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Changes: John Dykstra

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However, he first achieved fame for his photographic effects work at [[Industrial Light & Magic]] (ILM) on the original ''Star Wars'' movie, having been brought to the attention of George Lucas by Trumbull, and for which he won an Academy Award in 1978. He also earned a special Scientific and Engineering Award from the Academy that same year for his development of the first computer-controlled camera system, known as "{{w|Dykstraflex}}", an influential piece of VFX filming equipment, as it became the basis of modern {{w|motion control photography}}, succesfully applied for the first time on the ''Star Wars'' movie, as well as all the {{Star Trek films}}, including ''The Motion Picture'', that have followed suit, untill [[CGI]] superseded the technique in the late-1990s.
  
However, he first achieved fame for his photographic effects work at [[Industrial Light & Magic]] (ILM) on the original ''Star Wars'' movie, having been brought to the attention of George Lucas by Trumbull, and for which he won an Academy Award in 1978. He also earned a special Scientific and Engineering Award from the Academy that same year for his development of the first computer-controlled camera system, known as "{{w|Dykstraflex}}", an influential piece of VFX filming equipment, as it became the basis of modern {{w|motion control photography}}, succesfully applied for the first time on the ''Star Wars'' movie, as well as all the {{Star Trek films}}, including ''The Motion Picture'', that have followed suit, untill [[CGI]] superseded the technique in the late-1990s.
   
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After ''Star Wars'', he left ILM (having been one of ILM's famed "original fourteen" staffers), and worked for [[Universal Studios]] on the pilot movie of the original ''[[Battlestar Galactica]]'' series in 1978, winning him an [[Emmy Award]], shared with employee [[Richard Edlund]]. During his tenure on ''Galactica'', he founded his own company, [[Apogee, Inc.]], which he operated for fourteen years. It was Apogee, Inc., that Trumbull turned to, in order to help out with the troublesome production of ''The Motion Picture''. With the industry award nomination and win earned for this production as well, Dykstra hecame a laureate of three major science fiction franchises in only as many years.
 +
After ''Star Wars'', he left ILM (having been one of ILM's famed "original fourteen" staffers), and worked for [[Universal Studios]] on the pilot movie of the original ''[[Battlestar Galactica]]'' series in 1978, winning him an [[Emmy Award]], shared with employee [[Richard Edlund]]. During his tenure on ''Galactica'', he founded his own company, [[Apogee, Inc.]], which he operated for fourteen years. It was Apogee, Inc., that Trumbull turned to, in order to help out with the troublesome production of ''The Motion Picture''. With the industry award nomination and win earned for this production as well, Dykstra became a laureate of three major science fiction franchises in only as many years.
   
 
While operating his company Dykstra has worked on productions like ''Caddyshack'' (1980, with [[Ted Knight]]), ''Firefox'' (1982), ''Lifeforce'' (1985, with [[Patrick Stewart]]), and ''My Stepmother is an Alien'' (1988, with [[Tony Jay]], [[Suzie Plakson]], [[Earl Boen]] and cinematography by [[Richard H. Kline]]). In th closing months of 1992, Dykstra closed down his company, turning some of its inventory and the lease of the property over to long-time associate [[Grant McCune]], and started working again on personal title.
  
While operating his company Dykstra has worked on productions like ''Caddyshack'' (1980, with [[Ted Knight]]), ''Firefox'' (1982), ''Lifeforce'' (1985, with [[Patrick Stewart]]), and ''My Stepmother is an Alien'' (1988, with [[Tony Jay]], [[Suzie Plakson]], [[Earl Boen]] and cinematography by [[Richard H. Kline]]). In th closing months of 1992, Dykstra closed down his company, turning some of its inventory and the lease of the property over to long-time associate [[Grant McCune]], and started working again on personal title.
   
−
Since then Dykstra has worked on the VFX for ''Batman Forever'' (1995, with [[Rene Auberjonois]] and [[Ed Begley, Jr.]]), and ''Batman & Robin'' (1997, with [[John Glover]]), ''Stuart Little'' (1999) and two ''Spider-Man'' films (2002 and 2004, both starring [[Kirsten Dunst]] and the second featuring [[Donna Murphy]] and [[Daniel Dae Kim]]), earning Academy Award nominations for all three. After these productions Dykstra changed career direction from producing/supervising VFX to designing them, and as such has garnered more recent credits that included, ''Hancock'' (2008), the Quentin Tarentino feature ''Inglourious Basterds'' (2009), ''X-Men: First Class'' (2011) as well as a second Tarentino movie, ''Django Unchained'' (2012).
+
Since then Dykstra has worked on the VFX for ''Batman Forever'' (1995, with [[Rene Auberjonois]] and [[Ed Begley, Jr.]]), and ''Batman & Robin'' (1997, with [[John Glover]]), ''Stuart Little'' (1999) and two ''Spider-Man'' films (2002 and 2004, both starring [[Kirsten Dunst]] and the second featuring [[Donna Murphy]] and [[Daniel Dae Kim]]), earning Academy Award nominations for all three. After these productions Dykstra changed career direction from producing/supervising VFX to designing them, and as such has garnered more recent credits that included, ''Hancock'' (2008), the Quentin Tarentino feature ''Inglourious Basterds'' (2009), ''X-Men: First Class'' (2011) as well as a second Tarentino movie, ''Django Unchained'' (2012).
   
 
== ''Star Trek'' awards ==
  
== ''Star Trek'' awards ==

Revision as of 11:56, 30 August 2018

Real world article
(written from a Production point of view)

John Charles Dyksta, ASC (born 3 June 1947; age 76) is a visual effects (VFX) artist who served as (what was then still called) Special Photographic Effects Supervisor on Star Trek: The Motion Picture, garnering an Academy Award nomination and a Saturn Award win for "Best Special Effects", as VFX were still being referred to at those times.

Dykstra had already been offered the VFX commission on The Motion Picture directly after the February 1979 VFX debacle by his former mentor Douglas Trumbull. Trumbull was faced with the gargantuan task of recreating all the VFX from scratch for the movie at the eleventh hour, and suggegested his former protegé in order to get a headstart on VFX production, as he needed time to revitalize his own near dismantled VFX company. At that particular time though, Dykstra had to decline as he had already committed his company to a follow-up project, the 1980 movie Altered States. However, less than a month later, the project fell through and Dykstra was able to offer the services of his company to a relieved Trumbull after all. (Cinefex, issue 2, p. 51; Return to Tomorrow - The Filming of Star Trek: The Motion Picture, pp. 373-374) Dykstra and his team subsequently provided signature contributions for the movie. (see: The Motion Picture: Visual Effects)

Already famed for his contributions to the first Star Wars movie, his arrival on the production was met with enthusiasm by another Motion Piction production staffer, Brick Price of Brick Price Movie Miniatures, "One thing that we all owe Dykstra for is that he gave special effects people star status. I've been doing this kind of work for about 14 years, but only recently have people begun to know who I am. Only rarely have they showed credits for special effects. The thinking was always the argument I got, "We want people to believe. We don't want them to know it was trickery done with mirrors and miniatures and whatever." That's hogwash and it doesn't give much credit to the viewers. They can suspend their reality. Special effects are not phony, and there's only a handful of people in the world who can do them properly." (Return to Tomorrow - The Filming of Star Trek: The Motion Picture, pp. 372-373)

Career

An Industrial Design graduate of the California State University, Dykstra started out in the motion picture industry in Douglas Trumbull's VFX film crew on the production of Silent Running (1972), filming studio model effects, being taken under Trumbull's wings. Afterwards, he worked for a short spell at Robert Abel & Associates on their visually groundbreaking commercials.

However, he first achieved fame for his photographic effects work at Industrial Light & Magic (ILM) on the original Star Wars movie, having been brought to the attention of George Lucas by Trumbull, and for which he won an Academy Award in 1978. He also earned a special Scientific and Engineering Award from the Academy that same year for his development of the first computer-controlled camera system, known as "Dykstraflex", an influential piece of VFX filming equipment, as it became the basis of modern motion control photography, succesfully applied for the first time on the Star Wars movie, as well as all the Star Trek films, including The Motion Picture, that have followed suit, untill CGI superseded the technique in the late-1990s.

After Star Wars, he left ILM (having been one of ILM's famed "original fourteen" staffers), and worked for Universal Studios on the pilot movie of the original Battlestar Galactica series in 1978, winning him an Emmy Award, shared with employee Richard Edlund. During his tenure on Galactica, he founded his own company, Apogee, Inc., which he operated for fourteen years. It was Apogee, Inc., that Trumbull turned to, in order to help out with the troublesome production of The Motion Picture. With the industry award nomination and win earned for this production as well, Dykstra became a laureate of three major science fiction franchises in only as many years.

While operating his company Dykstra has worked on productions like Caddyshack (1980, with Ted Knight), Firefox (1982), Lifeforce (1985, with Patrick Stewart), and My Stepmother is an Alien (1988, with Tony Jay, Suzie Plakson, Earl Boen and cinematography by Richard H. Kline). In th closing months of 1992, Dykstra closed down his company, turning some of its inventory and the lease of the property over to long-time associate Grant McCune, and started working again on personal title.

Since then Dykstra has worked on the VFX for Batman Forever (1995, with Rene Auberjonois and Ed Begley, Jr.), and Batman & Robin (1997, with John Glover), Stuart Little (1999) and two Spider-Man films (2002 and 2004, both starring Kirsten Dunst and the second featuring Donna Murphy and Daniel Dae Kim), earning Academy Award nominations for all three. After these productions Dykstra changed career direction from producing/supervising VFX to designing them, and as such has garnered more recent credits that included, Hancock (2008), the Quentin Tarentino feature Inglourious Basterds (2009), X-Men: First Class (2011) as well as a second Tarentino movie, Django Unchained (2012).

Star Trek awards

Dykstra has received the following awards and nominations in the various Special/Visual Effects categories:

Star Trek interviews

External links

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