Emmy Award

Real world article

(written from a production point of view)

Emmy Award
Established	1949
Country	United States
Presented by	Academy of Television Arts & Sciences National Academy of Television Arts & Sciences International Academy of Television Arts and Sciences
Medium(s)	Television
No. of Star Trek nominations	185
No. of Star Trek wins	38

The Emmy Awards have been presented annually by The Academy of Television Arts & Sciences since 1949 for the best in US television. Considered the most prestigious of their kind, the Emmy Awards are perceived as the television counterparts of the theatrical film Academy Awards.

Summary

The Star Trek television productions proper, have won 38 Emmy Awards out of 185 nominations spanning from 1967 through 2024, augmented with two additional nominations for a 2006 Star Trek referencing television documentary, and a 2018 special award win for the entirety of the (television) franchise. Remarkably, almost a third of the (co-)nominations went to the three most honored Star Trek staffers, Michael Westmore, Dan Curry and Ron B. Moore, sharing 56 nominations between them (24, 19 and 13 respectively), (co-)winning 17 of them (5, 7 and 5 respectively), and which, astonishingly (considering the huge number of people who have worked on the franchise over the decades), accounted until 2022 for no less than nearly half of the total wins. The record for Westmore is even more impressive as he is the only Star Trek staffer to have received nominations in every single year, from 1988 through 2005, during which the Berman-era television franchise was in production, on six occasions even being nominated twice. Coincidentally, the most award winning staffer, Dan Curry, also holds the record with the most single year nominations, four in 1999, though only winning one of them that year. Virtually all of Curry's and Moore's nominations and wins were scored in the visual effects (VFX) award categories, a telltale indication of the leading role Berman-era Star Trek played in the field of television VFX during its eighteen years of production.

Of the (as of 2024) twelve Star Trek television shows, Star Trek: The Next Generation has been nominated and won the most (18 wins out of 58 nominations), though this was also due in part to the fact that there was little competition in the technical categories when The Next Generation started its run – especially during the first four seasons – before the advent of Babylon 5 in 1993. Star Trek: The Original Series has been the worst performing one as it scored none of its 13 nominations. Star Trek's single best year at the Emmy's as a television entirety was 1993 when, between the two of them, The Next Generation and Star Trek: Deep Space Nine scored 6 wins out of 12 nominations, whereas 1998 was its worst when Deep Space Nine and Star Trek: Voyager scored 0 wins out of 8 nominations between them. On their own, it was Voyager which was by the Academy perceived as the most promising Star Trek series with the most nominations for its debut season, winning two of them in that year, but also went on to experience its worst single year in in 2000, when it did not win any of their 7 nominations for its season 6, directly followed by Deep Space Nine's same season which did not succeed to win any of the 6 awards it was nominated for two years earlier, the same year the entire television franchise scored at its worst. The Next Generation has by 2022 remained the most successful iteration of televised Star Trek as it did manage to secure at least 2 wins in each of its seven-year lifespan, also achieving the highest single year score in 1992 with 4 wins out of 9 nominations for its fifth season.

Of the main, primary live-action shows, it is the fourth and last seasons of The Next Generation that are tied in being the most nominated ones, incidentally also tied in actual wins of two out of ten nominations each. Conversely – when discounting Star Trek: The Animated Series, Star Trek: Short Treks, Star Trek: Lower Decks and Star Trek: Prodigy for their deviant formats –, the fourth season of Star Trek: Discovery became by far the overall worst scoring season of all Star Trek live-action television productions when it was not even considered for any Emmy nomination in 2022, a first for televised live-action Star Trek and a "feat" repeated two years later for its final season – the animated Lower Decks incidentally, became in 2022 concurrently the second Star Trek show not even considered for an Emmy either for its second and third seasons. In its defense however, Discovery was facing fierce competition from numerous other genre shows (as did Lower Decks as well in its field of animation for that matter) when it started its run in 2017, having to face Seth MacFarlane's heavily The Next Generation-inspired The Orville science fiction series among many others, whereas its precursor The Next Generation faced none when it started its in 1987. This had also held true for the last two seasons of Star Trek: Enterprise, when it was facing stiff competition from the revamped Battlestar Galactica franchise from former Star Trek writer and producer Ronald D. Moore (not to be confused with the above mentioned multi-Emmy Award winning Star Trek staffer) in particular.

Four episodes are tied for the most nominations, which is four each: TNG: "The Best of Both Worlds, Part II", "All Good Things...", DS9: "Emissary", and VOY: "Caretaker". Five episodes are tied for the most wins (two each): TNG: "The Best of Both Worlds, Part II", "Q Who", "Time's Arrow, Part II", "Cost Of Living", and VOY: "Endgame".

The Animated Series is the only Star Trek series to have won a "major" Emmy Award. It was twice nominated for a Daytime Emmy Award in the category "Outstanding Entertainment Children's Series" in 1974 and 1975, winning it in 1975. This was the first major television production award Star Trek did actually win (the very first awards for the Star Trek phenomenon as a whole were the 1967 Hugo Award for writing and The NAACP Image Award in the same year). Both The Original Series and The Next Generation were nominated for the "Outstanding Dramatic Series"/"Outstanding Drama Series" (the name of the award changed), TOS in its first two years and TNG in its last, but neither won. The only other Star Trek series to be nominated for an Emmy Award outside the "technical" and "artistic" categories is Star Trek: Short Treks, which was nominated for "Outstanding Short Form Comedy Or Drama Series" in 2020.

Most of Star Trek's nominations and wins have been in the technical categories, most predominantly VFX, followed by prosthetics and make-up. To an extent, Star Trek dominated those fields in the Berman-era, as it frequently competed with itself with two episodes concurrently nominated for "Best Visual Effects" and "Makeup"/"Prosthetics" in the same year. It lost its VFX predominance in the Kurtzman-era however, since the franchise was no longer the innovative leader in the field as it once had been in the Roddenberry/Berman-era, but rather a follower; and even though a VFX Emmy was won for the Discovery episode "Su'Kal", it has to date remained the only VFX nomination the franchise had secured in over seven years that Kurtzman-era Star Trek had been in production. In the Makeup and Prosthetics categories on the other hand, the franchise has remained as strong as ever. There were however also nominations in the more non-technical "artistic" major categories such as hairstyling. Other "artistic" categories where Star Trek did chalk up some early nominations and a few wins included writing, acting, producing, directing, music, art direction, title design, as well as main costume design, whereas the more technical categories, besides VFX, included categories such as editing, sound mixing, and sound editing. Among actors, only Leonard Nimoy has ever been nominated for supporting actor in a drama or series and he was nominated three times. But he never won.

It should be noted that, prior to the mid-1980s, the "Visual Effects" category did not exist. In the 1960s, they were part of a rather nondescript category called "Special Classification of Individual Achievements" (for which The Original Series was nominated three years in a row incidentally), whereas they were lumped together in an equally nondescript "Art Direction" category for the 1970s and most of the 1980s. It was due to the lobbying efforts of among others Dan Curry, and more specifically Ronald B. Moore, who was a voting member of the Television Academy prior to his involvement with Star Trek, that VFX was split off into a category onto its own. However, this had a side-effect as more technical categories were added due to the growing technical sophistication of television productions, and as a result the behind-the-scenes technical categories were split off from the more "artistic" main categories. From the split onward the technical awards were awarded the weekend prior to the artistic aka "Prime Time" Emmy Award ceremony as the "Creative Arts Emmys Show^(X)" – into which the originally "artistic" non-prosthetics makeup and hairstyling were incorporated at a later point in time. This part of the Emmy Awards ceremonies habitually receives hardly any media coverage, if at all, as opposed to the very much publicized, highly glamorous major, or "real" as Ron B. Moore had coined them, Emmy Awards. (Flying Starships, pp. 107-115)

Moore has also reported that the later slew of award wins and nominations by the technical Star Trek staffers over the years and almost none whatsoever in any of the "real" Emmy Award categories has caused somewhat of an envious rift between the technical and the more artistic side of Star Trek's staff and cast, having stated, "There were times when I felt that winning an Emmy really worked against us". In line with this, Moore has also noted that Captain Jonathan Archer actor Scott Bakula was the only cast member who ever took the trouble of congratulating the VFX staff in person with their later wins, unsurprisingly endearing him to Moore. (Flying Starships, p. 112)

Not only this, but the Academy itself has exhibited a certain amount of disdain for the Star Trek franchise on at least one occasion, as Moore recalled, when he was co-nominated with Curry in the VFX category for the season three The Next Generation episode "Deja Q" during the 1990 ceremony. Apart from this episode, "Tin Man" was also nominated (with Robert Legato and Gary Hutzel as nominees), together with three non-Star Trek productions. In a bizarre turn of events, all three non-Star Trek productions received the award due to a three-way tie, leaving the two Star Trek productions sole losers. In a further snub, the organization had Next Generation cast members Michael Dorn and Marina Sirtis purposely present the awards. Unaware of the set-up, both were horrified when they had to announce the winners, to which a thoroughly chagrined Moore added, "To add insult to injury they sent me a video copy of the award show so I can live it over and over." (Flying Starships, pp. 109-110) Nevertheless, all the snubbed Star Trek staffers went on to receive multiple Emmy Award wins. Something similar, though not orchestrated this time around, occurred twenty-eight years later in 2018, when the heavily Star Trek-inspired fourth season episode "USS Callister" of the successful British Channel 4 cautionary tale anthology series Black Mirror picked up six nominations alone out of eight for the entire season, most of them in the major categories, winning no less than four of them, including the most prestigious one in the "Outstanding Television Movie" category, a (children's) counterpart only won by The Animated Series as already related. [1] This turned out to be an embarrassment for the franchise it had drawn its inspiration from, as the first season of Discovery, launched with so much pomp and circumstance, only managed to secure two nominations in minor technical categories that year, despite massive franchise publicity efforts to achieve much more, and neither of which won. [2] [3]

The contrast between the "artistic" and "technical" award nominations had an even more ironic aspect as far as the VFX were concerned. While the executors of the VFX were showered with nominations, none of those who came up with the concepts in the first place, the production illustrators (the title being introduced in the franchise with Star Trek: The Motion Picture, and as part of the art department traditionally thought of as "artistic"), ever were, with the sole exception of Matt Jefferies in 1968.

In 2018, the Academy made amends for its 1990 slight, when it decided to award the live-action franchise with the special "Governors Award", recognizing "the visionary science-fiction television franchise and its legacy of boldly propelling science, society and culture where no one has gone before". [4] Presented by popular science communicator Bill Nye on 8 September 2018 at the Creative Arts Emmys Awards show – exactly fifty-two years after the very first Star Trek episode was aired on US television – , the ceremony was attended by representatives, both cast and production staffers, from all the live-action television series, but ironically not including a production representative of the winner of the only "major" Emmy Award, The Animated Series. William Shatner and Sonequa Martin-Green, representing the very first and the then most recent incarnation of televised Star Trek, accepted the award on behalf of the franchise, with Shatner giving he acceptance speech. [5]

The year 2022 saw the debut of the Children's and Family Emmy Awards, a new Emmy Awards branch, which was formerly part of the Daytime Emmy Awards. Its inaugural nominee lineup saw the inclusion of the first season of Star Trek: Prodigy in two categories, including one of the most coveted categories, "Outstanding Animated Series", [6] and has thereby essentially followed in the footsteps of its illustrious The Animated Series predecessor when it was included in the inaugural nominee lineup in a corresponding category of the then newly instituted Daytime Emmy Awards back in 1974. But like its predecessor, it failed to secure the win on its first run, though winning the lesser one. The inaugural ceremony incidentally, was hosted by Jack McBrayer, the Badgey voice actor from the other Kurtzman-era animated series, Star Trek: Lower Decks. Additionally, LeVar Burton won the award's first "Lifetime Achievement Award", predominantly for his Reading Rainbow work. He was tributed over video by his Next Generation/Picard co-stars Patrick Stewart and Whoopi Goldberg. [7]

Totals

Note: In the table below, "Noms", or nominations, include both wins and losses. For example in TNG's first year, the show received 7 nominations of which it won 3, so it lost 4, therefore, dividing 3 by 7, achieving a score of 43%.

Year	TOS		TAS		TNG		DS9		VOY		ENT		DIS		ST		PIC		LD		SNW		PRO		Totals
	Wins	Noms	Wins	Noms	Wins	Noms	Wins	Noms	Wins	Noms	Wins	Noms	Wins	Noms	Wins	Noms	Wins	Noms	Wins	Noms	Wins	Noms	Wins	Noms	Wins	Noms
1967	0	5																							0	5
1968	0	4																							0	4
1969	0	4																							0	4
1974			0	1																					0	1
1975			1	1																					1	1
1988					3	7																			3	7
1989					2	8																			2	8
1990					2	9																			2	9
1991					2	10																			2	10
1992					4	9																			4	9
1993					3	5	3	7																	6	12
1994					2	10	0	2																	2	12
1995							1	3	2	9															3	12
1996							0	5	1	2															1	7
1997							0	5	1	3															1	8
1998							0	6	0	2															0	8
1999							0	4	1	3															1	7
2000									0	7															0	7
2001									2	8															2	8
2002											2	5													2	5
2003											0	5													0	5
2004											2	4													2	4
2005											0	3													0	3
2018													0	2											0	2
2019													1	4											1	4
2020													n/a	n/a	0	1	1	5							1	6
2021													1	4			n/a	n/a	0	1					1	5
2022													0	0			0	4	0	0	0	1	1	2	1	7
2023													-	-			0	2	0	0	-	-	0	1	0	3
2024													0	0					0	1	0	1	-	-	0	2
Totals	0	13	1	2	18	58	4	32	7	34	4	17	2	10	0	1	1	11	0	2	0	2	1	3	38	185

Details

In the table below, the year given is the year of the award. The period of contention for the award is from the fall of the previous year to the summer of the current year, which corresponds to a traditional television season.

Year	Series/Episode	Result	Category	People and/or Organizations
1967	Star Trek: The Original Series	Nominated	Individual Achievements in Art Direction and Allied Crafts	Jim Rugg, Mechanical Special Effects
			Individual Achievements in Cinematography	Darrell Anderson, Linwood G. Dunn, Joseph Westheimer, Special Effects
			Individual Achievements in Film and Sound Editing	Douglas Grindstaff, Sound Editor
			Outstanding Dramatic Series	Gene Coon, Producer; Eugene Roddenberry, Producer
			Outstanding Performance by an Actor in a Supporting Role in a Drama Series	Leonard Nimoy
1968			Outstanding Achievement in Film Editing	Donald R. Rode, Editor
			Outstanding Dramatic Series	Gene Roddenberry, Executive Producer
			Outstanding Performance by an Actor in a Supporting Role in a Drama Series	Leonard Nimoy
			Special Classification of Individual Achievements	the Westheimer Company, Special Photographic Effects
1969			Outstanding Achievement in Art Direction and Scenic Design	John Dwyer, Set Decorator; Walter M. Jefferies
			Outstanding Achievement in Film Editing	Donald R. Rode, Editor
			Outstanding Continued Performance by an Actor in a Supporting Role in a Series	Leonard Nimoy
			Special Classification Achievements	Howard A. Anderson Company, the Westheimer Company, Vanderveer Photo Effects, Cinema Research, Special Photographic Effects
1974	Star Trek: The Animated Series	Nominated	Outstanding Entertainment Children's Series	Lou Scheimer, Norm Prescott
1975		Won
1988	TNG: "11001001"		Outstanding Sound Editing for a Series	Bill Wistrom, Supervising Sound Editor; Wilson Dyer, Sound Editor; Mace Matiosian, Sound Editor/Supervising ADR Editor; James Wolvington, Sound Editor; Gerry Sackman, Supervising Music Editor; Keith Bilderbeck, Sound Editor
	TNG: "The Big Goodbye"		Outstanding Costume Design for a Series	William Ware Theiss, Costume Designer
		Nominated	Outstanding Cinematography for a Series	Edward R. Brown
	TNG: "Conspiracy"	Won	Outstanding Achievement in Makeup for a Series	Werner Keppler, Michael Westmore, Gerald Quist, Makeup
	TNG: "Coming of Age"	Nominated		Michael Westmore, Werner Keppler, Gerald Quist, Rolf John Keppler, Makeup
	TNG: "Haven"		Outstanding Achievement in Hairstyling for a Series	Richard Sabre, Hairstylist
	TNG: "Where No One Has Gone Before"		Outstanding Sound Mixing for a Drama Series	Chris Haire, Doug Davey, Jerry Clemans, Alan Bernard, Sound Mixers
1989	TNG: "Q Who"	Won	Outstand Sound Editing for a Series	Bill Wistrom, Supervising Sound Editor; James Wolvington, Mace Matiosian, Wilson Dyer, Guy Tsujimoto, Sound Editors; Gerry Sackman, Supervising Music Editor
			Outstanding Sound Mixing for a Drama Series	Chris Haire, Doug Davey, Richard L. Morrison, Re-Recording Mixers; Alan Bernard, Sound Mixer; Ron Jones (uncredited)
		Nominated	Outstanding Achievement in Special Visual Effects	Dan Curry, Visual Effects Supervisor; Ronald B. Moore, Visual Effects Coordinator; Peter Moyer, Visual Effects Editor; Steve Price, Visual Effects Animator
	TNG: "Elementary, Dear Data"		Outstanding Art Direction for a Series	Richard D. James, Art Director; Jim Mees, Set Decorator
			Outstanding Costume Design for a Series	Durinda Wood, Costume Designer; William Ware Theiss, Starfleet Uniforms Creator
	TNG: "The Child"		Outstanding Achievement in Music Composition for a Series (Dramatic Underscore)	Dennis McCarthy, Composer
	TNG: "A Matter Of Honor"		Outstanding Achievement in Makeup for a Series	Michael Westmore, Makeup Supervisor; Gerald Quist, Janna Phillips, Makeup Artists
	TNG: "Unnatural Selection"		Outstanding Achievement in Hairstyling for a Series	Richard Sabre, Department Hairstylist; Georgina Williams, Hairstylist
1990	TNG: "Yesterday's Enterprise"	Won	Outstanding Sound Editing for a Series	Bill Wistrom, Supervising Sound Editor; James Wolvington, Mace Matiosian, Wilson Dyer, Rick Freeman, Sound Editors; Gerry Sackman, Supervising Music Editor
		Nominated	Outstanding Sound Mixing for a Drama Series	Alan Bernard, Production Mixer; Chris Haire, Doug Davey, Richard L. Morrison, Re-Recording Mixers
			Outstanding Achievement in Music Composition for a Series (Dramatic Underscore)	Dennis McCarthy, Composer
	TNG: "Sins of The Father"	Won	Outstanding Art Direction for a Series	Richard D. James, Production Designer; Jim Mees, Set Decorator
	TNG: "Deja Q"	Nominated	Outstanding Editing for a Series – Single Camera Production	Robert Lederman, Editor
			Outstanding Achievement in Special Visual Effects	Dan Curry, Visual Effects Supervisor; Ronald B. Moore, Visual Effects Coordinator; Peter Moyer, Visual Effects Editor; Steve Price, Harry Artist; Don Lee, Visual Effects Editor
	TNG: "Tin Man"			Robert Legato, Visual Effects Supervisor; Gary Hutzel, Visual Effects Coordinator; Steve Price, Visual Effects Animator; Don Greenberg, Visual Effects Editor; Erik Nash, Motion Control Supervisor; Don Lee, Visual Effects Editor; Michael Okuda, Graphic Designer
	TNG: "Allegiance"		Outstanding Achievement in Makeup for a Series	Michael Westmore, Gerald Quist, June Westmore, Hank Edds, Doug Drexler, John Caglione, Jr., Ron Walters, Makeup Artists
	TNG: "Hollow Pursuits"		Outstanding Achievement in Hairstyling for a Series	Vivian McAteer, Head Hairstylist; Barbara Lampson, Rita Bellissimo, Hairstylists
1991	TNG: "The Best of Both Worlds, Part II"	Won	Outstanding Sound Editing for a Series	Bill Wistrom, Supervising Sound Editor/Supervising ADR Editor; James Wolvington, Mace Matiosian, Wilson Dyer, Masanobu Tomita, Dan Yale, Sound Editors; Gerry Sackman, Supervising Music Editor
			Outstanding Sound Mixing for a Drama Series	Alan Bernard, Production Mixer; Doug Davey, Chris Haire, Richard L. Morrison, Re-Recording Mixers
		Nominated	Outstanding Art Direction for a Series	Richard D. James, Production Designer; Jim Mees, Set Decorator
			Outstanding Achievement in Special Visual Effects	Robert Legato, Visual Effects Supervisor; Gary Hutzel, Visual Effects Coordinator; David Takemura, Visual Effect Associate; Patrick Clancy, Visual Effects Editor; Steve Price, Michael Okuda, Visual Effects Animation Designers; Erik Nash, Motion Control Cameraman; Syd Dutton, Matte Artist; Bill Taylor, Matte Cameraperson; Don Lee, Blue Screen Compositing
	TNG: "The Best of Both Worlds"			Gary Hutzel, Visual Effects Coordinator; Robert Legato, Visual Effects Supervisor; David Takemura, Visual Effect Associate; Michael Okuda, Graphics Designer; Don Greenberg, Visual Effects Editor; Erik Nash, Motion Control Cameraperson; Steve Price, Visual Effects Animation Designer; Syd Dutton, Robert Stromberg, Matte Artists; Bill Taylor, Matte Cameraperson; Don Lee, Blue Screen Compositing
	TNG: "Devil's Due"		Outstanding Costume Design for a Series	Robert Blackman, Costume Designer
	TNG: "Family"		Outstanding Cinematography for a Series	Marvin V. Rush, Director of Photography
	TNG: "Half a Life"		Outstanding Achievement in Music Composition for a Series (Dramatic Underscore)	Dennis McCarthy, Composer
	TNG: "Brothers"		Outstanding Achievement in Makeup for a Series	Michael Westmore, Makeup Creator/Makeup Supervisor; June Abston Haymore, Gerald Quist, Michael M. Mills, Makeup Artists
	TNG: "Identity Crisis"			Michael Westmore, Makeup Supervisor; Gerald Quist, June Abston Haymore, Edward French, Jill Rockow, Gilbert A. Mosko, Makeup Artists
1992	TNG: "Cost Of Living"	Won	Outstanding Individual Achievement in Costume Design for a Series	Robert Blackman, Costume Designer
			Outstanding Individual Achievement in Makeup for a Series	Michael Westmore, Make-up Supervisor/Designer; Gerald Quist, Ron Walters, Jane Haymore, James R. Scribner, Ken Diaz, Karen Westerfield, Richard Snell, Tania McComas
		Nominated	Outstanding Individual Achievement in Hairstyling for a Series	Joy Zapata, Hair Designer; Patricia Miller, Hairstylist
	TNG: "A Matter Of Time"	Won (tie)	Outstanding Individual Achievement in Special Visual Effects	Dan Curry, Visual Effects Supervisor; Ronald B. Moore, Visual Effects Coordinator; David Takemura, Visual Effects Associate; Erik Nash, Motion Control Photography; Don Lee, Peter Sternlicht, Visual Effects Editors; Adam Howard, Visual Effects Animator; Syd Dutton, Robert Stromberg, Matte Artists
	TNG: "Conundrum"			Robert Legato, Visual Effects Supervisor; Gary Hutzel, Visual Effects Coordinator; David Takemura, Visual Effects Associate; Patrick Clancey, Visual Effects Compositor; Adrian Hurley, Motion Control Operator; Adam Howard, Animation Supervisor; Don Lee, Visual Effects Editor; Dennis Hoerter, Motion Control Technician
	TNG: "Unification I"	Nominated	Outstanding Individual Achievement in Music Composition for a Series (Dramatic Underscore)	Dennis McCarthy, Composer
	TNG: "Unification II"		Outstanding Individual Achievement in Art Direction for a Series	Richard D. James, Production Designer; Jim Mees, Set Decorator
	TNG: "The Next Phase"		Outstanding Individual Achievement in Sound Mixing for a Drama Series	Alan Bernard, Production Mixer; Chris Haire, Richard L. Morrison, Doug Davey, Re-Recording Mixers
	TNG: "Power Play"		Outstanding Individual Achievement in Sound Editing for a Series	Bill Wistrom, Supervising Sound Editor/Supervising ADR Editor; James Wolvington, Wilson Dyer, Masanobu Tomita, Dan Yale, Sound Editors; Gerry Sackman, Music Editor
1993	TNG: "Time's Arrow, Part II"	Won	Outstanding Individual Achievement in Costume Design for a Series	Robert Blackman, Costume Designer
			Outstanding Individual Achievement in Hairstyling for a Series	Joy Zapata, Hair Designer; Candace Neal, Patricia Miller, Laura Connolly, Richard Sabre, Julia L. Walker, Josée Normand, Hairstylists
		Nominated	Outstanding Individual Achievement in Sound Editing for a Series	Bill Wistrom, James Wolvington, Supervising Sound Editors; Miguel Rivera, Masanobu Tomita, Guy Tsujimoto, Jeff Gersh, Dan Yale, Sound Editors; Gerry Sackman, Music Editor
	TNG: "A Fistful of Datas"	Won	Outstanding Individual Achievement in Sound Mixing for a Drama Series	Alan Bernard, Production Mixer; Doug Davey, Re-Recording Mixer-Effects; Richard L. Morrison, Re-Recording Mixer-Music; Chris Haire, Re-Recording Mixer
	TNG: "The Inner Light"	Nominated	Outstanding Individual Achievement in Makeup for a Series	Michael Westmore, Makeup Designer/Makeup Supervisor; Gerald Quist, June Abston Haymore, Karen Westerfield, Jill Rockow, Doug Drexler, Makeup Artists
	Star Trek: Deep Space Nine	Won	Outstanding Individual Achievement in Main Title Theme Music	Dennis McCarthy, Composer
	DS9: "Emissary"	Won (tie)	Outstanding Individual Achievement in Special Visual Effects	Robert Legato, Visual Effects Producer/Supervisor; Gary Hutzel, Additional Supervision; Michael Dallas Gibson, Wormhole Designer; Dennis Blakey, Morphing Designer
		Nominated	Outstanding Individual Achievement in Art Direction for a Series	Herman Zimmerman, Production Designer; Randy McIlvain, Art Director; Mickey S. Michaels, Set Decorator
			Outstanding Individual Achievement in Sound Editing for a Series	James Wolvington, Bill Wistrom, Supervising Sound Editors; Ashley Harvey, Miguel Rivera, Jeff Gersh, Sean Callery, Steffan Falesitch, Sound Editors; Stephen M. Rowe, Music Editor
			Outstanding Individual Achievement in Sound Mixing for a Drama Series	William Gocke, Production Mixer; Chris Haire, Richard L. Morrison, Doug Davey, Re-Recording Mixers
	DS9: "Captive Pursuit"	Won	Outstanding Individual Achievement in Makeup for a Series	Michael Westmore, Makeup Designer/Supervisor; Jill Rockow, Karen Westerfield, Gilbert A. Mosko, Dean Jones, Michael Key, Craig Reardon, Vincent Niebla, Makeup Artists
	DS9: "Move Along Home"	Nominated	Outstanding Individual Achievement in Hairstyling for a Series	Candace Neal, Hair Designer; Ronald W. Smith, Gerald Solomon, Susan Zietlow-Maust, Hairstylists
1994	Star Trek: The Next Generation		Outstanding Drama Series	Rick Berman, Michael Piller, Jeri Taylor, Executive Producers; David Livingston, Supervising Producer; Peter Lauritson, Ronald D. Moore, Producers; Merri Howard, Line Producer; Brannon Braga, Wendy Neuss, Co-Producers
	TNG: "All Good Things..."	Won	Outstanding Individual Achievement in Special Visual Effects	Dan Curry, Visual Effects Producer; David Stipes, Visual Effects Supervisor; Michael Backauskas, Visual Effects Coordinator; Scott Rader, Compositing Animator; Adam Howard, Visual Effects Animation; Erik Nash, Motion Control Camera Operator
		Nominated	Outstanding Individual Achievement in Music Composition for a Series (Dramatic Underscore)	Dennis McCarthy, Composer
			Outstanding Individual Achievement in Editing for a Series – Single Camera Production	Daryl Baskin, David Ramirez, Editors; J.P. Farrell, Supervising Editor
			Outstanding Individual Achievement in Costume Design for a Series	Robert Blackman, Costume Designer; Abram Waterhouse, Co-Costume Designer
	TNG: "Genesis"	Won	Outstanding Individual Achievement in Sound Mixing for a Drama Series	Alan Bernard, Production Mixer; Chris Haire, Dialogue Re-Recording Mixer; Richard L. Morrison, Re-Recording Mixer; Doug Davey, Effect Re-Recorder Mixer
		Nominated	Outstanding Individual Achievement in Sound Editing for a Series	Mace Matiosian, Supervising Sound Editor; Ruth Adelman, Miguel Rivera, Dialogue Editors; Masanobu "Tomi" Tomita, Guy Tsujimoto, Sound Effects Editors; Jeff Gersh, Sound Editor; Gerry Sackman, Music Editor; Jerry Trent, Audrey Trent, Foley Artists
			Outstanding Individual Achievement in Makeup for a Series	Michael Westmore, Makeup Supervisor/Designer; June Westmore, Gilbert A. Mosko, Debbie Zoller, Tina Hoffman, David Quashnick, Mike Smithson, Hank Edds, Kevin Haney, Michael Key, Key Makeup Artists
	TNG: "Thine Own Self"		Outstanding Individual Achievement in Art Direction for a Series	Richard D. James, Production Designer; Andrew Neskoromny, Art Director; Jim Mees, Set Decorator
	TNG: "Firstborn"		Outstanding Individual Achievement in Hairstyling for a Series	Joy Zapata, Hair Designer; Patricia Miller, Laura Connolly, Carolyn Elias, Don Sheldon, Susan Zietlow-Maust, Key Hairstylists
	DS9: "Armageddon Game"			Josée Normand, Hair Designer; Ronald W. Smith, Norma Lee, Gerald Solomon, Key Hairstylists
	DS9: "Rules of Acquisition"		Outstanding Individual Achievement in Makeup for a Series	Michael Westmore, Makeup Supervisor/Designer; Camille Calvet, Karen Westerfield, Dean Gates, Dean Jones, Tina Hoffman, David Quashnick, Mike Smithson, Hank Edds, Michael Key, Gilbert A. Mosko, Key Makeup Artists
1995	Star Trek: Voyager	Won	Outstanding Individual Achievement in Main Title Theme Music	Jerry Goldsmith, Composer
		Nominated	Outstanding Individual Achievement in Graphic Design and Title Sequences	Dan Curry, Title Designer; John Grower, Effects and Animation Supervisor; Eric Guaglione, Animation Supervisor; Erik Tiemens, Storyboard/Design
	DS9: "Distant Voices"	Won	Outstanding Individual Achievement in Makeup for a Series	Michael G. Westmore, Makeup Supervisor; Camille Calvet, Dean Gates, Karen Iverson, Dean Jones, Michael Key, Gil Mosko, Dave Quaschnick, Thom Surprenant, Karen Westerfield, Scott Wheeler, Makeup Artists
	VOY: "Faces"	Nominated		Michael G. Westmore, Supervising Makeup Artist; Tina Kalliongis-Hoffman, Michael Key, Barry R. Koper, Gil Mosko, Bill Myer, Greg Nelson, Mark Shostrom, Scott Wheeler, Natalie Wood, Makeup Artists
	DS9: "Improbable Cause"		Outstanding Individual Achievement in Hairstyling for a Series	Josée Normand, Hair Designer; Caryl Codon, Rebecca De Morrio, Norma Lee, Chris McBee, Michael Moore, Joan Phillips, Ronald Smith, Gerald J. Solomon, Faith Vecchio, Hairstylists
	DS9: "The Jem'Hadar"		Outstanding Individual Achievement in Special Visual Effects	Les Bernstein, Joshua Cushner, Erik Nash, Motion Control Programmers; Pat Clancey, Compositing Editor; Adam Howard, Harry Paintbox Animation Artist; Don Lee, Bluescreen Compositor; Glenn Neufeld, Visual Effects Supervisor; David Takemura, Visual Effects Coordinator
	VOY: "Caretaker"	Won		Michael Backauskas, Joe Bauer, Edward L. Williams, Visual Effects Coordinators; Dan Curry, Visual Effects Producer; Joshua Cushner, Motion Control Camera; Don B. Greenberg, Scott Rader, Visual Effects Compositing Editors; Adam Howard, Visual Effects Animator; Don Lee, Digital Colorist and Compositor; John Parenteau, Joshua Rose, Computer Animation; David Stipes, Visual Effects Supervisor; Robert Stromberg, Matte Artist
		Nominated	Outstanding Individual Achievement in Costume Design for a Series	Robert Blackman, Costume Designer
			Outstanding Individual Achievement in Hairstyling for a Series	Josée Normand, Hair Designer; Janice Brandow, Caryl Codon, Rebecca De Morrio, Dino Ganziano, Virginia Kearns, Audrey Levy, Shawn McKay, Patty Miller, Barbara Kaye Minster, Karen Asano Myers, Gloria Albarran Ponce, Katherine Rees, Patricia Vecchio, Faith Vecchio, Hairstylists
			Outstanding Individual Achievement in Music Composition for a Series (Dramatic Underscore)	Jay Chattaway, Composer
	VOY: "Heroes and Demons"			Dennis McCarthy, Composer
			Outstanding Individual Achievement in Cinematography for a Series	Marvin Rush, A.S.C., Cinematographer
1996	DS9: "Our Man Bashir"		Outstanding Music Composition for a Series	Jay Chattaway, Composer
			Outstanding Hairstyling for a Series	Brian Andrew-Tunstall, Lee Crawford, Cherie Huffman, Sue Maust, Ellen Powell, Barbara Ronci, Hairstylists; Shirley Dolle, Hair Designer
	VOY: "Persistence of Vision"			Karen Asano-Myers, Suzan Bagdadi, Laura Connolly, Barbara Kaye Minster, Hairstylists
	DS9: "The Muse"		Outstanding Costume Design for a Series	Robert Blackman, Costume Designer
	VOY: "Threshold"	Won	Outstanding Makeup for a Series	Michael G. Westmore, Makeup Designer/Supervisor; Ellis Burman, Tina Kalliongis-Hoffman, Brad Look, Gil Mosko, Greg Nelson, Mark Shostrom, Steve Weber, Scott Wheeler, Makeup Artists
	DS9: "The Visitor"	Nominated		Michael G. Westmore, Makeup Designer/Supervisor; Ellis Burman, Mark Bussan, Camille Calvet, Kevin Haney, Karen Iverson, Dean Jones, Brad Look, Gil Mosko, Dave Quaschnick, Thom Surprenant, Steve Weber, Scott Wheeler, Makeup Artists
	DS9: "The Way of the Warrior"		Outstanding Special Visual Effects	Josh Cushner, Jim Rider, Visual Effects Cameramen; Judy Elkins, Special Visual Effects Coordinator; Steve Fong, Don Lee, Scott Rader, Visual Effects Compositors; Dennis Hoerter, Prop Maker; Adam Howard, Visual Effects Artist; Gary Hutzel, Glenn Neufeld, Special Visual Effects Supervisors; Fredric Meininger, Joshua Rose, Model Makers
1997	DS9: "Trials and Tribble-ations"		Outstanding Art Direction for a Series	Randy McIlvain, Art Director; Laura Richarz, Set Decorator; Herman Zimmerman, Production Designer
	DS9: "Apocalypse Rising"		Outstanding Cinematogrpahy for a Series	Jonathan West, A.S.C., Director of Photography
	VOY: "False Profits"		Outstanding Costume Design for a Series	Robert Blackman, Costume Designer
	VOY: "Fair Trade"	Won	Outstanding Hairstyling for a Series	Suzan Bagdadi, Monique De Sart, Frank Fontaine, Charlotte Gravenor, Karen Asano Myers, Diane Pepper, Jo Ann Phillips, Hairstylists; Josée Normand, Key Hairstylist
	DS9: "Trials and Tribble-ations"	Nominated		Brian Andrew-Tunstall, Caryl Codon, Charlotte Harvey, Jacklin Masteran, Francine Shermaine, Linle White, Susan Zietlow Maust, Hairstylists; Norma Lee, Key Hairstylist
	DS9: "Apocalypse Rising"		Outstanding Makeup for a Series	Allan Apone, Belinda Bryant, Ellis Burman, Mark Bussan, Camille Calvet, Lisa Collins, Karen Iverson, Dean Jones, Brad Look, James MacKinnon, John Maldonado, Mary Kay Morse, David Quaschnick, Perri Sorel, Steve Weber, Karen J. Westerfield, Michael G. Westmore, Makeup Artists
	VOY: "Future's End"		Outstanding Sound Mixing for a Drama Series	Alan Bernard, Production Mixer; Doug Davey, Chris Haire, Richard Morrison, Re-Recording Mixers
	DS9: "Trials and Tribble-ations"		Outstanding Individual Achievement in Special Visual Effects	Kevin P. Bouchez, Adam Howard, Laurie Resnick, Visual Effects Artists; Judy Elkins, Special Visual Effects Co-Supervisor; Steve Fong, Don Lee, Davy T. Nethercutt, Visual Effects Compositors; Adrian Hurley, Paul Maples, Visual Effects Cameramen; Gary Hutzel, Special Visual Effects Supervisor; Gregory Jein, Model Maker
1998	DS9: "Far Beyond the Stars"		Outstanding Art Direction for a Series	Randy McIlvain, Art Director; Laura Richarz, Set Decorator; Herman Zimmerman, Production Designer
			Outstanding Costume Design for a Series	Robert Blackman, Costume Designer
			Outstanding Hairstyling for a Series	Louisa Victoria Anthony, Suzan Bagdadi, Hazel Catmull, Jo Anne Chaney, Darlis Chefalo, Rebecca De Morrio, Ruby Ford, Kathrine Gordon, Gloria Pasqua Casny, Barbara Ronci, Brian A. Tunstall, Hairstylists; Norma Lee, Hair Designer
	VOY: "The Killing Game", "The Killing Game, Part II"			Hazel Catmull, Laura Connolly, Ruby Ford, Charlotte Gravenor, Mimi Jafari, Chris McBee, Lola McNalley, Gloria Montemayor, Josée Normand, Viviane Normand, Dianne Pepper, Barbara Ronci, Adele Taylor, Delree Todd, Hairstylists
	DS9: "Who Mourns for Morn?"		Outstanding Makeup for a Series	Belinda Bryant, Ellis Burman, Mark Bussan, Camille Calvet, Suzanne Diaz, Karen Iverson, Dean Jones, Mary Kay Morse, Joe Podnar, David Quaschnick, Bernd J. Rantscheff, Jill Rockow, Karen J. Westerfield, Michael G. Westmore, Makeup Artists
	DS9: "His Way"		Outstanding Music Direction	Jay Chattaway, Music Director
	DS9: "One Little Ship"		Outstanding Special Visual Effects for a Series	Kevin P. Bouchez, Visual Effects Artist; Steve Bowen, Visual Effects Compositor; Judy Elkins, Special Visual Effects Supervisor; Steve Fong, Visual Effects Compositor; Adrian Hurley, Visual Effects Cameraman; Gary Hutzel, Special Visual Effects Supervisor; Paul Maples, Visual Effects Cameraman; Fredric Meininger, Model Maker; Gary Monak, Pyrotechnics Supervisor; Davy T. Nethercutt, Visual Effects Compositor; Laurie Resnick, Visual Effects Artist
	VOY: "Year of Hell, Part II"			Eric Chauvin, Matte Artist; Arthur Codron, Visual Effects Coordinator; Paul Hill, Visual Effects Compositor; Koji Kuramura, CG Model Artist; Adam "Mojo" Lebowitz, CG Animation Supervisor; Greg Rainoff, Visual Effects Animator; Mitch Suskin, Visual Effects Supervisor; John M. Teska, CG Animator
1999	DS9: "Prodigal Daughter"		Outstanding Art Direction for a Series	Randy McIlvain, Art Director; Laura Richarz, Set Decorator; Herman Zimmerman, Production Designer
	DS9: "Badda-Bing, Badda-Bang"		Outstanding Hairstyling for a Series	Brian Andrew-Tunstall, Gloria Pasqua Casny, Laura Connolly, Rebecca De Morrio, Frank Fontaine, Virginia Grobeson, Angela Gurule, Timothy Jones, Susan Maust, Gloria Ponce, Linda Sharp, Lauren Upshaw, Hairstylists; Norma Lee, Head Hairstylist
	DS9: "The Dogs of War"		Outstanding Makeup for a Series	Michael Blake, Belinda Bryant, Ellis Burman, Mark Bussan, Camille Calvet, Suzanne Diaz, Earl Ellis, Kevin Haney, Karen Iverson, Dean Jones, Tina Kalliongis-Hoffman, Toby Lamm, Jeffrey Lewis, Bradley M. Look, Mary Kay Morse, Joe Podnar, David Quaschnick, James Rohland, Sandra Rowden, Judith Silverman-Orr, Craig Smith, R. Stephen Weber, Karen J. Westerfield, Michael Westmore, June Westmore, Scott Wheeler, Natalie Wood, Makeup Artists
	VOY: "Dark Frontier"	Won	Outstanding Special Visual Effects for a Series	Rob Bonchune, Adam "Mojo" Lebowitz, CGI Supervisors; Elizabeth Castro, Arthur J. Codron, Visual Effects Coordinators; Dan Curry, Visual Effects Producer/Supervisor; Don Greenberg, Paul Hill, Visual Effects Compositors; Ronald B. Moore, Mitch Suskin, Visual Effects Supervisors; Greg Rainoff, Visual Effects Artist; John Teska, CGI Animator
	DS9: "What You Leave Behind"	Nominated		Rob Bonchune, David Lombardi, CGI Supervisor; Kevin P. Bouchez, Adam Howard, Greg Rainoff, Visual Effects Animators; Adam Buckner, Arthur J. Codron, Judy Elkins, Visual Effects Coordinators; Dan Curry, Visual Effects Producer/Supervisor; Steve Fong, Don Greenberg, Paul Hill, Davy T. Nethercutt, Visual Effects Compositors; Sherry Hitch, Digital Compositor; Gary Hutzel, David Stipes, Visual Effects Supervisors; Paul Maples, Visual Effects Cameraman; Gary Monak, Special Effects Supervisor; Larry Younger, Visual Effects Artist
	VOY: "Thirty Days"			Bruce Branit, CGI Supervisor/Lead Animator; Liz Castro, Visual Effects Coordinator; Dan Curry, Visual Effects Producer/Supervisor; Paul Hill, Visual Effects Compositor; Ronald B. Moore, Visual Effects Supervisor; Greg Rainoff, Visual Effects Artist
	VOY: "Timeless"			John Allardice, Visual Effects Animator; Robert Bonchune, CG Animation Supervisor; Eric Chauvin, Matte Artist; Arthur J. Codron, Visual Effects Coordinator; Dan Curry, Visual Effects Producer/Supervisor; Don Greenberg, Visual Effects Compositor; Sherry Hitch, CG Artist; Greg Rainoff, Effects Animation Artist; Mitch Suskin, Visual Effects Supervisor; John Teska, CG Animator; Ron Thornton, Particle Element Supervisor
2000	VOY: "Muse"		Outstanding Costumes for a Series	Robert Blackman, Costume Designer; Carol Kunz, Costume Supervisor
	VOY: "Dragon's Teeth"		Outstanding Hairstyling for a Series	Gloria Montemayor, Viviane Normand, Charlotte Parker, Jo Ann Phillips, Hairstylists; Josee Normand, Hair Designer
	VOY: "Ashes to Ashes"		Outstanding Makeup for a Series	Belinda Bryant, Ellis Burman, Suzanne Diaz, Tina Kalliongis-Hoffman, Jeff Lewis, David Quaschnick, James Rohland, Michael Westmore, Scott Wheeler, Natalie Wood, Makeup Artists
	VOY: "Spirit Folk"		Outstanding Music Composition for a Series (Dramatic Undersore)	Jay Chattaway, Composer
	VOY: "Equinox, Part II"		Outstanding Sound Editing for a Series	Dale Chaloukian, Jeff Gersh, Ashley Harvey, Masanobu Tomita, Sound Editors; Gerry Sackman, Music Editor; William Wistrom, Supervising Sound Editor; James Wolvington, Supervising Sound Effects Editor
	VOY: "Life Line"		Outstanding Special Visual Effects for a Series	Les Bernstein, Visual Effects Cameraman; Bruce Branit, CG Supervisor/Lead Animator; Elizabeth Castro, Visual Effects Coordinator; Dan Curry, Visual Effects Producer; John Gross, CG Supervisor; Paul Hill, Visual Effects Compositor; Jeremy Hunt, Fred Pienkos, CG Animators; Ronald B. Moore, Visual Effects Supervisor
	VOY: "The Haunting of Deck Twelve"			Bruce Branit, CG Supervisor/Lead Animator; Elizabeth Castro, Visual Effects Coordinator; Dan Curry, Visual Effects Producer; John Gross, CG Supervisor; Paul Hill, Visual Effects Compositor; Jeremy Hunt, Fred Pienkos, CG Animator; Ronald B. Moore, Visual Effects Supervisor; Greg Rainoff, Visual Effects Artist
2001	VOY: "Shattered"		Outstanding Costumes For A Series	Robert Blackman, Costume Designer; Carol Kunz, Costume Supervisor
	VOY: "Prophecy"		Outstanding Hairstyling For A Series	Gloria Montemayor, Josee Normand, Charlotte Parker, Hairstylists
	VOY: "The Void"		Outstanding Makeup For A Series	Belinda Bryant, Ellis Burman, Suzanne Diaz-Westmore, Earl Ellis, Tina Kalliongis-Hoffman, Jeffrey Lewis, Bradley Look, Joe Podnar, Dave Quaschnick, James Rohland, Karen Westerfield, Michael Westmore, Scott Wheeler, Natalie Wood, Makeup Artists
	VOY: "Endgame"	Won	Outstanding Music Composition For A Series (Dramatic Underscore)	Jay Chattaway, Composer
	VOY: "Workforce"	Nominated		Dennis McCarthy, Composer
	VOY: "Endgame" (Part II)		Outstanding Sound Editing For A Series	Dale Chaloukian, T. Ashley Harvey, Masanobu Tomita, Sound Editors; Gerald Sackman, Music Editor; Bill Wistrom, Supervising Sound Editor; Jim Wolvington, Supervising Sound Effects Editor
	VOY: "Endgame"	Won	Outstanding Special Visual Effects for a Series	Robert Bonchune, CGI Supervisor; Eric Chauvin, Matte Artist; Arthur Codron, Visual Effects Coordinator; Dan Curry, Visual Effects Producer; Steve Fong, Visual Effects Compositor; Ronald B. Moore, Visual Effects Supervisor; Greg Rainoff, Visual Effects Animator; Mitch Suskin, Visual Effects Supervisor; John Teska, CGI Artist
	VOY: "Workforce"	Nominated		Dan Curry, Visual Effects Producer; Paul Hill, Visual Effects Compositor; David Lombardi, Computer Animation; Brandon MacDougall, Computer Modeler; Ronald B. Moore, Visual Effects Supervisor; David Morton, CGI Supervisor; Greg Rainoff, Visual Effects Animator; John Teska, Computer Modeler and Animator; Chad Zimmerman, Visual Effects Coordinator
2002	ENT: "Two Days and Two Nights"	Won	Outstanding Hairstyling For A Series	Laura Connolly, Roma Goddard, Gloria Pasqua Casny, Cheri Ruff, Hairstylists; Michael Moore, Designer
	ENT: "Broken Bow"	Nominated	Outstanding Makeup For A Series (Prosthetic)	Art Anthony, Belinda Bryant, David DeLeon, Suzanne Diaz-Westmore, Earl Ellis, Jeff Lewis, Bradley M. Look, Joe Podnar, Karen J. Westerfield, Michael Westmore, June Westmore, Natalie Wood, Makeup Artists
			Outstanding Sound Editing For A Series	Dale Chaloukian, Ashley Harvey, Masanobu Tomita, Shaun Varney, Sound Editors; Hilda Hodges, Katherine Rose, Foley Artists; Stephen M. Rowe, Music Editor; Bill Wistrom, Supervising Sound Editor; James Wolvington, Supervising Sound Effects Editor
		Won	Outstanding Special Visual Effects for a Series	Robert Bonchune, David Morton, Computer Animation Supervisors; Elizabeth Castro, Arthur Codron, Visual Effects Coordinators; Dan Curry, Visual Effects Producer; Steven Fong, Paul Hill, Compositing Editors; Ronald B. Moore, Visual Effects Supervisor; Gregory Rainoff, Visual Effects Animator
	ENT: "Breaking the Ice"	Nominated		Adam Buckner, Visual Effects Coordinator; John Gross, Steven Rogers, CGI Supervisors; Paul Hill, Lead Visual Effects Compositor; Adam Howard, Greg Rainoff, Lead Visual Effects Animators; Fred Pienkos, Eddie Robison, Lead CGI Artists; David Stipes, Visual Effects Supervisor
2003	ENT: "Canamar"		Outstanding Makeup For A Series (Prosthetic)	Steven E. Anderson, Art Anthony, Michael Burnett, Roxy D'Alonzo, Suzanne Diaz-Westmore, Earl Ellis, Ruth Haney, Barry Koper, Jeff Lewis, Bradley M. Look, Robert Maverick, Todd McIntosh, Joe Podnar, Judith Silverman Orr, Debbie Zoller, Makeup Artists, Michael Westmore, Makeup Designer and Supervisor
	ENT: "The Expanse"		Outstanding Music Composition For A Series (Dramatic Underscore)	Music by Dennis McCarthy
	ENT: "The Crossing"		Outstanding Special Visual Effects for a Series	Dan Curry, Visual Effects Producer; Pierre M. Drolet, Lead Modeler; Paul Hill, Visual Effects Artist; Armen Kevorkian, Visual Effects Coordinator; Ronald B. Moore, Visual Effects Supervisor; David Morton, Digital Effects Supervisor; Sean Scott, John M. Teska, Visual Effects Animators
	ENT: "Dead Stop"			Robert Bonchune, CGI Supervisor; Arthur Codron, Visual Effects Coordinator; Pierre Drolet, Lead Modeler; Steve Fong, Visual Effects Compositor; Koji Kuramura, Sean Scott, John Teska, CGI Artists; Greg Rainoff, Visual Effects Animator; Mitch Suskin, Visual Effects Supervisor
	ENT: "The Expanse"			Bruce Branit, CG Animation Supervisor; Elizabeth Castro, Visual Effects Coordinator; Dan Curry, Visual Effects Producer; Eric Hance, Sean Scott, CG Animators; Paul Hill, Visual Effects Compositor; Ronald B. Moore, Visual Effects Supervisor; Fred Pienkos, CG Animation Supervisor; Greg Rainoff, Visual Effects Animator
2004	ENT: "Similitude"	Won	Outstanding Music Composition For A Series (Dramatic Underscore)	Velton Ray Bunch, Composer
	ENT: "Zero Hour"	Nominated	Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special	Michael G. Westmore, Makeup Supervisor
	ENT: "Countdown"	Won	Outstanding Special Visual Effects for a Series	Elizabeth Castro, Visual Effects Coordinator; Daniel F. Curry, Visual Effects Producer; Eric Hance, Lead CGI Animator; Paul Hill, Lead Visual Effects Compositor; Ronald B. Moore, Visual Effects Supervisor; Fred Pienkos, CGI Supervisor; Greg Rainoff, Lead Visual Effects Animator; Sean Scott, Lead CGI Animator; Chris Zapara, Lead CGI Animator
	ENT: "The Council"	Nominated		Arthur Codron, Visual Effects Supervisor; Dan Curry, Visual Effects Producer; Pierre Drolet, Lead CGI Artist; Steve Fong, Lead Visual Effects Compositor; Sean Jackson, Lead CGI Artist; Koji Kuramura, Lead CGI Artist; Greg Rainoff, Lead Visual Effects Animator; Mike Stetson, Lead CGI Artist; John Teska, Lead CGI Artist
2005	ENT: "In a Mirror, Darkly"		Outstanding Hairstyling For A Series	Laura Connolly, Roma Goddard, Hairstylists; Michael Moore, Hair Designer
	ENT: "United"		Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special	Suzanne Diaz-Westmore, Earl Ellis, Garrett Immel, Jeffrey Lewis, Bradley Look, Makeup Artists; Michael Westmore, Makeup Supervisor
	ENT: "Borderland", "Cold Station 12"		Outstanding Stunt Coordination	Vince Deadrick, Jr., Stunt Coordinator
2006	How William Shatner Changed the World		Outstanding Nonfiction Special	Susan Werbe, Alan Handel, Malcolm Clark
			Outstanding Writing for Nonfiction Programming	Alan Handel, Julian Jones
2018	DIS: "What's Past Is Prologue"		Outstanding Sound Editing for a Comedy or Drama Series (One Hour)	Jon Mete, Supervising Sound Editor; Tim Farrell, Sound Designer; Christopher Assells, Sound Editor; Matt Taylor, ADR Editor; Trevor Sperry Foley Editor; Ashley Harvey, Dialogue Editor; Angelo Palazzo Sound Effects Editor; Peter D. Lago, Sound Effects Editor; Christopher Scarabosio, Sound Effects Editor; Matt Decker, Music Editor; James Bailey, Foley Artist; Alex Ullrich, Foley Artist; Matt Salib, Foley Artist
	DIS: "Will You Take My Hand?"		Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special	Glenn Hetrick, Special Makeup Effects Department Head; James MacKinnon, Special Makeup Effects Department Head; Hugo Villasenor, Special Makeup Effects Artist; Rocky Faulkner, Special Makeup Effects Artist; Chris Bridges, Additional Makeup Effects Artist; Shane Zander, Additional Makeup Effects Artist; Neville Page, Prosthetic Designer; Michael O'Brien, Prosthetic Designer
	Star Trek (Television franchise)	Won	Governors Award	CBS Broadcasting
2019	DIS Season 2	Nominated	Outstanding Main Title Design	Ana Criado-Zahonero (creative director), Nader Husseini (animator), Francisco Sanchez de Cañete (art director), Zachary Kinney (animator), Christian Antolin (designer), and Kyle Cooper (creative director)
	DIS: "Such Sweet Sorrow, Part 2"		Outstanding Special Visual Effects	Jason Michael Zimmerman (vfx supervisor), Ante Dekovic (vfx supervisor), Ivan Kondrup Jensen (vfx supervisor), Mahmoud Rahnama (associate vfx supervisor), Alexander Wood (vfx plate supervisor), Aleksandra Kochoska (vfx producer), Charles Collyer (lead vfx artist), Fausto Tejeda (cg supervisor), and Darcy Callaghan (special effects coordinator)
			Outstanding Sound Editing for a Comedy or Drama Series	Matthew E. Taylor (sound supervisor), Tim Farrell (sound designer), Michael Schapiro (sound effects editor), Clayton Weber (sound effects editor), Dan Kenyon (sound effects editor), Rickley W. Dumm (adr editor), Sean Heissinger (dialogue editor), Bob Jackson (dialogue editor), Matt Decker (music editor), Alyson Dee Moore (foley artist), and Christopher Moriana (foley artist)
	DIS: "If Memory Serves"	Won	Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special	Glenn Hetrick (special makeup effects department head), James MacKinnon (special makeup effects department head), Hugo Villasenor (special makeup effects artist), Rocky Faulkner (special makeup effects artist), Chris Bridges (additional makeup effects artist), Nicola Bendrey (special makeup effects artist), Neville Page (prosthetic designer), and Michael O'Brien (prosthetic designer)
2020	ST Season 2	Nominated	Outstanding Short Form Comedy Or Drama Series	Alex Kurtzman, Heather Kadin, Olatunde Osunsanmi, Frank Siracusa & John Weber (Executive Producers), and Aaron Baiers (Co-Executive Producer)
	PIC: "Stardust City Rag"		Outstanding Period And/Or Character Hairstyling	Maxine Morris (Department Head Hairstylist), Maria Sandoval (Assistant Department Head Hairstylist), Wendy Southard (Key Hairstylist), Sallie Nicole Ciganovich (Additional Hairstylist), Ashleigh Childers & Yesim Osman (Hairstylists)
			Outstanding Period And/Or Character Makeup (Non-Prosthetic)	Silvina Knight (Assistant Department Head Makeup Artist), Robin Beauchesne (Key Makeup Artist), David Williams, Peter De Oliveira & Natalie Thimm (Makeup Artists)
	PIC: "Et in Arcadia Ego, Part 2"		Outstanding Sound Editing for a One Hour Comedy or Drama Series	Matthew E. Taylor (Sound Supervisor), Tim Farrell, Harry Cohen, Michael Schapiro, Sean Heissinger & Clay Weber (Sound Editors), Moira Marquis & Stan Jones (Music Editors), Alyson Dee Moore & Chris Moriana (Foley Artists)
			Outstanding Sound Mixing For A One Hour Comedy Or Drama Series	Peter J. Devlin, CAS (Production Mixer), Todd M. Grace, CAS & Edward C. Carr III, CAS (Re-Recording Mixers), and Michael Perfitt (Scoring Mixer)
	PIC: "Absolute Candor"	Won	Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special	James Robert MacKinnon (Special Makeup Effects Department Head), Vincent Van Dyke (Prosthetic Designer), Richard Redlefsen & Alexei Dmitriew (Special Makeup Effects Artists), Neville Page (Prosthetic Designer), and Michael Ornelaz (Makeup Effects Artist)
2021	DIS: "Su'Kal"		Outstanding Special Visual Effects In A Single Episode	Jason Michael Zimmerman (Supervising Producer/Lead VFX Supervisor), Ante Dekovic (VFX Supervisor), Aleksandra Kochoska (VFX Producer), Charles Collyer (Lead VFX Artist), Alexander Wood (On Set VFX Supervisor), Ivan Kondrup Jensen (VFX Supervisor, Ghost VFX), Kristen Prahl (VFX Producer, Ghost VFX), Toni Pykalaniemi (VFX Supervisor, DNEG), Leslie Chung (VFX Supervisor, Crafty Apes)
	DIS: "Terra Firma, Part 2"	Nominated	Outstanding Period And/Or Character Makeup (Non-Prosthetic)	Shauna Llewellyn (Department Head Makeup Artist), Faye Crasto (Key Makeup Artist)
	DIS: "That Hope Is You, Part 1"		Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special	Glenn Hetrick (Special Makeup Effects Department Head), Mike Smithson (Special Makeup Effects Department Head), Michael O’Brien (Prosthetic Designer), Ken Culver (Prosthetic Designer), Hugo Villasenor (Special Makeup Effects Artist), Chris Bridges (Additional Makeup Effects Artist)
			Outstanding Sound Editing For A One Hour Comedy Or Drama Series	Matthew E. Taylor (Sound Supervisor), Sean Heissinger (Dialogue Editor), Tim Farrell (Sound Designer), Harry Cohen (Sound Designer), Michael Schapiro (Sound Effects Editor), Darrin Mann (Foley Editor), Clay Weber (Foley Editor), Moira Marquis (Music Editor), Alyson Dee Moore (Foley Artist), Chris Moriana (Foley Artist)
	LD: "No Small Parts"		Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation	James Lucero (Sound Supervisor), James Singleton (Sound Effects Editor), Jeff Halbert (Sound Effects Editor) Michael Britt (Foley Editor), Amber Funk (Music Editor)
2022	PIC: "Hide and Seek"		Outstanding Period And/Or Character Makeup (Non-Prosthetic)	Silvina Knight (Assistant Department Head Makeup Artist), Tanya Cookingham (Key Makeup Artist), Peter De Oliveira (Makeup Artist), Allyson Carey (Makeup Artist), Hanny Eisen (Makeup Artist)
			Outstanding Prosthetic Makeup	James MacKinnon (Special Makeup Effects Department Head), Vincent Van Dyke (Prosthetic Designer), Kevin Kirkpatrick (Special Makeup Effects Assistant Department Head), Hugo Villasenor (Special Makeup Effects Artist), Bianca Appice (Special Makeup Effects Artist), Neville Page (Prosthetic Designer), Toryn Reed (Special Makeup Effects Artist), Ralis Kahn (Special Makeup Effects Artist)
	PIC: "Penance"		Outstanding Fantasy/Sci-Fi Costumes	Christine Clark (Costume Designer), Michell Ray Kenney (Costume Supervisor), Allison Agler(Assistant Costume Designer)
			Outstanding Sound Editing For A One Hour Comedy Or Drama Series	Matthew E. Taylor (Co-Supervising Sound Editor), Michael Schapiro (Co-Supervising Sound Editor), Sean Hessinger (Dialogue Editor), Alex Pugh (Sound Editor), Clay Weber (Foley Editor), John Sanacore (Foley Editor), Ben Schorr (Music Editor), Katherine Harperg (Foley Artist), Ginger Geary (Foley Artist)
	SNW: "Memento Mori"			Matthew E. Taylor (Co-Supervising Sound Editor), Michael Schapiro (Co-Supervising Sound Editor), Kip Smedley (Sound Designer), Clay Weber (Sound Editor), John Sanacore (Sound Editor), David Barbee (Sound Editor), Matt Decker (Music Editor), Alyson Dee Moore (Foley Artist), Rick Owens (Foley Artist), Chris Moriana (Foley Artist)
	Star Trek: Prodigy, Season 1, Part 1		Outstanding Animated Series	Aaron Baiers, Kevin Hageman, Dan Hageman, Katie Krentz, Alex Kurtzman, Rod Roddenberry, Trevor Roth, Ben Hibon, Patrick Krebs, MacGregor Middleton, Robyn Johnson, Julie Benson, Shawna Benson, Chad Quandt, Aaron Waltke, Tanya Melendez, Heather Kadin and Jennifer Gay (all producers)
		Won	Individual Achievement in Animation	Allessandro Taini (Production Designer)
2023	PIC: "Võx"	nominated	Outstanding Contemporary Makeup (Non-Prosthetic)	Silvina Knight (Assistant Department Head Makeup Artist), Tanya Cookingham (Key Makeup Artist), Peter De Oliveira (Makeup Artist), Allyson Carey (Makeup Artist), Hanny Eisen (Makeup Artist), Kim Ayers (Additional Makeup Artist)
	PIC: "The Last Generation"		Outstanding Prosthetic Makeup	James MacKinnon (Special Makeup Effects Department Head), Vincent Van Dyke (Prosthetic Designer), Hugo Villasenor (Key Prosthetic Makeup Artist), Bianca Appice (Key Prosthetic Makeup Artist), Neville Page (Prosthetic Designer), Kevin Wasner (Prosthetic Makeup Artist), Affort Storton (Prosthetic Makeup Artist), Kevin Haney (Additional Prosthetic Makeup Artist)
	Star Trek: Prodigy, Season 1, Part 3		Sound Mixing and Sound Editing For An Animated Program	Matt Klimek, Brittany Ellis, Otis Van Osten, and Tommy Sarioglou
2024	SNW: "Hegemony"	nominated	Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)	Matthew E. Taylor (Supervising Sound Editor) Michael Schapiro (Sound Designer) Sean Heissinger (Dialogue Editor) Kip Smedley (Sound Effects Editor) Ian Herzon (Sound Effects Editor) Deron Street (Sound Effects Editor)Clay Weber (Foley Editor) John Sanacore (Foley Editor) Rick Owens (Foley Artist) Jesi Ruppe (Foley Artist)
	LD: "The Inner Fight"		Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation	James Lucero (Supervising Sound Editor) Drew Guy (Dialogue Editor) Mak Kellerman (Sound Effects Editor) John Wynn (Sound Effects Editor) Michael Britt (Foley Editor)

External links

• Emmys.com – official site
• Emmy Awards at the Internet Movie Database
• Emmy Awards at Wikipedia
  • Creative Arts Emmy Awards at Wikipedia
  • Children's and Family Emmy Awards at Wikipedia