Effects Department Heads
- Glenn Hetrick
- James MacKinnon
- Additional Prosthetic Make-Up
- Paul Jones ("Context Is for Kings"–"Will You Take My Hand?")
- Prosthetic Makeup Special Effects and Specialty Armor Designed and Created by
- Glenn Hetrick and Neville Page's Alchemy Studios
- Production Accountant
- Debbie Van Dusen
- First Assistant Accountants
- Dawn Howat
- Vess Stoeva
- Susan Al'Thor ("Into the Forest I Go"–"Will You Take My Hand?")
- Darleen Abbott ("Into the Forest I Go"–"The War Without, The War Within")
- First Assistant Construction Accountant
- Susan Al'Thor ("Context Is for Kings"–"Si Vis Pacem, Para Bellum")
- Second Assistant Accountants
- Rebecca Pearson
- Shane Pollard
- Vanna Roopchand ("The Vulcan Hello"–"What's Past Is Prologue")
- Payroll Accountants
- Mark Bilas
- Melanie Foley
- Lighting Design by
- Franco Tata
- First Company Grip
- Robert Daprato
- 1st Assistant A Camera
- Barrett Axford ("The Vulcan Hello"–"Si Vis Pacem, Para Bellum")
- Andrew Stretch ("Into the Forest I Go"–"Will You Take My Hand?")
- 1st Assistant B Camera
- Brian White
- 1st Assistant C Camera
- Craig Jewell ("What's Past Is Prologue", "Will You Take My Hand?")
- 2nd Assistant A Camera
- Christina Louie ("The Vulcan Hello"–"Si Vis Pacem, Para Bellum")
- Stephen Gould ("Into the Forest I Go"–"Will You Take My Hand?")
- 2nd Assistant B Camera
- Craig Jewell ("The Vulcan Hello"–"Vaulting Ambition", "The War Without, The War Within")
- Digital Imaging Technician
- Rob Stronghill
- Production Coordinator
- Janet Gayford ("The Vulcan Hello"–"Context Is for Kings")
- Alison Waxman ("The Butcher's Knife Cares Not for the Lamb's Cry"–"Will You Take My Hand?")
- Script Coordinator
- Melissa Goldstein
- First Assistant Production Coordinators
- Allison Lahav ("Context Is for Kings"–"Will You Take My Hand?")
- Nicole Lane ("The Vulcan Hello"–"Magic to Make the Sanest Man Go Mad")
- Taylor Danton ("Si Vis Pacem, Para Bellum"–"Will You Take My Hand?")
- Second Assistant Production Coordinator
- Derrick O'Toole ("The Vulcan Hello"–"Context Is for Kings")
- Laura Miles ("The Butcher's Knife Cares Not for the Lamb's Cry"–"Will You Take My Hand?")
- Office Production Assistants
- Tom Fitzpatrick
- Laura Miles ("The Vulcan Hello"–"Context Is for Kings")
- Michaela Peker ("The Vulcan Hello"–"Battle at the Binary Stars")
- Chris Stiebel ("Context Is for Kings"–"Will You Take My Hand?")
- Cornelia Audrey ("The Butcher's Knife Cares Not for the Lamb's Cry"–"What's Past Is Prologue")
- Kevin Hazlehurst ("The War Without, The War Within"–"Will You Take My Hand?")
- Additional Production Design by
- Todd Cherniawsky ("The Vulcan Hello")
- Second Assistant Art Director
- Hyebin Yoon ("The Vulcan Hello"–"Battle at the Binary Stars")
- Playback Supervisor
- Mark Lewandowski ("The Vulcan Hello")
- Storyboard Artists
- Rob McCallum
- Amro Attia ("Si Vis Pacem, Para Bellum")
- Concept Artists
- Goran Delic
- Bartol Rendulic ("The Vulcan Hello"–"Choose Your Pain")
- John Eaves ("Lethe"–"Will You Take My Hand?")
- Digital Asset Manager
- James Jarvis ("Battle at the Binary Stars"–"Will You Take My Hand?")
- Art Department Coordinator
- Katie Brock
- Stunt Coordinator
- Rick Forsayeth ("The Vulcan Hello"–"Battle at the Binary Stars")
- Christopher McGuire ("Context Is for Kings"–"Si Vis Pacem, Para Bellum", "What's Past Is Prologue"–"Will You Take My Hand?")
- Neil Davison ("Into the Forest I Go"–"Vaulting Ambition")
- Fight Coordinator
- Hubert Boorder ("The Butcher's Knife Cares Not for the Lamb's Cry"–"Will You Take My Hand?")
- Special Effects Coordinator
- Darcy Callaghan
- Special Effects Key
- Sophie Vertigan ("The Vulcan Hello"–"Magic to Make the Sanest Man Go Mad", "Into the Forest I Go"–"Will You Take My Hand?")
- Hudson Kenny ("Si Vis Pacem, Para Bellum")
- Lead Dressers
- Kevin Haeberlin ("The Vulcan Hello"–"Choose Your Pain")
- Greg Langham
- Greg Carson ("Lethe")
- Byron Patchett ("Lethe")
- Contact Lens Supervisor
- Mandy Ketcheson
- Key Scenic
- Jay Kirk ("Battle at the Binary Stars"–"Will You Take My Hand?")
- Head Painters
- Peter Aquilina ("Battle at the Binary Stars"–"Choose Your Pain", "Magic to Make the Sanest Man Go Mad"–"Si Vis Pacem, Para Bellum")
- Soux Ellis ("Battle at the Binary Stars"–"Will You Take My Hand?")
- Dave Rosa ("Lethe", "Into the Forest I Go"–"The Wolf Inside")
- Tim Campbell ("Vaulting Ambition"–"Will You Take My Hand?")
- On Set Painter
- Brad Francis ("Battle at the Binary Stars"–"Despite Yourself", "The War Without, The War Within"–"Will You Take My Hand?")
- Katarina Tarrant ("The Wolf Inside"–"What's Past Is Prologue")
- Construction Coordinator
- Ross Fraser ("The Vulcan Hello"–"Vaulting Ambition")
- Kevin McCullagh ("What's Past Is Prologue"–"Will You Take My Hand?")
- Head Carpenter
- Travis Israel Staley ("The Vulcan Hello"–"The Wolf Inside")
- Tyson Snels ("Vaulting Ambition")
- Paul Jefferson ("What's Past Is Prologue"–"Will You Take My Hand?")
- On Set Carpenter
- Tyson Snels ("The Butcher's Knife Cares Not for the Lamb's Cry"–"Despite Yourself")
- Andrew Casement ("The Wolf Inside"–"Will You Take My Hand?")
- Transportation Coordinator
- Jazz Helie
- Transportation Captain
- Michael Corazza
- Transportation Co-Captain
- Grant Volkers
- VFX Supervisor
- Ante Dekovic
- VFX Producer
- Aleksandra Kochoska
- VFX Lead Artist
- Charles Collyer
- Senior VFX Coordinator
- David Takemura
- VFX Coordinators
- Ayana Reid
- Julie Rothfarb
- Lauren Kramer ("Into the Forest I Go"–"Will You Take My Hand?")
- VFX Plate Supervisor
- Alexander Wood ("Choose Your Pain"–"Will You Take My Hand?")
- Associate VFX Supervisor
- Mahmoud Rahnama ("Into the Forest I Go"–"Will You Take My Hand?")
- VFX Previs Supervisor
- Stephen J. Pavelski ("Vaulting Ambition"–"Will You Take My Hand?")
- VFX Art Director LA
- William Budge ("Lethe")
- VFX Production Manager
- Helen Jen ("The Vulcan Hello"–"Battle at the Binary Stars")
- Additional Editing by
- Cecily Rhett ("The Butcher's Knife Cares Not for the Lamb's Cry")
- Assistant Editors
- Matthew Kovach ("The Vulcan Hello", "Context Is for Kings", "Lethe", "Into the Forest I Go", "Will You Take My Hand?")
- Jeffrey D. Brown ("Battle at the Binary Stars")
- John Mullin ("Battle at the Binary Stars", "Choose Your Pain", "The Wolf Inside", "The War Without, The War Within")
- Dennis Alaniz ("The Butcher's Knife Cares Not for the Lamb's Cry", "Magic to Make the Sanest Man Go Mad", "Despite Yourself", "What's Past Is Prologue")
- Disha Patel-Webb ("The Butcher's Knife Cares Not for the Lamb's Cry")
- Andreas Karrer ("Si Vis Pacem, Para Bellum")
- Matthew Barton ("Si Vis Pacem, Para Bellum")
- Tim Brinker ("Despite Yourself", "What's Past Is Prologue")
- VFX Editors
- Jonathan Angus ("The Vulcan Hello"–"Battle at the Binary Stars")
- Glenn Cote
- VFX Assistant Editors
- Greg Minihan
- Jason Sikora ("Into the Forest I Go"–"Will You Take My Hand?")
- Post Production Supervisor
- Bradley Ramirez ("The Butcher's Knife Cares Not for the Lamb's Cry"–"Will You Take My Hand?")
- Post Production Coordinator
- Ruben Michael Molina
- Post Production Assistant
- Ryan Miles
- Researcher
- Anthony Maranville
- Assistants to the Writers
- Tyler Dinucci ("The Vulcan Hello"–"What's Past Is Prologue")
- Brandon Schultz
- Christopher Silvestri
- Dialect Coach
- Rea Nolan
- Additional Dialect Coach
- Jeffrey Simlett
- Klingon Translator
- Robyn Stewart
- Craft Services
- Star Grazing Inc. ("Context Is for Kings"–"Will You Take My Hand?")
- Servers
- Darlene Ibbitson ("Context Is for Kings"–"Will You Take My Hand?")
- Monica Madden ("Context Is for Kings"–"Will You Take My Hand?")
- On Set Caterers
- Gourmet Catering
- Assistants to A. Kurtzman
- Julian Gross ("The Vulcan Hello"–"Choose Your Pain")
- Robyn Johnson
- Assistant to G. Berg and A. Harberts
- Chris Danby
- Assistant to H. Kadin
- Kathryn Alsman
- Assistant to A. Goldsman
- Chloe Gebacz
- Assistant to C. Sweeny
- Kaycee Felton-Lui
- Assistant to D. Semel
- Chelsea Dowling ("The Vulcan Hello")
- Executive Assistant Toronto
- Emma Sampson
L.A. Unit[]
- Unit Production Manager
- Joe Lotito ("The Vulcan Hello")
- First Assistant Director
- Susan M. Elmore ("The Vulcan Hello")
- Second Assistant Director
- Marcia Woske ("The Vulcan Hello")
- LA Stunt Coordinator
- Joel Kramer ("The Vulcan Hello")
- LA Art Director
- William Budge ("The Vulcan Hello")
- LA Production Coordinator
- Andrew McCulloch ("The Vulcan Hello")
- LA Construction Coordinator
- Eddie Esparza ("The Vulcan Hello")
- LA Lead Crane Tech
- Philip Hallford ("The Vulcan Hello")
- LA Chief Lighting Technician
- David Lee ("The Vulcan Hello")
- LA Hair Department Head
- Darrell Redleaf-Fielder ("The Vulcan Hello")
- LA Make Up Department Head
- Karen Iverson ("The Vulcan Hello")
Jordan Unit[]
- Jordan Producers
- Elan Dassani ("The Vulcan Hello")
- Rajeev Dassani ("The Vulcan Hello")
- Kosta Orfanidis ("The Vulcan Hello")
- Jordan Unit Producer
- Issam M. Husseini ("The Vulcan Hello")
- Jordan Production Coordinator
- Tala Olabi ("The Vulcan Hello")
- Jordan Script Supervisor
- Haya Kattan ("The Vulcan Hello")
- Jordan Chief Lighting Technician
- Hosni Al Baqa ("The Vulcan Hello")
- Jordan Art Director
- Sami Keilani ("The Vulcan Hello")
- Sound Services by
- Warner Bros. Post Production Creative Services
- Sound Supervisor
- Jon Mete
- Sound Designer
- Tim Farrell
- Re-Recording Mixers
- Alexander Gruzdev (credited as Alex Gruzdev in "The Vulcan Hello"–"Battle at the Binary Stars")
- Brad Sherman
- Mix Tech
- Brad Bell ("Into the Forest I Go"–"What's Past Is Prologue", "Will You Take My Hand?")
- Dialogue Editor
- Ashley Harvey ("Lethe"–"Si Vis Pacem, Para Bellum", "Vaulting Ambition")
- Dialogue and ADR Editor
- Kim Wilson ("Context Is for Kings")
- Ashley Harvey ("The Butcher's Knife Cares Not for the Lamb's Cry"–"Choose Your Pain", "Into the Forest I Go"–"The Wolf Inside", "What's Past Is Prologue")
- ADR and Dialogue Editor
- Ashley Harvey ("The War Without, The War Within"–"Will You Take My Hand?")
- ADR Editor
- Ashley Harvey ("Context Is for Kings")
- Matt Taylor ("Lethe"–"Si Vis Pacem, Para Bellum")
- Sound Effects Editors
- Angelo Palazzo ("Context Is for Kings"–"Despite Yourself")
- Peter D. Lago, M.P.S.E. ("Despite Yourself", "What's Past Is Prologue", "Will You Take My Hand?")
- Chris Assells ("The War Without, The War Within")
- Ken Young ("Will You Take My Hand?")
- SFX and Foley Editor
- Peter D. Lago, M.P.S.E. ("Lethe"–"Into the Forest I Go")
- Foley Editor
- Peter D. Lago, M.P.S.E. ("The Butcher's Knife Cares Not for the Lamb's Cry"–"Choose Your Pain")
- Matt Taylor ("Will You Take My Hand?")
- ADR And Foley Editor
- Matt Taylor ("The Wolf Inside", "The War Without, The War Within")
- Foley Artists
- Jim Bailey ("Context Is for Kings"–"Will You Take My Hand?")
- Sanaa Kelley ("Context Is for Kings"–"The Wolf Inside")
- Alex Ullrich ("Vaulting Ambition")
- Ginger Geary ("What's Past Is Prologue")
- Hilda Hodges ("The War Without, The War Within")
- Gretchen Thomas ("The War Without, The War Within"–"Will You Take My Hand?")
- Foley Mixer
- Trevor Sperry ("Context Is for Kings"–"Will You Take My Hand?")
- Sound Assistant Editor
- Deron Street ("Context Is for Kings"–"Lethe", "What's Past Is Prologue")
- Damon Cohoon ("Magic to Make the Sanest Man Go Mad"–"The Wolf Inside", "The War Without, The War Within"–"Will You Take My Hand?")
- Kim Morrell ("Vaulting Ambition")
- Post Production Sound Services Provided by
- Skywalker Sound, A Lucasfilm Ltd. Company,
- Marin County, California ("The Vulcan Hello"–"Battle at the Binary Stars")
- Sound Designer
- Christopher Scarabosio ("The Vulcan Hello"–"Battle at the Binary Stars")
- Music Editor
- Matt Decker
- Score Engineer and Mixer
- Michael Perfitt ("Battle at the Binary Stars"–"Will You Take My Hand?")
- Scoring Assistant
- Perrine Virgile ("Battle at the Binary Stars"–"Will You Take My Hand?")
- Orchestrator
- Amie Doherty ("Battle at the Binary Stars"–"Will You Take My Hand?")
- MIDI Tech
- Traci Turnbull ("Battle at the Binary Stars"–"Will You Take My Hand?")
- Score Wrangler
- Matea Prljevic ("Battle at the Binary Stars"–"Will You Take My Hand?")
- Dailies Services by
- Bling Digital ("The Vulcan Hello"–"Si Vis Pacem, Para Bellum")
- Post Production Services by
- Chainsaw ("The Vulcan Hello"–"Choose Your Pain")
- Chainsaw Supervising Producer
- Byron Smith ("The Vulcan Hello"–"Choose Your Pain")
- Chainsaw Online Editor
- Chad Cole ("The Vulcan Hello"–"Choose Your Pain")
- Chainsaw Chief Engineer
- Jeff Sengpiehl ("Context Is for Kings"–"Choose Your Pain")
- Color Timing by
- Company 3 ("The Vulcan Hello"–"Context Is for Kings")
- Company 3 Final Colorist
- Stefan Sonnenfeld ("The Vulcan Hello"–"Context Is for Kings")
- Camera, Lenses and Post Production Services by
- SIM ("Lethe"–"Will You Take My Hand?")
- SIM Supervising Producer
- Byron Smith ("Lethe"–"Will You Take My Hand?")
- SIM Online Editor
- Chad Cole ("Lethe"–"Will You Take My Hand?")
- SIM Chief Engineer
- Jeff Sengpiehl ("Lethe")
- Final Colorist
- Todd Bochner ("The Butcher's Knife Cares Not for the Lamb's Cry"–"Will You Take My Hand?")
- Editing Systems
- Hula Post
- Camera and Lenses by
- Sim Digital ("The Vulcan Hello"–"Choose Your Pain")
- Grip and Lighting Equipment by
- PS Production Services ("Lethe"–"Despite Yourself")
- Sim Lighting and Grip ("The Wolf Inside"–"Will You Take My Hand?")
- Main Title Design by
- Prologue
- Visual Effects by
- Pixomondo
- Crafty Apes ("The Vulcan Hello", "Context Is for Kings"–"Will You Take My Hand?")
- Spin VFX ("The Vulcan Hello"–"Despite Yourself", "Vaulting Ambition"–"Will You Take My Hand?")
- Ghost VFX ("Choose Your Pain"–"Lethe", "Si Vis Pacem, Para Bellum", "The Wolf Inside"–"Vaulting Ambition", "The War Without, The War Within", credited as Ghost in "The Wolf Inside"–"Vaulting Ambition") [35]
- Buf ("Choose Your Pain", "Si Vis Pacem, Para Bellum")
- Intelligent Creatures ("Context Is for Kings")
- Monsters, Aliens, Robots, Zombies ("Context Is for Kings", "Choose Your Pain")
- FX3X ("Despite Yourself"–"What's Past Is Prologue", "Will You Take My Hand?")
- Redlab ("Vaulting Ambition"–"What's Past Is Prologue", "Will You Take My Hand?")
- Produced with the Participation of the
- Canadian Production Services Tax Credit
- Living Dead Guy
- CBS All Access Originals
Uncredited[]
- Marina Abramyan – Art Department Coordinator: L.A. Unit ("The Vulcan Hello")
- Sinan Marc Akdemir – Junior 3D Generalist: Pixomondo
- Dave Axford – Sculpture and Mould shop Artist
- Henry Banger Benvenuti – Scenic Painter
- Derek Barnes – Stunt Safety ("Si Vis Pacem, Para Bellum", "Into the Forest I Go", "The Wolf Inside", "Vaulting Ambition", "What's Past Is Prologue", "Will You Take My Hand?")
- Pietro Berto – Character Artist
- Daniel Biagi – Assistant to Producers
- Matt Boardman – Render Coordinator/Graphic Artist: CBS Television Studios
- Blake Bolger – Costume Fabricator: Alchemy Studios
- Chris Bridges – Special Makeup Effects Artist
- Andrea Brown – Makeup Artist
- Steven Browning – Lead Modeler
- Chris Burgoyne – Makeup Artist
- Chris Byrne – Second Unit Director ("The Vulcan Hello")
- Roberto Campanella – Movement Coordinator/Creator
- Graham Chivers – Special Effects Makeup Artist
- Sophie Cloutier – Playback Operator
- Aaron Colman-Hayes – 3D Artist and Scan Technician
- Heather Constable – Background Set Supervisor
- Michael R. Currie – Render Assistant: CBS Television Studios
- Natalie Dale – Utility Stand-in
- Anton Demerjian – Second Assistant Camera Operator: Jordan Unit ("The Vulcan Hello")
- Pierre Drolet – 3D Modeler ("The Vulcan Hello"; "Battle at the Binary Stars"): CBS Television Studios (subcontractor)
- Joel Durham – Lead Texture Artist
- Rocky Faulkner – Key Special Effects Makeup Artist
- Adelaide Filippe – Concept Designer: FBFX ltd.
- Jordan Gagne – Composer: Additional Music
- Matthew Gore – Senior Visual Effects Producer ("The Vulcan Hello")
- Douglas E. Graves – VFX CG artist/digital model builder and texture artist ("The Vulcan Hello")
- Nour Halawani – Additional Sound Recordist: Jordan Unit ("The Vulcan Hello")
- Aaron Hamman – Modeling Supervisor
- Kevin Haney – Makeup Artist
- Adrian Hardy – Set Dresser ("Battle at the Binary Stars"–"The Butcher's Knife Cares Not for the Lamb's Cry")
- Christoph Hasche – Digital Compositor: MovieBrats Studios ("The Butcher's Knife Cares Not for the Lamb's Cry")
- Vic Holt – President 2CGVFX
- Phil Hope – Concept Designer
- Tim Kafka – Lighting Supervisor
- Jesse Kawzenuk – Main Unit Data Wrangler
- Alan G. Kelly – Additional Camera Operator/Steadicam Operator
- Andrew Kim – Senior Concept Illustrator ("The Vulcan Hello"–"Battle at the Binary Stars")
- Jessica Kirec – Set Production Assistant
- Mark Krentz – Associate CG Supervisor: Spin VFX/Senior VFX Artist
- Eryn Krueger Mekash – Special Makeup Effects Artist
- Kevin Lafferty – Line Producer/Producer
- Ray Lai – Concept Illustrator/Prop Designer
- Pat Lau – VFX Supervisor/Matte Painter
- Dennis Liddiard – Makeup Artist
- Daniel Hyun Lim – Senior Illustrator/Costume Concept Designer
- Julian Lojek – Lead Compositor: Pixomondo
- Peter Mabrucco – Assistant to V. Natali ("The Vulcan Hello")
- Sang Maier – Props Buyer
- Anne Marley – Travel Coordinator
- Sheilagh McGrory – Prosthetic Shop Assistant
- Mike Mekash – Special Effects Makeup Artist
- Samuel Michlap – Concept Designer: Klingon starships ("The Vulcan Hello")
- Divyansh Mittal – Digital Compositor: Pixomondo
- Bart Mixon – Special Effects Makeup Artist ("The Vulcan Hello")
- Michele Monaco – Special Effects Makeup Project Manager
- Jose Mora-Perez – Special Effects Makeup Sculptor: Alchemy Studios
- Alamgir Muhammad – Costume department
- Sébastien Nebout – Compositor: BUF
- Oksana Nedavniaya – Costume Illustrator/Costume Concept Artist
- Julie Ng
- Michael O'Brien – Art Director/Head Sculptor: Alchemy Studios
- Grant Pearmain – Sculptor: FBFX ltd.
- William Powlowski – Senior Visual Effects Supervisor
- Kevin Quattro – VFX/CG Supervisor
- Loretta Ramos – Producer
- Richard Redlefsen – Prosthetic Makeup Artist ("The Vulcan Hello"–"Battle at the Binary Stars")
- Kai Reimer-Watts – Technician
- Alejandro Reyes-Andreu – Set Dresser
- John Rouse – VFX Integration Supervisor: CBS Television Studios ("The Vulcan Hello")
- Matt Salib – Foley Artist
- Scott Schneider – Conceptual Set Designer/Specialist Set Designer
- Sheila Mia Seifi – Dental Prosthetics Head: Alchemy Studios (Klingon teeth)
- Den Serras – Pipeline Technical Artist
- Matthew Skrobalak – Executive in Charge of Casting
- Daniel Smallegange – Property Buyer
- Mike Smithson – Special Makeup Effects Artist ("The Vulcan Hello"–"Battle at the Binary Stars")
- Bruce Spaulding Fuller – Special Makeup Effects Artist ("The Vulcan Hello")
- Julie St-Louis – Stunt Safety ("The Butcher's Knife Cares Not for the Lamb's Cry", "The Wolf Inside")
- Mitch Suskin – Senior Visual Effects Supervisor: CBS Television Studios (June 2016-February 2017; pre-production)
- Alan Sutton – Fire Safety Coordinator
- Mack Sztaba – Concept Artist
- Hitesh Thadani – Compositor: Pixomondo
- Jan Thijs – Still Photographer
- Ella Thompson – Pre-Production Art Assistant
- Hugo Villasenor – Key Special Effects Makeup Artist
- Dan Walker – Concept Artist
- Matt Whelan – VFX Supervisor
- Clarissa Justine Wiggers – Makeup Artist
- Matthew Williamson – Animation Lead
- Quinn Woods-Robinson – Render Assistant
- Mark Wotton – Special Effects Costumer: Creature Effects Lab Tech
- Shane Zander – Special Effects Makeup Artist
Unconfirmed[]
- Karthik Adepu – Compositor: Pixomondo
- Xavier Allard – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Indiana Allemang – Key Makeup Artist
- Wesley Alley – Assistant Chief Lighting Technician: Los Angeles Unit ("The Vulcan Hello")
- Wasili Angelopoulos – Costume Prop Maker: Spacesuits ("The Vulcan Hello")
- Jonathan Angus – Visual Effects Editor ("The Vulcan Hello")
- Berenice Antoine – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Michael Armstrong – Dialect Coach for Shazad Latif
- Natalia Atlija – Trainee Assistant Art Director
- Nick Augustyn – Second Assistant/Trainee Art Director/Set Designer
- Shereen Baddour – Second Second Assistant Camera Operator: Jordan Unit ("The Vulcan Hello")
- Adam Baker – Animator ("The Butcher's Knife Cares Not for the Lamb's Cry")
- J. Cody Baker – Assistant Colorist ("The Vulcan Hello"–"Battle at the Binary Stars")
- Mike Barber – Visual Effects Editor ("Battle at the Binary Stars"–"Context Is for Kings")
- Tanya Batanau-Chuiko – Head Cutter ("The Vulcan Hello"–"Context Is for Kings")
- Patrick Baxter – Special Makeup Effects Artist
- Nicola Bendrey – Special Makeup Effects Artist
- Daniel Biagi – Assistant to Producer
- Brian Black – Scorpio Head Operator
- Christian Bobak – Craft Service
- Nicolas Bonnell – Visual Effects Producer: BUF ("Si Vis Pacem, Para Bellum")
- Leor Boshi – Set Decoration Coordinator
- Nicolas Bouf – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Scotia Boyd – Prosthetics Crew ("The Vulcan Hello")
- Robert Branam – Video Assist Operator: L.A. Unit ("Battle at the Binary Stars")
- Steven Browning – CG Modeller
- Krista Burbidge – Makeup Artist
- Cavan Campbell – Rigging Electrician
- Scott Cannizzaro – ADR Mixer
- Ian Carre-Burritt – Set Lighting Technician: Los Angeles Unit ("Battle at the Binary Stars")
- Jean-Andre Carriere – Set Designer ("The Vulcan Hello"–"Battle at the Binary Stars")/Art Director ("Battle at the Binary Stars")
- Lauren Carson – Second Assistant C Camera Operator ("Battle at the Binary Stars"–"Choose Your Pain")
- Kevin Carter – Contact Lens Painter
- Olivier Cauwet – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Joel Chambers – Digital Compositor
- Kathleen Vernice Chavez – Art Apprentice
- Michael Cherrington – Camera Crane Operator ("Battle at the Binary Stars"–"Choose Your Pain")
- Alfonso Chin – Visual Effects
- Allan Cooke – Special Makeup Effects Artist
- Faye Crasto – Special Makeup Effects Artist
- Xinyue Cui – Digital Compositor ("The Butcher's Knife Cares Not for the Lamb's Cry"–"Choose Your Pain")
- Pierre Debras – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Grégoire Delzongle – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Paul DeOliveira – Commpositing Supervisor: Spin VFX
- Sujoy Dey – Digital Compositor ("Magic to Make the Sanest Man Go Mad")
- Alanna Dickie – Contact Lens Technician
- John Dickenson – Illustrator ("The Butcher's Knife Cares Not for the Lamb's Cry")
- Emerson Doerksen – Sculptor ("The Vulcan Hello")
- Christophe Dupuis – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Guillaume Dureux – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Michael R. Edmund – Second Assistant Art Director/Scale Model Builder
- Marion Eloy – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Elliott Elsey – ADR Recordist ("Battle at the Binary Stars")
- Dave Erlichman – A Camera Dolly Grip
- Eric Felland – Set Lighting Technician: Los Angeles Unit ("Battle at the Binary Stars")
- Cory Fisher – Special Makeup Effects Artist: Alchemy Studios
- Henry Fong – Key Costume Illustrator ("The Butcher's Knife Cares Not for the Lamb's Cry")
- Alissa Gee – Prosthetic Effects Technician
- J.P. Giamos – VFX Producer: Spin VFX
- Blake Goedde – VFX Lead ("The Vulcan Hello"–"Choose Your Pain")
- Alexandria Goldman – Textile Artist
- Javier Gonzalez – Specialty Costume Manufacturer
- Florian Gourdin – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Jonathan Graham – Assistant Head Sculptor
- Bryan Haines – Digital Compositoor ("The Vulcan Hello")
- Meriam Hamila – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Tanya Hart – Props Buyer ("The Butcher's Knife Cares Not for the Lamb's Cry"–"Choose Your Pain")
- Joanna Tracey Heaton – Daily Scenic ("The Vulcan Hello")
- Sean Heissinger – ADR Editor ("Magic to Make the Sanest Man Go Mad")
- Kirstin Herbst – Trainee Assistant Art Director/Second Assistant Illustrator
- Tashan Hira – Construction Buyer
- Alex Hirtenstein – Matte Painter: Concept Artist
- Mitch Hounslow – Visual Effects Editor: Spin VFX
- Rory James – Assistant Director
- Tex Kadonaga – Set Designer ("The Vulcan Hello"–"Context Is for Kings")
- Barry Kane – Chief Technical Officer: Spin VFX
- Jesse Kawzenuk – Lead Data Wrangler
- J.R. Kenny – Special Effects Technician
- May Khalili – Assistant Art Director: Jordan ("The Vulcan Hello")
- Hanadi Khurma – Costumer Crepusculans: Jordan Unit ("The Vulcan Hello")
- Olga Kirnos – Assistant Makeup Artist
- Zane Knisely – Special Makeup Effects Artist ("The Vulcan Hello"–"The Butcher's Knife Cares Not for the Lamb's Cry")
- Claire Koonce – Casting Associate
- Laura Krause – Previs Modeler: Pixomondo
- Abhishek Kukreti – Digital Compositor ("The Vulcan Hello"–"Battle at the Binary Stars")
- Romane Landrieux – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Johnny Larocque – Special Effects Technician
- Derek Ledbetter – Compositing Supervisor ("The Vulcan Hello")
- Wing Lee – Costume Cutter
- Yulia Levitas – Compositor: Spin VFX
- Drew Longland – Special Effects Technician
- Renaud Louvet – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Kristi Lugo – Casting Assistant ("The Vulcan Hello")
- Sandrine Lurde – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Sang Maier – Property Buyer
- Jennifer Maillet – Digital Compositor
- Pierre-Yves Marin – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Aurélien Marquaille – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Arthur Marx – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Saurabh Maurya – Lead CG Artist
- Colin Mayne – Matte Painter ("The Vulcan Hello")
- Matt McClurg – Previsualization Creative Supervisor: Pixomondo
- Rachel McIntire – Dailies Technician: Los Angeles Unit ("Battle at the Binary Stars")
- Lisa McNeil – Second Unit Script Supervisor ("The Vulcan Hello")
- Kyle Menzies – VFX Supervisor: Spin VFX
- Carl Michaloski – Sculptor/Mouldmaker ("The Vulcan Hello")
- Robert Murdoch – Camera Trainee
- Geoffrey Niquet – Visual Effects Supervisor: BUF ("Si Vis Pacem, Para Bellum")
- Cem Olcer – Visual Effects Supervisor: BUF ("Si Vis Pacem, Para Bellum")
- Graham Penny – Data Wrangler
- Nick Petoyan – Post Production Production Assistant
- Regina Petrik – Driver
- Tijana Petrovic – Art Apprentice
- Félix Pirritano – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Thibault Plancq – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Michelle Poirier – Assistant Property Master ("The Vulcan Hello")
- Corinna Porsia – First Assistant Art Director
- Matthew Porteous – Sound Utility/Boom Operator
- Thomas Pringle – Concept Artist
- Andrew Read – Lighting Console Programmer
- Cecily Rhett – Editor
- Antonio Ribeiro – Digital Compositor: Spin VFX
- Mike Rotella – Sculptor: Creature Effects
- Mikaiel Russ – Digital Compositor ("The Vulcan Hello")
- Jawed J.S. – Set Dresser ("The Vulcan Hello")/Set Decorator
- Balthazar Sahel – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Michael Saintsbury – Special Effects Technician/Grip
- Jean-Marc Saldini – Additional Focus Puller
- Nagita Salsberry – Special Effects Artist ("The Vulcan Hello"–"Battle at the Binary Stars")
- Adam Sauder – Board Operator
- Robert Schajer – VFX Producer: Buf ("Choose Your Pain")
- Marc Schatalow – Set Lighting Technician: Los Angeles Unit ("Battle at the Binary Stars")
- Jordan Schella – Rigging Electrician
- Emily M. Schoener – Casting Associate
- Alan Scott – Legacy Effects Supervisor ("The Vulcan Hello")
- Vanessa Shah – Scout ("The Vulcan Hello")
- Daryl Shail – Visual Effects Producer
- Jaclyn Shoub – Set Decoration Buyer
- Jesse Siglow – Visual Effects Artist ("The Vulcan Hello")
- Maria Simonelli – Assistant Property Master
- Diandra Soares – Set Production Assistant
- Callie Sorce – ADR Recordist ("Battle at the Binary Stars")
- Zeina Soufan – Costumer: Jordan Unit ("The Vulcan Hello")
- Kitty Spiropoulos – Production Accountant
- Mark Steel – Production Designer
- Justin Steptoe – Digital Imaging Technician: Los Angeles Unit ("Battle at the Binary Stars")
- Jeffrey Swarts – Construction Unit Driver
- Chloe Swintak – Set Dresser
- Michael Tanton – Visual Effects Editor and Project Coordinator
- Tom Tennisco – Visual Effects Coordinating Producer
- Cale Thomas – Makeup Artist: Alchemy Studio
- Sydney Allison Thomas – Visual Effects Editor
- Wayne Thomas – Textile Artist
- Sonja Toma – Set Dresser ("The Vulcan Hello")
- Joseph Tsai – Sound Editor ("Battle at the Binary Stars"–"The Butcher's Knife Cares Not for the Lamb's Cry")
- James Anthony Usas – Second Assistant Art Director/Set Designer
- Victor Utku Gocer – Compositor: Spin VFX
- David Uystpruyst – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Brian Van Dorn – Special Effects Makeup Artist: Alchemy Studios
- Michael Van Fleet – Visual Effects Senior Systems Engineer
- Tyson Van Wagoner – Modeler ("The Vulcan Hello")
- Stephane Vogel – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- Cassidy Watkins – Clearance Coordinator
- Arnaud Watteau – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
- LuAndra Whitehurst – Special Makeup Effects Artist ("The Vulcan Hello"–"Battle at the Binary Stars")
- Aidan Whitworth – Sculptor
- Sheryl Willock – Costume Buyer
- Andrew N. Wong – Office Production Assistant: Los Angeles Unit ("Battle at the Binary Stars")
- Jennifer Wood – Set Decoration Buyer
- Samir Zaidan – Construction Manager ("Battle at the Binary Stars")
- Annabelle Zoellin – Digital Artist: BUF ("Si Vis Pacem, Para Bellum")
Production companies[]
- 2CGVFX – Special Effects Company
- Creature Effects – Special Effects Company
- FBFX ltd. – Special Effects Company
- Gentle Giant Studios – 3D Scanning
- Legacy Effects – Visual Effects Company
- LRX Lighting – Grip and Lighting Equipment
- MovieBrats Studios
- Paul Jones Effects Studio
- Streak Productions Inc.
See also[]
External links[]
- Star Trek: Discovery season 1 at Memory Beta, the wiki for licensed Star Trek works
- Star Trek Discovery Season 1 episode reviews at Ex Astris Scientia
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Next season: DIS Season 2 |