Real World article
(written from a Production point of view)
For the former Paramount Pictures backlot, please see European Town.

The European Street is a backlot of the Universal Studios in Los Angeles, California, USA which has been used as filming location for television and film projects. Also named "Little Europe", the original sets were destroyed by a devastating fire in 1967 but rebuilt with replicas.

Prior to the fire, the backlot was used for scenes in The Hunchback of Notre Dame (1923), All Quiet on the Western Front (1930), Dracula (1931), Frankenstein (1931), The Invisible Man (1933), Bride of Frankenstein (1935), Golden Earrings (1947), Around the World in 80 Days (1956), and Madame X (1966).

Following the rebuilt, the location can be seen in episodes of Buck Rogers in the 25th Century, Voyagers!, The A-Team, Airwolf, Murder, She Wrote, MacGyver, Beverly Hills, 90210, SeaQuest DSV, Sliders, JAG, Angel, Heroes, True Blood, and Westworld as well as in the films History of the World: Part I (1981), Out on a Limb (1987), Moonwalker (1988), The War of the Roses (1989), City Slickers (1991), Blown Away (1994), My Girl 2 (1994), Pirates of the Caribbean: The Curse of the Black Pearl (2003), The Princess Diaries 2: Royal Engagement (2004), Jarhead (2005), The Good German (2006), The Pink Panther (2006), You Don't Mess with the Zohan (2008), Angels & Demons (2009), and Knight and Day (2010).

Star Trek Edit

The backlot was used for four episodes of Star Trek: Voyager, portraying the streets of Sainte Claire in the fourth season episodes "The Killing Game" and "The Killing Game, Part II" and of Fair Haven in the sixth season episodes "Fair Haven" and "Spirit Folk". (Star Trek Encyclopedia (4th ed., vol. 1, p. 259); [1])

According to the call sheets for "The Killing Game" and "The Killing Game, Part II", the location scenes were filmed on Wednesday 3 December 1997, Thursday 4 December 1997, and Friday 5 December 1997 under directors David Livingston and Victor Lobl. The call sheets feature location maps and the information, that The Arrangement provided the hot lunches. The contact for the production was Jennifer Henry.

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