"A Dying Planet. A Fight For Life. The Search For Spock."
"All that they loved, all that they fought for, all that they stood for will now be put to the test… Join us on this, the final voyage of the starship Enterprise."
Admiral James T. Kirk's defeat of Khan and the creation of the Genesis planet are empty victories. Spock is dead and McCoy is inexplicably being driven insane. An unexpected visit from Sarek, Spock's father, provides a startling revelation: McCoy is harboring Spock's living essence. With one friend alive and one not, but both in pain, Kirk attempts to help his friends by stealing the Enterprise and defying Starfleet's Genesis planet quarantine. But the Klingons have also learned of Genesis and race to meet Kirk in a deadly rendezvous.
Summary[]
Act One[]
- "USS Enterprise, captain's personal log. With most of our battle damage repaired we are almost home. Yet I feel uneasy, and I wonder why… Perhaps it's the emptiness of this vessel. Most of our trainee crew have been reassigned; Lieutenant Saavik and my son, David, are exploring the Genesis planet, which he helped create; and Enterprise feels like a house with all the children gone. No… more empty even than that. The death of Spock is like an open wound. It seems I have left the noblest part of myself back there on that newborn planet."
As a result of Khan Noonien Singh's attempt to kill James T. Kirk using the Genesis Device, Spock is dead and a new planet has been created from matter within the Mutara Nebula. Dejected over the loss of Spock, the crew returns to port aboard the Enterprise for essential repairs to their ship, which was severely damaged in the fierce battle against Khan.
A little over two hours away from the Spacedock One, Kirk asks Commander Pavel Chekov to take the science station – Spock's old post – for a pre-approach scan. He asks Uhura about an inquiry he made on Project Genesis: Uhura replies that there was not yet a response from Starfleet Command, which he finds odd. He then gets a status report from Chief Engineer Montgomery Scott, who says automation will be ready in time for docking, and states he can have the ship repaired for her next cruise within two weeks, compared to his usual recommended repair time of eight weeks. Kirk observes that Scott always multiplies his repair estimates by a factor of four in order to maintain his reputation as a miracle worker. Before leaving the bridge, handing Hikaru Sulu the command con, Foster, one of the few remaining Starfleet Academy cadets still aboard asks if a reception will greet them when they arrive at Earth. "A hero's welcome, son? Is that what you'd like?" Kirk asks the cadet. He adds in observation, "Well, God knows there should be. This time we paid for the party with our dearest blood." With that, he enters an empty turbolift and becomes emotional about the loss of his old friend as the lift descends towards his quarters.
Meanwhile, somewhere off in space, a freighter with a female Klingon, Valkris, awaits somebody. That somebody is her lover, the warrior Kruge, who suddenly decloaks in a Klingon Bird-of-Prey, which dwarfs the freighter. Once there, she transmits data to the Bird-of-Prey, which from brief flashes can be ascertained to relate to Project Genesis. When Valkris reveals that she had seen the data, Kruge reluctantly determines that she must die, and subtly relays this to Valkris, who understands. After conveying their mutual admiration for each other, Kruge destroys the freighter with the Bird-of-Prey's disruptors. This also means he does not need to pay the freighter's crew for their work. After the freighter's destruction, he sets course for the Federation-Klingon neutral zone and orders one of his crew to feed his pet.
The Enterprise reaches Earth and approaches the mammoth Spacedock One. During the approach, they see a new ship: USS Excelsior, a part of "The Great Experiment", an attempt at transwarp drive. Although Sulu seems to be in awe of the possible capabilities of the ship, Scott is less than impressed, commenting "If my grandmother had wheels, she'd be a wagon…" "Come, come, Mr. Scott. Young minds, fresh ideas. Be tolerant," Kirk gently chides him. After the Enterprise is moored at the spacedock, Chekov, who is sitting at the science station, notes to Kirk that someone has entered Spock's quarters. When Uhura adds that the sealed room's door was forced open, Kirk goes down to investigate. After running down a corridor to Spock's quarters flanked by two security guards, he slowly enters through the damaged doors and, inside, he hears Spock's voice. "Jim, help me. You left me… on Genesis. Why did you do that? Help me…" Kirk runs forward and grabs the shadowed figure, finding the individual to be Dr. Leonard McCoy, mumbling about locations on Vulcan, particularly Mount Seleya, before fainting. Kirk calls Uhura to send medics to Spock's quarters, immediately.
Once Enterprise is docked, they are met by Fleet Admiral Morrow, Commander, Starfleet. In the ship's torpedo bay, he states that all crewmembers will be given the highest commendation of the Federation as well as extended shore leave, all except for Commander Scott who is being promoted to Captain and will serve as chief engineer aboard the Excelsior. Scott appreciates the sentiment, but would rather remain and help with the refit of the Enterprise. Morrow explains that the Enterprise is not to be refit, but is to be decommissioned instead. When Kirk protests, Morrow states to him, "Jim, the Enterprise is twenty years old. We feel her day is over." Kirk voices his hope that one day, the Enterprise will be able to return to Genesis, but Morrow says that is out of the question, as, in Kirk's absence, Genesis has become a galactic controversy. Morrow orders the Enterprise crew that they are not to discuss with anyone their knowledge about Genesis. "Consider it a quarantined planet… and a forbidden subject."
On the Bird-of-Prey, Kruge and his most trusted officers, Maltz and Torg, view the data on Project Genesis. The Klingons are impressed by the power, but Kruge bristles at the idea of the Federation making new planets for themselves. He resolves to travel to Genesis and seize whatever information he can. Kruge regards what he calls the "Genesis torpedo" as a powerful weapon, not a means of creating life. After he dismisses Maltz, he tells Torg that they will seize the secret of this supposed "weapon" for the preservation of their race.
The USS Grissom, with Lieutenant Saavik and Dr. David Marcus aboard, arrives at Genesis and begins using sensors to explore the surface. During the initial scans of the planet's biosphere, its sensor scans discover Spock's photon torpedo casket on the surface harboring a lifeform that they cannot identify. Saavik and David Marcus try to convince Captain J.T. Esteban to allow them to beam down and investigate closer. Due to the sensitive nature of Genesis, Esteban keeps Starfleet in the loop with their every move. However, he reluctantly permits them to beam down and check it out.
At Kirk's apartment in San Francisco on Earth, he, Sulu, Chekov, and Uhura toast to "absent friends." Kirk reveals that the Enterprise is to be decommissioned. McCoy is sedated at home, apparently suffering "exhaustion," and promises he will behave himself. A chime at the door is anticipated by Kirk to be Scott, but is instead Sarek, who demands a word alone with him. After Sulu, Chekov, and Uhura leave, Sarek is upset that Kirk did not follow what would have been Spock's final wishes, but Kirk is unaware of any particular request Spock would have made, and had no physical contact with him in the immediate moment of his death. Sarek believed Kirk would hold Spock's katra, his living spirit, but after conducting a mind meld with Kirk, Sarek does not find it – since they were on opposite sides of a wall, Spock would not have been able to meld with him. Sarek dejectedly says that, since the katra was not passed to Kirk, all of Spock is lost forever and silently turns to leave.
Before he reaches the door, Kirk asks him to wait, since he knows that, if the katra is as important as Sarek suggests, one way or another, Spock would have found some way to save it. After reviewing flight recorder tapes from the time of Spock's death, they find out that it was Dr. McCoy that received his katra. Although it will be very difficult, Kirk swears to Sarek he will get Spock's body back and return him and Dr. McCoy to Mount Seleya on Vulcan so they can find peace.
Back at Genesis, Saavik and David transport down to the surface to conduct a closer examination of the unidentified lifeform. The duo discovers them to be an evolved form of microbe that had been present on the casket's surface when it was launched from the Enterprise. Opening the casket, they are puzzled to find Spock's body missing entirely, although they recover his burial robe. Before the scientists can speculate further, they are interrupted by what sounds like somebody screaming in the distance, and Saavik and Marcus set off to find the source.
Act Two[]
Kirk's attempt to get the Enterprise back runs afoul of Admiral Morrow. In a bar at Starfleet Headquarters, despite Kirk's plea, Morrow does not give him back Enterprise, and explicitly orders him not to return to Genesis, warning him, as a friend, to stop obsessing over this or it will ruin his career and he will destroy himself. Considering Morrow's words for just a moment, Kirk tells the admiral that he hears him and says he had to at least try. Kirk thanks Morrow for the drink and gets up to leave. Upon seeing Sulu and Chekov standing near the bar's exit, Kirk tells them, "The word – is "no." I am therefore going anyway." With the help of his loyal crew, Kirk then begins to put his plan into motion.
Meanwhile, Dr. McCoy, influenced by the katra, attempts to charter a black market civilian ship to Genesis, independent of his shipmates' efforts. Upon meeting his nameless alien contact, McCoy attempts to negotiate terms of passage without revealing the exact details of his ultimate destination, but the alien presses harder, and as the conversation escalates, McCoy reveals that the destination is the Genesis planet. The alien refuses very loudly, due to the planet's recent forbidden status, but McCoy persists when he is interrupted by Federation Security and arrested. He tries to nerve pinch the security officer, but is unsuccessful. "You're going to have a nice, long rest doctor," the officer says while McCoy raises an eyebrow. Kirk and Sulu are subsequently forced to rescue the doctor. In the process they assault Federation personnel and the trio barely escape from the brig before the security officers arrive.
Despite being reassigned to Excelsior, Scott has been secretly making essential repairs to the Enterprise in addition to slaving the ship's controls to the main bridge. The commanding officer of the Excelsior, Captain Lawrence H. Styles, makes an offhanded remark to Scott about looking forward to breaking the speed records of the Enterprise the next day, which doesn't sit well with Scott at all. After asking the Excelsior's turbolift to take him to the transporter room and the computer thanks him, he responds "Up your shaft." Uhura accepts a post as a transporter operator at Old City Station in San Francisco, with the covert task of beaming Kirk and company aboard the Enterprise at the required moment. Kirk and his crew arrive in the transporter station and Uhura locks the junior officer in the closet while she beams the officers to the Enterprise. Before she energizes she tells her friends that she will meet them at rendezvous point and says to Kirk "all my hopes" and the crew are beamed to Enterprise, which is still docked within spacedock.
Scott has set up an automation system to allow control of the Enterprise just from the bridge. "A chimpanzee and two trainees could run her," he assures the admiral. Although Kirk cannot ask his friends to go further, and that only he and McCoy must continue, Sulu, Chekov, and Scott hear none of it and insist on joining the flight. Kirk orders one-quarter impulse and the Enterprise begins its departure from spacedock. Unable to stop the Enterprise from opening the massive bay doors in spacedock, the Excelsior is ordered to pursue. Styles sends a message to Kirk threatening him that if he goes through with this he will never sit in a captain's chair again. Kirk considers this for a brief moment but refuses to give up on Spock. "Warp speed," Kirk orders Sulu. The Enterprise engages warp drive. Styles prepares to send the Excelsior into transwarp to intercept the Enterprise as soon as possible. However, due to sabotage carried out on its transwarp computer drive by Scott, the Excelsior's transwarp drive fails to activate and comes to a rough halt as the Enterprise escapes at warp speed. Meanwhile, aboard the Enterprise, Scott hands McCoy a handful of parts from Excelsior's transwarp drive computer as a souvenir "from one surgeon to another." Commenting on the excellent work, Kirk jokes that he will recommend his crew for promotions… "in whatever fleet we end up serving." The Enterprise goes to its best possible speed, bound for Genesis.
Unaware of events back in the Sol system, Saavik and Dr. Marcus locate a young Vulcan boy in the snow among large cactus and conclude that it is Spock, somehow regenerated by the same process that created the Genesis planet. Relaying this surprising information to the Grissom, Captain Esteban is reluctant to permit Spock to be beamed aboard the ship immediately, and would prefer to contact Starfleet Command to receive instructions. This turns out to be fortuitous; shortly afterward, Kruge's Bird-of-Prey decloaks. The USS Grissom is unintentionally destroyed by a "lucky shot" from the ship's gunner. Kruge is furious, as he had desired to take the science ship, and its data, intact, and the crew as prisoners. Kruge summarily executes the gunner, vaporizing him with his disruptor. Torg points out to Kruge that there are life signs on the planet and surmises that it is a landing party, which pleases Kruge. Now marooned on the surface and in danger of being captured, Saavik, Marcus, and Spock flee to more defensible ground.
The cruise of Enterprise to the Genesis planet goes well. As Kirk asks for a scan ahead for any vessels pursuing the stolen Federation ship, Dr. McCoy, who is at the science station, gives an impression of Spock while reporting that they have not detected any vessels in pursuit of the Enterprise, to Kirk's amusement. Later on, Chekov reports that Starfleet is transmitting a message to Grissom, warning them of the approach of the stolen Enterprise, but that Grissom is not responding. Kirk wonders aloud what Grissom is up to, having not responded to earlier messages, and wonders how the science vessel will respond when Enterprise arrives at Genesis: whether she'll join Enterprise or fire on her. He orders Chekov to break radio silence and send his compliments to Captain Esteban.
Kruge and several members of his crew beam to the surface of the Genesis planet to pursue the surviving crew of the Grissom. Saavik finally finds out why the Genesis planet is changing so rapidly: David had used protomatter in the Genesis matrix, a substance known to be unstable. The Genesis planet is not likely to remain stable for very long, and it is causing the rapid evolution of the lifeforms on the planet as well as making Spock age rapidly. As night falls on the planet, David guards the location where he, Saavik and Spock are hiding. After discussing Spock's difficult adolescence that lies ahead of him, David detects life forms approaching their position from his tricorder. Saavik offers to confront them but David instead insists on intercepting them, asking for her phaser. Later, Spock, now aged to adolescence, begins to experience pon farr. Saavik determines that the only way Spock will make it through this portion of his accelerated growth would be for her to mate with him.
As Enterprise approaches the Genesis planet, they briefly detect a ship, but it vanishes. They scan the planet, looking for life on it, and attempt to hail the Grissom. Meanwhile, as day breaks at their hiding place, Saavik and Spock are captured by the Klingons, as well as a beaten David Marcus. Kruge demands to know the secrets of the Genesis Project, but neither Marcus nor Saavik are forthcoming, and tell Kruge that the project was a failure. Shortly after, Kruge returns to his Bird-of-Prey to confront the Enterprise. As they sneak closer, Kirk and Sulu notice spatial distortions caused by the Bird-of-Prey's cloaking device. As soon as the Klingon vessel decloaks, Enterprise reflexively fires two photon torpedoes, both hitting the Bird-of-Prey's hull. The advantage proves short-lived however as, after the initial shock of being hit, the Klingons swiftly regain control of their vessel and bear down on the Enterprise. Chekov tries to raise the Enterprise's shields, but finds the system non-responsive, and Scott reports that the automation system is overloading under the strain of the unexpected combat situation. The Bird-of-Prey fires one plasma charge, which strikes the Enterprise near the bridge, causing a series of internal explosions. The crew recovers and Kirk orders emergency power be engaged and to return fire; before Scott can do so though, the helm console sparks and bursts into flames, and Scott grimly informs Kirk that the automation system has been destroyed by the Klingon blast, leaving him having no control over any system, the ship dead in space. "So – we're a sitting duck," Kirk grimly notes.
Aboard the Bird-of-Prey, Kruge becomes suspicious that the Enterprise isn't putting up more of a fight, considering it has far heavier armaments than his ship. Kirk then hails the Bird-of-Prey, demanding that the crew surrender within two minutes or face destruction. Kruge determines that Enterprise is less of a threat than Kirk is letting on, and calls Kirk's bluff, ordering him to surrender instead. He reveals that he has prisoners on the surface. Both Marcus and Saavik speak to Kirk by communicator and Saavik reveals that Spock is with them, alive. Marcus says that he can't believe that Kruge would kill them for Genesis, since the project was a failure. Kruge challenges that by ordering his men on the surface to kill any one of the prisoners. One of the men stalks behind the Grissom prisoners with his d'k tahg knife unsheathed. He chooses Saavik. However, as he rears back to sink the blade into the Vulcan's back, Marcus jumps backward and attacks the Klingon. Thoroughly outmatched physically, Marcus is knocked down and stabbed through the heart, while both Spock and Saavik can only watch and do nothing. With the Klingon communicator forced in her face, Saavik simply intones, "Admiral, David is dead."
Completely devastated, Kirk stumbles back, and falls to the deck in front of his chair, cursing the Klingons for the needless death of his only son. Kruge is unmoved however, and threatens to have Saavik and Spock killed if Kirk refuses to surrender. The admiral finally gives in, and Kruge gives Kirk two minutes to prepare to be boarded. After taking a moment to quietly grieve David's death, Kirk consults with Sulu as to the crew numbers of a Bird-of-Prey, realizing that their only chance of survival is to eliminate as many of the Klingons as possible in one go. Kirk orders McCoy and Sulu to go to the transporter room and set beam-down coordinates for the planet below, while he, Scott, and Chekov activate the ship's auto-destruct sequence from the science station. With the sixty-second countdown begun, Kirk, Scott, and Chekov make a hasty departure to the transporter room, and then the five crewmembers leave the Enterprise for the last time. Moments later, the Klingons board the ship and begin stalking their way to the bridge. Torg becomes suspicious while storming through the Enterprise's corridors with his men, finding no crewmembers to confront them.
Arriving on the bridge, Torg signals Kruge and informs him the ship is deserted, the only voice coming from the computer as it counts down to zero. Kruge frantically tries to warn his crew to get off the ship; however, it is too late and the auto-destruct detonates: the bridge is engulfed in explosions that instantly kill the Klingon boarding party. As the saucer disintegrates in a series of explosions, a final detonation destroys the primary hull and knocks the lifeless hulk that was once the USS Enterprise out of orbit and into the atmosphere of Genesis. Safe on the planet's surface, Kirk, McCoy, Scott, Sulu, and Chekov watch on a plateau as their starship streaks across the atmosphere, burning up when it contacts the planet's atmosphere. Blinking hard to fight back tears, Kirk asks McCoy for guidance. All McCoy can offer is that Kirk did what he had to do and what he always has done: turn death into a fighting chance to live.
Act Three[]
Sulu detects lifeforms with his tricorder only a few kilometers away, and more worryingly that the planet's structure is beginning to totally destabilize. In that direction, Spock is going through a series of painful physical changes. He throws one of his two remaining Klingon guards to their death. The Enterprise crew finds them, and Kirk shoots the remaining Klingon. As McCoy examines Spock, who is now physically near his actual age, Kirk tends to David's body, covering him with his jacket. Saavik tells Kirk he gave his life to save her and Spock. McCoy says Spock is rapidly aging, but has no mind; McCoy suspects he possesses all of Spock's mentality.
Kirk taunts Kruge, who is mourning his crew, as a way to goad him into beaming them aboard the ship before the planet destroys itself. Kruge himself beams down to the planet instead and holds them all at gunpoint, ordering Maltz to beam up Sulu, Chekov, Scott, McCoy, and Saavik, but leaving Kirk and Spock. Kruge demands Genesis, over Kirk's protests that it is a failure, evidenced by the disintegrating planet they're on. Kruge and Kirk fight; Kruge is prepared to kill himself in the battle. The two eventually end up on a cliff-side overlooking a lava stream, and Kruge nearly falls to his death when part of the cliff breaks off. Kirk offers to save Kruge's life by extending his hand to help, but he tries to drag Kirk into the chasm along with him, and Kirk finally declares that he has had enough of the Klingon and kicks him in the face three times until he falls off the side of the cliff. As he plummets, the Klingon commander disappears in a flash of flame. Kirk retrieves Spock, who is now unconscious, but back to the physical age he was when he died, and tricks Maltz into beaming him on board the Bird-of-Prey by impersonating Kruge. Maltz, the last remaining member of his crew, surrenders, and Kirk gives him the choice of helping the Enterprise crew or dying, and Maltz is content to let the ship be destroyed when the planet below explodes. "Fine, I'll kill you later," Kirk says. Scott, Sulu, and Chekov figure out the Klingon propulsion systems, and they set a course for Vulcan as the Genesis planet finally begins to blow itself apart. Once safely away from the self-destructing planet, Kirk quietly says his farewell to his son. He then orders Chekov to hold Maltz prisoner, but Maltz protests that Kirk stated he would kill him. Kirk intones, "I lied," and stands by his order.
In a medical bay aboard the Klingon vessel, McCoy tries to converse with Spock's unconscious body. McCoy tells Spock of the katra that he had put into him in the Enterprise's engine room, asking him to remember that. Still getting no response, McCoy tells his old Vulcan rival that he is going to say something that he never thought he'd hear himself say – he has missed Spock since his death and he doesn't know if he could stand to lose him again.
The Bird-of-Prey lands near Mount Seleya, where it is greeted by Sarek and Uhura. After Spock's body is taken up telekinetically to Mount Seleya, followed by Sarek, Kirk and company, a ceremony is then officiated by the Vulcan priestess T'Lar, who determines that Spock, indeed, is alive. Sarek, stating that his logic is uncertain as far as his son is concerned, requests that Spock's katra be reintegrated with its body in the fal-tor-pan ceremony. McCoy agrees to this despite being warned that there are risks involved. T'Lar initiates a mind meld with Spock and McCoy, and begins the ritual to restore Spock's soul.
The ceremony proceeds through the long night. As day breaks, T'Lar is escorted away in her sedan as McCoy wearily informs Kirk that's he's all right. When Kirk asks Sarek about Spock, the Vulcan can only reply "Only time will answer." As he begins to thank Kirk for his actions, the admiral cuts in saying that he did what he had to do. Sarek, with a hint of sorrow, asks Kirk if the price he paid with the loss of the Enterprise and his son was worth all of the effort. Kirk replies that if he hadn't tried, he would have paid with his own soul.
At first, Spock and two Vulcan priests walk past the Enterprise crew without a glance, but Spock removes his hood, turns back and then regards each of them, trying to remember a fragment of a memory of any of them. As he approaches Kirk, he regards him carefully and states that Sarek has told him that Kirk was his friend, that he came back for him. Kirk replies that Spock would have done the same for him. Spock, puzzled, asks why Kirk would do such a thing. Remembering what Spock had told him as he slowly died in the engine room of the Enterprise about the needs of the many outweighing the needs of the few, Kirk turns it back and explains to Spock that in this case, "the needs of the one outweigh the needs of the many."
In Spock, the memory begins to surface and he echoes back to Kirk "I have been and ever shall be your friend." Kirk, encouraging, tells Spock that he is correct. He also remembers more from his last meeting with Kirk, asking if the Enterprise is out of the danger that Khan had forced them into. Kirk tries to continue to jog Spock's memory by telling him he saved the ship – he saved them all. Spock, considering Kirk, looks at him guardedly: "Jim. Your name… is Jim…" Kirk smiles and says "Yes!" Spock, almost contented with the success, regards Dr. McCoy who taps his finger to his head knowingly and in a moment of overwhelming joy, the rest of the Enterprise crew welcomes Spock back as the sun rises over Vulcan.
"…and the Adventure continues…"
Log entries[]
"USS Enterprise, Captain's personal log. With most of our battle damage repaired, we're almost home. Yet I feel uneasy, and I wonder why. Perhaps it's the emptiness of this vessel. Most of our trainee crew have been reassigned. Lieutenant Saavik and my son, David, are exploring the Genesis planet which he helped create. And Enterprise feels like a house with all the children gone. No, more empty even than that. The death of Spock is like an open wound. It seems I have left the noblest part of myself back there… on that newborn planet."
Memorable quotes[]
"And Enterprise feels like a house with all the children gone. No, more empty even than that. The death of Spock is like an open wound."
- - Kirk's personal log
"Sir? I was wondering… are they planning a ceremony when we get in? I mean a reception?"
"A hero's welcome, son? Is that what you'd like? Well, God knows there should be. This time we paid for the party with our dearest blood."
- - Foster and Kirk, on receiving a hero's welcome
"Until the Federation Council makes policy, you are all under orders not to discuss with anyone your knowledge of Genesis. Consider it a quarantined planet and a forbidden subject."
- - Morrow
"Impressive. They can make planets."
"Oh, yes. New cities and homes in the country. Your woman at your side. Children playing at your feet, and overhead, fluttering in the breeze, the flag of the Federation! Charming."
- - Maltz and Kruge, after watching the Genesis briefing
"Regulations specifically state nothing shall be beamed aboard until danger of contamination has been eliminated."
- - Esteban
"Beaming down to the surface is permitted."
"If the Captain decides that the mission is vital and reasonably free of danger."
- - Saavik and Esteban
"To absent friends."
- - Kirk, toasting
"The Council has ordered that no one but the science team goes to Genesis!"
- - Morrow, to Kirk
"What'll it be?"
"Altair water."
(giggles) "That's not your usual poison."
"To expect one to order poison in a bar is not logical."
- - The waitress taking McCoy's order
"All right, dammit! It's Genesis! The name of the place we're going is Genesis!"
"GENESIS!?"
"Yes! Genesis!! How can you be deaf with ears like that!?"
"Genesis allowed, is not! It's planet forbidden!"
- - McCoy and the black market pilot
"Sir, I'm sorry, but your voice is carrying. I don't think you want to be discussing this subject in public."
"I'll discuss what I like! And who in the hell are you?"
"Could I offer you a ride home, Dr. McCoy?"
"Where's the logic in offering me a ride home, you idiot? If I wanted a ride home, would I be trying to charter a space flight?"
- - Federation security officer and McCoy, after the latter's failed attempt to obtain a black market civilian flight to the Genesis Planet
"Make it quick, Admiral. They're moving him to the Federation funny farm."
"Yes, poor friend. I hear he's nutty as a fruitcake."
- - Federation security officer and Kirk, about McCoy
"How many fingers do I have up?" (Makes a Vulcan hand salute)
"That's not very damn funny."
"Your sense of humor's returned."
"The hell it has!"
- - Kirk and McCoy, in McCoy's cell
"You're suffering from a Vulcan mind meld, doctor."
"That green-blooded son of a bitch! It's his revenge for all the arguments he lost."
- - Kirk and McCoy
"Keeping you busy?"
"Don't get smart, Tiny."
- - Sulu and security guard
"That's Admiral Kirk, my God!"
"Very good for you, Lieutenant."
"But it's damned irregular. No destination orders. No encoded IDs."
"All true."
"Well, what are we going to do about it?"
"I'm not going to do anything about it. You're going to sit in the closet."
"The closet? What, have you lost all your sense of reality?"
"This isn't reality." (turns and points a phaser at him) "This is fantasy! You wanted adventure, how's this? The old adrenaline going, huh? Good boy. Now get in the closet!"
"Okay, um…"
"Go on, go on."
"I'll just get in the closet."
- - "Mr. Adventure" and Uhura
"I'm glad you're on our side."
- - McCoy, to Uhura
"Ah, Mr. Scott! Calling it a night?"
"Uh, yes sir."
"Turning in myself, looking forward to breaking the Enterprise's speed records tomorrow."
"Ah, yes sir. Good night."
- - Styles and Scott
"Level, please."
"Transporter room."
"Thank you."
"Up your shaft."
- - Excelsior turbolift and Scott
"A chimpanzee and two trainees could run her."
"Thank you, Mister Scott. I'll try not to take that personally."
- - Scott and Kirk, on the Enterprise bridge
"And… now, Mr. Scott."
"Sir?"
"The doors, Mr. Scott!"
"Aye, sir, I'm working on it!"
- - Kirk and Scott, both hoping to avoid a collision with the still closed spacedock doors
"Kirk! If you do this, you'll never sit in the captain's chair again."
- - Styles, to Kirk
"Scotty… as good as your word."
"Aye, sir. The more they overthink the plumbing, the easier it is to stop up the drain! (to McCoy) Here, doctor. Souvenirs… from one surgeon to another. I took them out of her main transwarp computer drive."
- - Kirk and Scott, on how the removal of four small parts can cripple the Excelsior
"Gentlemen, your work today has been outstanding. I intend to recommend you all for promotion… in whatever fleet we end up serving."
- - Kirk
"Sir, may I suggest…"
(points his weapon at Torg) "Say the wrong thing, Torg!!"
"That if it's prisoners you want, there are life signs on the planet, perhaps the very scientists you seek."
(lowers his weapon) "Very good."
- - Torg and Kruge
"How are we doing?"
"How are we doing? Funny you should put it that way, Jim. We are doing fine. But I'd feel a lot safer giving him one of my kidneys than what's scrambled in my brain!"
- - Kirk and McCoy
"Hello, sir. It's David."
"I'm sorry I'm late."
"It's OK; I should've known you'd come. But Saavik's right. This planet is unstable; it's going to destroy itself in a matter of hours."
"David, what went wrong?
"I went wrong."
"I don't understand."
"I'm sorry, sir. Just don't surrender. Genesis doesn't work. I can't believe they'd kill us for it."
- - David and Kirk
"You Klingon bastard! You've killed my son!"
- - Kirk, after Saavik delivers the bad news
"There are two more prisoners, Admiral. You want them killed, too? Surrender your vessel."
- - Kruge to Kirk, after Saavik's bad news about David
"Bones, you and Sulu to the transporter room. The rest of you with me, we have a job to do."
- - Kirk, giving the order to abandon ship
"Destruct sequence completed and engaged. Awaiting final code for one minute countdown."
"Code zero, zero, zero...destruct...zero."
"Destruct sequence is activated."
- - Computer and Kirk, initiating self-destruct sequence
"Nine, eight, seven, six, five..."
"GET OUT! GET OUT OF THERE! GET OUT!"
"...One..."
- - Computer and Kurge, just before the Enterprise self-destructs
"My God, Bones. What have I done?"
"What you had to do. What you always do. Turn death into a fighting chance to live."
- - Kirk and McCoy, as the fiery Enterprise plummets
"Klingon Commander! This is Admiral James T. Kirk! I'm alive and well on the planet surface! I know this will come as a pleasant surprise for you, but our ship was a victim of an unfortunate accident! Sorry about your crew, but as we say on Earth, c'est la vie. I have what you want. I have the secret of Genesis. But you're gonna have to bring us up there to get it. You hear me? I'm waiting for you! What is your answer?"
- - Kirk, to Kruge
"You fool, look around you! The planet's destroying itself."
"Yes! Exhilarating, isn't it?"
"If we don't help each other, we'll die here."
"Perfect. Then that's the way it shall be!"
- - Kirk and Kruge, on the imploding Genesis Planet
"You – help us or die."
"I do not deserve to live."
"Fine, I'll kill you later."
- - Kirk and Maltz
"Where's the damn antimatter inducer?"
"This? No, this."
"That, or nothing!"
- - Scott and Chekov, trying to figure out how to fly the Bird-of-Prey
"Wait! You said you would kill me!"
"I lied."
- - Maltz and Kirk
"I'm going to tell you something that I never thought I'd hear myself say. But it seems that I've missed you. And I don't know if I could stand to lose you again."
- - McCoy, to Spock
"What you seek has not been done since ages past, and then only in legend. Your request is not logical."
"Forgive me, T'Lar. My logic is uncertain where my son is concerned."
- - T'Lar and Sarek, on the request of fal-tor-pan for Spock
"McCoy, son of David, since thou art Human, we cannot expect thee to understand fully what Sarek has requested. Spock's body lives. With your approval, we shall use all our powers to return to his body that which you possess."
- - T'Lar to McCoy, about Spock's katra
"The danger to thyself is as grave as the danger to Spock. You must make the choice."
"I choose the danger!" (muttered) "Hell of a time to ask…"
- - T'Lar and McCoy, on fal-tor-pan
"Kirk, I thank you. What you've done is – "
"What I've done, I had to do."
"But at what cost? Your ship. Your son."
"If I hadn't tried, the cost would have been my soul."
- - Sarek and Kirk
"My father says that you have been my friend. You came back for me."
"You would have done the same for me."
"Why would you do this?"
"Because the needs of the one outweighed the needs of the many."
- - Spock and Kirk
"Jim. Your name is Jim."
- - Spock, as his memory begins to return
Background information[]
Production[]
- Harve Bennett's twenty-page outline for this film was entitled Return To Genesis and is dated 16 September 1982. [1] Bennett has said in various interviews and the Star Trek III DVD that the script was the easiest he had ever written, starting at the end of the movie with Spock alive again and working backwards from that point. Bennett also said that Paramount green-lighted this film faster than any film he ever worked on, having been told to "Start writing Star Trek III" within days of the release of Star Trek II: The Wrath of Khan.
- According to an article on io9.com Harve Bennett's original outline for Star Trek III would have involved Romulans coming to Genesis instead of Klingons and them finding the world very rich in dilithium. The Romulans then begin to mine the planet until the miners begin being killed by a feral Spock, whose aging was still tied to the aging of the planet. At the same time, Vulcan, upon hearing of the Genesis Device, is so horrified to discover that the Federation created such a potential weapon they want to secede from the Federation. This would have sent Kirk to Vulcan, with the crew of the Enterprise, to face the angry Vulcans. In the article, Robert Meyer Burnett argues that this would have been a more serious, "perilous" and above all epic story than the actual produced and released film – and it would have featured a Romulan commander along the lines of the thoughtful antagonist from the original Romulan story, "Balance of Terror".
- In an early draft of the script, the Klingon Bird-of-Prey was originally to be a stolen Romulan vessel (the red "feather design" of the wings' underside was designed with the original Romulan Bird-of-Prey in mind), but that detail was dropped from the final draft.
- A copy of Bennett's original storyline was leaked to fans in February 1983, forcing him to rewrite the script, changing many of the film's original details and events. This forced the original release date to change from the Christmas of 1983, when production was delayed until 15 August 1983, partially due to the rewrite. (Starlog #77, December 1983, p. 15)
- After filming on Star Trek III began on Monday, 15 August 1983. The opening scene on the Enterprise bridge was the first to be filmed. The last shot was taken at Thursday, 20 October 1983 on the Excelsior bridge. When the film was released, the box office receipts were strong. The film grossed US$16.7 million in its opening weekend, approximately US$2.4 million more than Star Trek II: The Wrath of Khan made when it first opened. In the long run, however, Star Trek III grossed a total of US$76.5 million domestically, falling just short of Star Trek II's US$78.9 million gross.
- During production, a fire broke out behind the Paramount lot which caused minor damage to the Genesis Planet set. Among those who assisted in putting out the fire was actor William Shatner. According to his Star Trek Movie Memories, Shatner was in full Kirk costume and makeup when he helped with the fire. Shatner also accounted in his book that he was terrified the fire was going to hold up filming and thereby make him late for reporting back to start filming the new season of TJ Hooker, the police drama that Shatner was starring in at the time that Star Trek III (and later Star Trek IV: The Voyage Home) was filmed.
Spock's rebirth[]
- Actor and director Leonard Nimoy also worked on the film's story, but his contribution went uncredited. "The only time there was any conflict about the movie's content happened during pre-production, when I said I was satisfied with the final script, and was ready to start shooting. The executives had some reservations about ending the picture on Vulcan. I felt, very, very strongly about that final sequence. I wanted to end the film by bringing Spock to Vulcan, and going through the ritual. I believed it would work, and that the audience would enjoy it." Nimoy explained, "Not being so familiar with Star Trek, the executives didn't understand what that sequence would mean to the audience. They were worried about it, and tried to convince me to substitute a different ending. They wanted to end with the dramatic escape from the Genesis planet, getting Kirk and Spock on board the Klingon Bird of Prey, reviving Spock in the sick bay, doing a little tag scene and going home." To that end, Nimoy said he "argue vehemently that we had to have the sequence on Vulcan. Showing Spock on his planet, among his people, trying to remember his friends, would be a moving scene. I managed to convince them that I wanted to do it my way, and they agreed. I didn't discuss the film with them again until I showed them my first cut." (Starlog #106, May 1986, p. 52)
- There is an extra long pause between William Shatner's name and DeForest Kelley's during the opening credits where Leonard Nimoy's name would have been. To keep secret Leonard Nimoy's participation in this movie as an actor, official daily call sheets mentioned the adult Spock character only as "Nacluv" ("Vulcan" spelled backwards), played by "Frank Force". Nimoy continued the joke by using the pseudonym in the end credits for his cameo role as the (Excelsior) elevator voice.
- After the Enterprise escapes from Spacedock, when Kirk orders a scan "for vessels in pursuit," an off-screen McCoy responds "scanning: indications negative at this time." However, it is in actuality the voice of Leonard Nimoy that the audience hears. This is left as an open-ended question to whether it is McCoy performing an impersonation, or more likely, another manifestation of Spock's katra (spirit), as witnessed in the scene in Spock's quarters, in which McCoy sits in the shadows, but speaks in Spock's voice.
Destruction of the Enterprise[]
- According to director/producer commentary for the two-disc DVD release, the destruction of the Enterprise was to be a secret (like Luke Skywalker's father in the Star Wars franchise), but the Paramount promotional department made this the biggest point of the initial trailers, calling it "The Death of the Enterprise"; Harve Bennett had objected to this and tried to have the trailers changed so as to not spoil the surprise, but lost out. Despite the heightened security precautions implemented during filming, word of the ship's destruction was leaked during production, in an incident that some have attributed to Gene Roddenberry himself.
- In a 1987 interview with the Official Star Trek Fan Club magazine, Harve Bennett said that the destruction of the Enterprise was not in the original drafts of the script and was added later in writing when he and Leonard Nimoy realized they needed a dramatic life or death decision. After the film was finished, Bennett said he quietly vowed to restore the Enterprise at the proper time. The Enterprise was restored in Star Trek IV: The Voyage Home with the introduction of the USS Enterprise-A.
Deleted scenes[]
- A scene between Kirk and McCoy in a turbolift was filmed for Star Trek III: The Search for Spock but was ultimately cut. (Starlog, issue 87, p. 20) This scene was included in the comic Star Trek III: The Search for Spock adaptation. An image from the production of this scene, with Leonard Nimoy directing William Shatner and DeForest Kelley, was published in Starlog (issue 88, p. 23).
- Scene 276: A scene scripted to feature the Enterprise crew carrying Spock up the stairs to Mount Seleya. In this scene, credited actress Katherine Blum – as the Vulcan child – released herself from her father and went to Spock, performed the Vulcan salute, and said "Live long and prosper, Spock."
George Takei described the scenario as, "We shot three nights, very expensive, with hundreds of extras on location at Occidental College. After the Bird of Prey lands, the crew comes down the ramp bearing Spock's body. Then, there's a fleeting glimpse of all the Vulcans. The next scene shows us entering the temple with Dame Judith Anderson. This was a sequence of pageantry, of spectacle, of color, and an opportunity to present this awesome society we call the Vulcan civilization–the religious hierarchy, the aristocrats, the merchant classes, all the gold and silver vestal virgins." He continued, "I was absolutely aghast when I saw that the sequence was cut out. I'm told that the front office wanted to maintain the relentless pace. The sequence did have an elegiac quality to it, but it was stunning and very highly paced, visually." (Starlog #109, August 1986, p. 16)
- Another scene which was filmed for the movie but eventually omitted was set inside the Vulcan Hall of Ancient Thought. (Star Trek: The Magazine Volume 3, Issue 8, p. 61; Cinefantastique, Vol. 17, No. 3/4, p. 68; The Making of the Trek Films, 3rd ed., p. 53)
Behind the scenes[]
Concept art[]
Production gallery[]
Publicity photos[]
Cast[]
- Leonard Nimoy originally wanted Edward James Olmos as Kruge, but Paramount Pictures nixed the casting, while Olmos went on to play William Adama in Ronald D. Moore's Battlestar Galactica revival in 2003.
- This movie marks the first live-action appearance of Ambassador Sarek (Mark Lenard) since his introduction seventeen years earlier in TOS: "Journey to Babel". In the interim, he appeared in TAS: "Yesteryear".
- Judi Durand voices her first computer in this movie. She can be heard announcing that the space doors are closed. She went on to play the Cardassian Computer Voice in Star Trek: Deep Space Nine.
Props[]
- Paramount continued its practice of seeking design patents for designs from the Star Trek movies with this film as well. It obtained patents for several props, the Excelsior, and the Klingon Bird-of-Prey.
- During the scene where Kirk asks Admiral Morrow for permission to return to the Genesis Planet, part of the Epsilon IX station from Star Trek: The Motion Picture can be seen as a wall decoration hanging in the background, and when they reach the turbo shaft, the other half can be seen.
- The Klingon d'k tahg is first introduced in this film.
- Several costumes, props, and set dressing from this film were sold off on the It's A Wrap! sale and auction on eBay, including a pair of Vulcan gloves, [2](X) a lot of Genesis microbes, [3](X) Scott McGinnis' undershirt, [4](X) and one of Robin Curtis' costumes. [5](X)
Sets[]
- The bar in San Francisco, in which McCoy meets the alien, is a reused part from the sickbay of the Enterprise.
- For the bridge of the Grissom, the regular Enterprise bridge was used, with the captain's chair and the helm console twisted around. The covers of the seats were changed from white to pink.
- For the transporter complex, where Uhura beamed Kirk, McCoy, and Sulu to the Enterprise, the interiors from the Regula I space station were used.
- The climactic fight between Kirk and Kruge was originally supposed to feature huge boulders that would "burst" up from the ground. On the day of shooting, however, the boulders failed to work properly and the scene was shot without them (however, one of them worked correctly and was used to propel Kruge into the air to attack Kirk at the onset of their fight).
Continuity[]
- Although this film takes place immediately after The Wrath of Khan, Khan is never mentioned once.
- The film itself does not clearly identify the year it is set on, other than that it is nearly directly after Star Trek II: The Wrath of Khan, as the crew is still repairing the ship from the damage caused by Khan's attacks in the last film. According to StarTrek.com, Star Trek Chronology, and Star Trek Encyclopedia, 3rd ed., p. 691 the events of both Star Trek II and Star Trek III take place in 2285. This date was finally canonized in 2022 on a commemorative plaque for the Excelsior which appeared in PIC: "The Star Gazer". [6](X) [7]
- The Excelsior-class, the Oberth-class, the Spacedock-type station, and the Klingon Bird-of-Prey all make their first appearances here. They continued to be used in Star Trek: The Next Generation, Star Trek: Deep Space Nine, and Star Trek: Voyager. The Bird-of-Prey appeared in four subsequent films until Star Trek Generations, its last film appearance.
- This movie is the first time that Chekov is heard to speak in Russian. He says "Я не сумасшедший. Ну, вот!", ("Ja ne sumasšedšij. Nu, vot!") which roughly translates to "I'm not crazy. Well, look!"
- The toast made in Kirk's apartment, "Absent friends," is one of the traditional toasts of the Royal Navy. Jean-Luc Picard makes the same toast, in memory of one of his fallen crewmates, in Star Trek Nemesis. Kor adapted this toast, "to absent comrades" in memory of Jadzia Dax in DS9: "Once More Unto the Breach".
- This film featured the first appearance of tribbles since TAS: "More Tribbles, More Troubles". They can be seen briefly in the first moments of the bar scene, before Dr. McCoy sits down.
- Admiral Morrow states that the Enterprise is twenty years old, which would coincide with Star Trek: The Original Series; however the ship was in service for at least eleven years prior to that, as Spock has stated himself.
- The Star Trek Compendium (2nd ed., p. 167) compares Kirk risking his career and even his life to save Spock to what Spock did for Captain Christopher Pike in the two part episodes TOS: "The Menagerie, Part I" and "The Menagerie, Part II".
- According to the script, Kruge was described as a "Battle Commander" and was "a Klingon War Lord of handsome but frightening presence, and relative youth." This explains why Saavik, Valkris, and his crew refer to him as "my Lord", a term which would not be used again until Star Trek: Discovery began in 2017.
- The Enterprise destruct sequence was previously used in TOS: "Let That Be Your Last Battlefield" with Spock's command codes used by Scott, and Scott's codes used by Chekov this time out.
- The battle between the Enterprise and Kruge's Bird-of-Prey, as well as the subsequent self-destruction of the Enterprise, are revisited in ST: "Ephraim and Dot".
- In one rarely-used trailer, the stardate given is 8097.3, which would set the movie before The Wrath of Khan.
Trivia[]
- This is the only Star Trek film with a main cast character's name in the title. In the TV shows, few episodes had this privilege, and never the actual captain. The most present in titles is Data in TNG: "Datalore", "Elementary, Dear Data", "Data's Day", and "A Fistful of Datas". The second one, with two titles, is Julian Bashir from DS9: "Our Man Bashir" and "Doctor Bashir, I Presume". The others had just one occasion each: Spock himself in TOS: "Spock's Brain", Deanna Troi (who shared it with her mother Lwaxana) in TNG: "Ménage à Troi", Quark in DS9: "The House of Quark", and Brad Boimler in LD: "Much Ado About Boimler". In Star Trek: Voyager, Tuvok and Neelix had to share the same character in "Tuvix". Among the recurrent characters, Q has had the lion's share with eight titles: TNG: "Hide And Q", "Q Who", "Deja Q", "Qpid" and "True Q", DS9: "Q-Less", and VOY: "The Q and the Grey" and "Q2".
Reception[]
- This film failed to impress Ronald Reagan, when he viewed it at the White House on 23 June 1984. Reagan mentioned the film in his diaries, commenting, "After dinner we ran Star Trek III. It wasn't too good." Despite this, he watched Star Trek IV: The Voyage Home two years later. (Star Trek Magazine issue 160, p. 53)
- In Britain, the film was released on 27 July 1984. It reached no.2 in the box office charts, but eventually rose to no.1 late in its run. It was however the lowest performing Star Trek film at the UK box office overall with only £1,096,042. [8]
- Star Trek III: The Search For Spock had its broadcast network television premiere on ABC on September 28, 1987 (coinciding with the syndicated debut of Star Trek: The Next Generation), to compensate for the loss of that evening's Monday Night Football (due to the 1987 NFL strike).
Awards and honors[]
Star Trek III: The Search for Spock received the following awards and honors:
Year | Group | Award | Nominee(s) | Result |
---|---|---|---|---|
1985 | Hugo Awards | Best Dramatic Presentation | Written by Harve Bennett, Directed by Leonard Nimoy | Nominated |
Saturn Awards | Best Costumes | Robert Fletcher | ||
Best Special Effects | Ralph Winter | |||
Best Supporting Actress | Judith Anderson | |||
Best Actor | William Shatner | |||
Best Director | Leonard Nimoy | |||
Best Science Fiction Film | - |
Merchandise gallery[]
Apocrypha[]
The novelization of Star Trek III: The Search for Spock shows that from her transporter station, Uhura was monitoring Starfleet channels and helping to jam and distort channels in order to aid in Kirk and company's escape attempt. Also, after Excelsior was disabled, it issued a distress call, and Uhura intercepted and dumped it, thinking that as Styles had usurped what was supposed to be Sulu's command, that he could sit out there and stew for a while. After the escape of Enterprise, Uhura quickly ran to the Vulcan Embassy and asked for asylum from Sarek, which he granted to her despite the protestations of Starfleet security who had followed Uhura there.
In the novelization, after their escape from Genesis, Saavik speculates to Kirk that billions of years in the future, the matter that formed the Genesis system may again coalesce into another star system, this time lacking the protomatter that doomed it and this time, the system should be stable and may well turn out in the way that David and Carol and their friends all intended. The novelization and the children's read-along storybook also referenced the intended fate for the Genesis planet in the shooting script: it was to fall into its sun (parts of this are seen in the finished film: as the Bird-of-Prey begins to make its escape, the planet is clearly shown to be very close to the sun, as well as the fact that Kirk's face seems to get yellower as he calls for beam-out). In the novel, the planet falls into its sun, and the sun itself expands and is reduced to a cloud of plasma.
The novelization also includes several scenes that were not in the film or script at all, such as a wake aboard the Enterprise for Spock (and by extension, everyone who died in The Wrath of Khan) that goes badly; a debriefing with Captain Esteban that ends with a rift forming between Kirk and David; the recovery of bodies from the Regula One laboratory; the escape of two survivors from the merchant ship that was destroyed by the Bird of Prey; Sulu being informed that, because he was aboard the Enterprise during events that were going to be classified by Starfleet, command of the Excelsior was being given to Styles; a relationship forming between David and Saavik; and the discovery that the plants in the Genesis Cave had mutated and secreted a substance that was a powerful narcotic.
Links and references[]
Credits[]
Opening credits[]
- Starring
- Co-Starring
- Also Starring
- Mark Lenard as Sarek
- Merritt Butrick as David
- Special Appearance
- Introducing
- and
- Executive Consultant
- Music Composed By
- Associate Producer
- Edited by
- Art Director
- Director of Photography
- Charles Correll, ASC
- Executive Producer
- Based on Star Trek Created by
- Written and Produced by
- Directed by
Closing credits[]
- Also Starring
- And as Spock
- Unit Production Manager
- First Assistant Director
- Second Assistant Director
- Ken Stringer
- Costumes Designed by
- Camera Operator
- David Nowell, SOC
- First Assistant Cameraman
- Robert A. Torres
- Second Assistant Cameraman
- Alfredo R. Sepulveda
- Second Camera Operator
- Michael Scott, SOC
- Second Assistant, Second Camera
- Norman E. Parker
- Sound Mixer
- Gene S. Cantamessa, CAS
- Boom Operator
- Raul A. Bruce
- Utility
- Jack Wolpa
- Men's Wardrobe Supervisor
- Women's Wardrobe Supervisor
- Wardrobe
- Jean Merrick
- Dan Bronson
- Joseph Markham
- Special Makeup Appliances, Created by
- Makeup Artists
- Hairstylist
- Additional Hairstylists
- Script Supervisor
- Chief Lighting Technician
- Norm Glasser
- Best Boys
- Key Grip
- Dennis Harper
- Second Company Grip
- Clarence Ebert
- Dolly Grips
- Jon Falkengren
- Tom Sawyer
- Set Decorator
- Property Master
- Assistant Property
- Ronald E. Greenwood
- Lead Man
- Jerry Kobold
- Swing Gang
- Charlie Russo
- Ron Galloway
- Special Effects Supervisor
- Special Effects
- Rocky Gehr
- Thomas R. Homsher
- Dennis K. Petersen
- Tony Vandenecker
- Peter G. Evangelatos
- Construction Coordinator
- Lynn Price
- Construction Foreman
- Scott Goodale
- Paint Foreman
- Standby Painter
- Dennis C. Ivanjack
- Illustrator
- Set Designers
- Cameron Birnie
- Blake Russell
- Transportation Coordinator
- Robert D. Mayne
- Transportation Captain
- Lynn Harman
- Craft Services
- Robert Morgan
- Unit Publicist
- Ed Pine
- Still Photographer
- John Shannon
- Assistant Film Editors
- Martin X. Chielens
- John A. Hagger
- Color Timers
- Terry P. Haggar
- Bob Noland
- Supervising Sound Editors
- Sound Effects Editors
- John Leveque
- Paul Bruce Richardson
- Jack Woods
- ADR Editors
- Sean Hanley
- Ron Horwitz
- Foley Editor
- Pamela Bentkowski
- Foley by
- Dan O'Connell
- Ellen Heuer
- Assistant Editors
- Danniel F. Finnerty
- Bruce D. Fortune
- Special Sound Effects by
- Additional Sound Effects
- Sprocket Systems
- Randy Thom
- Tom Johnson
- Music Editor
- Orchestrations
- Greig Mc Ritchie
- Music Scoring Mixer
- Re-Recording Mixers
- Ray West
- David J. Hudson
- Robert W. Glass, Jr.
- Technical Advisor
- Dr. Richard H. Green
- Alien Language Created by
- Assistant to Mr. Shoenbrun
- Directors Guild of America Trainee
- Cynthia Riddle
- Dialogue Coach
- Choreographer
- Assistant Choreographer
- Barbara Arms
- Voice-Over Casting
- Assistant to Mr. Bennett
- Sylvia Rubinstein
- Assistant to Mr. Nimoy
- Production Assistant
- Special Visual Effects, Produced at
- Industrial Light & Magic, Marin County, California
- Supervisor of Visual Effects
- Visual Effects Art Directors
- Optical Photography Supervisor
- Kenneth F. Smith
- Visual Effects Cameraman
- Donald Dow
- Scott Farrar
- Selwyn Eddy III
- Assistant Cameramen
- Peter Daulton
- Robert Hill
- Patrick McArdle
- Ray Gilberti
- Dave Hanks
- Toby Heindel
- Optical Camera Operators
- James Lim
- Donald Clark
- Optical Line-Up
- Ralph Gordon
- David Berry
- General Manager, ILM
- Production Supervisor
- Warren Franklin
- Production Coordinator
- Laurie Vermont
- Supervising Modelmaker
- Additional Spacecraft Design
- Model Makers
- William Beck
- Sean Casey
- Richard Davis
- Michael Fulmer
- Ira Keeler
- Jeff Mann
- Creature Supervisor
- Matte Painting Supervisor
- Matte Artist
- Chris Evans
- Frank Ordaz
- Matte Camera Supervisor
- Animation Supervisor
- Charles Mullen
- Effects Animators
- Bruce Walters
- Phillip Norwood
- Chief Visual Effects Editor
- Bill Kimberlin
- Visual Effects Editor
- Jay Ignaszewski
- Miniature Pyrotechnics and Fire Effects
- Ted Moehnke
- Stage Technicians
- ILM Stage Crew
- Still Photography Supervisor
- Terry Chostner
- Equipment Engineering Supervisor
- Michael MacKenzie
- Video Playback and Displays by
- The Burbank Studios
- Video Supervisor
- Hal Landaker
- Chief Engineer
- Alan Landaker
- Video Coordinator
- Rick Whitfield
- Instrumentation Displays, Computer Animation by
- Symbolics, Inc., Graphics Division
- Omnibus Video, Inc.
- Strayframes
- Casting by
- Cast
- Kirk – William Shatner
- Spock – Leonard Nimoy
- McCoy – DeForest Kelley
- Scotty – James Doohan
- Chekov – Walter Koenig
- Sulu – George Takei
- Uhura – Nichelle Nichols
- Saavik – Robin Curtis
- David – Merritt Butrick
- Trainee Foster – Phil Morris
- "Mr. Adventure" – Scott McGinnis
- Admiral Morrow – Robert Hooks
- Spock...Age 9 – Carl Steven
- Spock...Age 13 – Vadia Potenza
- Spock...Age 17 – Stephen Manley
- Spock...Age 25 – Joe W. Davis
- The Merchantship
- The Klingons
- Kruge – Christopher Lloyd
- Torg – Stephen Liska
- Maltz – John Larroquette
- Sergeant – Dave Cadiente
- Gunner #1 – Bob Cummings
- Gunner #2 – Branscombe Richmond
- USS Grissom
- The Bar
- The Excelsior
- The Vulcans
- Others
- Prison Guard #1 – Gary Faga
- Prison Guard #2 – Douglas Alan Shanklin
- Woman in Cafeteria – Grace Lee Whitney
- Robin Kellick
- Kimberly L. Ryusaki (Bar alien / Trainee Enterprise crewmember)
- Phil Weyland (for William Shatner / Starfleet crewman)
- Steve Blalock (for Leonard Nimoy / Vulcan guard)
- Voices
- Spock Screams – Frank Welker
- Enterprise Computer – Teresa E. Victor
- Flight Recorder – Harve Bennett
- Space Dock Controller – Judi Durand
- Elevator Voice – Frank Force
- Background Voices – The Loop Group
- Stunt Double for William Shatner
- Stunt Double for Christopher Lloyd
- Stunts
- Steve Blalock (Trainee crewman)
- David Burton (stunt double for Merritt Butrick)
- Phil Chong
- Eddy Donno
- Kenny Endoso
- Jim Halty (San Francisco bar patron)
- Chuck Hicks (Stunt double for Paul Sorensen)
- Jeff Jensen (Stunt double for Douglas Alan Shanklin)
- Don Charles McGovern (Klingon crewman)
- Tom Morga (Merchantman alien crewman / Starfleet officer / Klingon officer)
- Alan Oliney
- Chuck Picerni, Jr. (Klingon crewman)
- Danny Rogers (Merchantman first officer)
- Frank James Sparks
- David Zellitti (Klingon crewman)
- Stunt Coordinators
- Additional Optical Effects by
- Wardrobe Accessories
- Hollywood Armor
- Special Thanks to
- United States Marine Corp. – Air / Ground Combat Center, 29 Palms, California
- Music by Alexander Courage
- "Genesis Project" by
- "I Remember You" by
- Johnny Mercer & Victor Schertzinger
- "That Old Black Magic" by
- Johnny Mercer & Harold Arlen
- "Tangerine" by
- Johnny Mercer & Victor Schertzinger
- Filmed in
- Sound by
- Glen Glenn Sound
- Color by
- Movielab
- In Association with
- Cinema Group Venture
- Original Soundtrack Album Available on
- Capitol Records and XDR™ cassettes
- Uncredited cast
- Shirley Anthony as Vulcan priestess
- David Armstrong as Vulcan apprentice
- Benjie Bancroft as Vulcan attendant
- Bibi Besch as Carol Marcus (archive footage)
- Jessie Biscardi as a Vulcan maiden
- Suzy Born as a Vulcan maiden
- Barney Burman as a bar alien (deleted scene)
- Charles Correll as a Spacedock worker
- Debra Dilley as a Vulcan maiden
- Claudia Lowndes as an Officer's wife
- Mike Mitchell as USS Grissom navigator
- Danny Nero as Vulcan guard
- Paulette as a Vulcan maiden
- Michael Prokopuk as Excelsior crewmember
- Nanci Rogers as a bar waitress
- Teresa Sloan as a bar patron
- Rebecca Soladay as a Vulcan maiden
- John Staible as Enterprise crewman
- Cheryl Wallack as Vulcan priestess
- Unknown performers as
- Bar alien with bald tattooed head
- Bar alien with metallic faceplates
- Bar couple
- Bar dart player
- Bartender
- Female bar patron
- Female Starfleet officer in bar
- Male Human bar patron
- Enterprise security officer 1
- Enterprise Security officer 2
- Alien Enterprise crewmember
- Deltan Excelsior officer
- Excelsior helmsman
- Excelsior engineer
- Excelsior bridge crewmembers
- Grissom navigator
- Morrow's personal aide
- Spacedock controllers 1 and 2
- Vulcan at ritual 1 and 2
- Vulcan apprentices 1 – 4
- Vulcan attendant 1
- Vulcan maiden
- Vulcan musician
- Vulcan priests 1 and 2
- Uncredited stunt performers
- Lightning Bear
- Jean Coulter as stunt double for Sharon Thomas (deleted scene)
- Eric Mansker as bartender (deleted scene)
- Uncredited stand-ins
- Uncredited production staff
- Bari Burman – Special Makeup Effects Artist
- Thomas R. Burman – Special Makeup Effects Artist
- Edward Goehring – Creative Consultant: Stray Frames Ltd.
- Steve LaPorte – Special Makeup Effects Artist
- Kenneth A. Larson – Propmaker
- Tony McVey – Sculptor
- Leonard Nimoy – Writer
- Rick Stratton – Makeup Artist
- Professional VisionCare Associates – Contact Lens company
References[]
2265; 40 Eridani A; accident; act of war; acting; adrenaline; adventure; agent; aging; animal; area; Altair water; alternative; answer; antimatter inducer; approach control; Arcanis Lager; argument; "at regular intervals"; attack; auto-destruct; automate; automation center; automation system; auto system; bar; bargain; barn door; battle alert; battle damage; battle cruiser; bearing; behavior; blood; blue alert; boarding party; body; "Bones"; Bounty, HMS; brain; breeze; burial robe; "by the book"; captain's chair; captain of engineering; "calling it a night"; career; cell; Celsius; ceremony; chance; chief engineering officer; channel; charter; children; chimpanzee; choice; city; civilization; cloaking device; closet; combat; commander; commendation; communications; compartment; compliments; computer; computer voice; comrade; Constitution II-class; Constitution II-class decks; contamination; countdown; country; course; crew complement; criminal; cylindrical; d'k tahg; damage; danger; darts; data; day; deafness; death; decommission; Deltan; desert; destination order; distortion; docking; docking maneuver; docking procedure; doomsday weapon; door; dozen; drain; duty station; ear; Earth; emergency channel; emergency frequency; emergency power; emergency tube; emissary; emotional problem; emptiness; encoded ID; enemy; energy; energy surge; Enterprise, USS; estimating; ethics; event; evolution; Excelsior-class; Excelsior, USS; execution; exhaustion; expedition; failure; Fal-tor-pan; fantasy; Federation Council; Federation government; Federation Neutral Zone; Federation Security; feet; finger; firing range; flag; fleet; Flight International; flight recorder; foliage; fool; French language; friend; friendship; funny farm; gang; Genesis Device; Genesis effect; Genesis Experiment; Genesis (planet); Genesis matrix; Genesis Planet sun; Genesis sector; Genesis Torpedo; Genesis wave; Genesis worm; "give the word"; God knows"; gravitational field; gravitational support system; "Great Experiment, The"; green; Grissom, USS; gunner; hailing frequency; hand; head; hello; "hind end"; home; honor; hope; hour; house; Human; humor; idea; impatience; impulse power; information; inquiry; inspection; instinct; instruction; intention; James T. Kirk's San Francisco apartment; katra; Keeper; kellicam; kidney; Klingons' Klingon Bird-of-Prey; Klingon Empire; Klingon monster dog; Klingonese; knowledge; Kobayashi Maru; knowledge; Kruge's Bird-of-Prey; land; landing; lava lamp; legend; lexorin; light; life (lifeform); lifelessness; life sign; line; lord; loyalty; luck; machine; main transwarp computer drive; marbles; mass; maximum velocity; medical tricorder; McCoy, David; medic; memory bank; Merchantman; message; metal; meter; microbe; Milky Way Galaxy; mind; mind meld; minute; miracle worker; mission; money; moon; mooring (automatic mooring); Mount Seleya; multiplication; Mutara sector; "my God"; mysticism; NCC-500; NCC-585; NCC-3801; NCC-4000; name; negotiation; NES; NES-1701; newborn; Oberth-class; obsessive behavior; officer; "oh my God"; Old City Station; "on course"; opinion; opponent; orbital shuttle (unnamed); Orbital shuttle 6; Orbital shuttle 7; order; "out of the question"; "out on a limb"; pain; parlor; peace; permission; permit; phaser; phaser bank; photon torpedo; photon tube; poison; place; planet core; plant; platitude; playing; plumbing; policy; pon farr; pre-approach scan; price; priority one; prisoner; problem; progress report; Project Genesis; promotion; protomatter; prototype; quarantine; quarters; radiation; radio silence; range; rationality; reality; reception; recorder; red alert; refit; refit time; regeneration; rendezvous; repair estimate; reply; report; reputation; research; retrothrusters; revenge; risk; "Roger"; room; rule; sabotage; sacrifice; science officer; science station; science team; science vessel; scientist; scout class; Scott's grandmother; screen; search; "second wind"; secret; Sector 1; Sector 2; Sector 3; security access; sense of humor; "set sail"; shaft; shield; ship for hire; shock; short range scan; side elevator; signal; "sitting duck"; "son of a bitch"; Spacedock One; spacedock ship; spirit; ship's surgeon; shore leave; Skon; snow; soft landing; Solkar; soul; souvenir; space; space body; Spacedock One; space door; spaceflight; space veteran; speed; speed record; staff meeting; Starfleet; Starfleet Command; Starfleet Commander; Starfleet regulations; step; standard orbit; standard orbital approach; "stand by"; stranger; stealing; subject; subspace coded channel 98.8; sunrise; surface; surgeon; surprise; surrender; survivor; sympathy; temperature; terminium; terrain; "the promised land"; thought; thousand; thruster; time; toast; torpedo casing; town; tractor beam; trainee; trainee crew; tranquilizer; transmission; transporter; transporter beam; transporter room; transwarp drive; treaty; trial run; tricorder; trick; travel pod 05; truce; truth; type 2 phaser; umbilical support system; Unit 1; Unit 2; vegetation; victim; violation; voice; Vulcans; Vulcan (planet); Vulcan gong; Vulcan language; Vulcan nerve pinch; Vulcan salute; wagon; "wait a minute"; walk; warp drive; warp speed; "what the hell"; weakling; weapon; weapon system; weather; week; wheel; wisdom; wish; word; world (planet); wound; year; yellow alert
LCARS references[]
Constitution-class; Federation-class; Hermes-class; Ptolemy-class; Saladin-class
Meta references[]
Unreferenced material[]
adoption; Altair IV; Galt (Vulcan)
External links[]
- Star Trek III: The Search for Spock at Memory Beta, the wiki for licensed Star Trek works
- Star Trek III: The Search for Spock at Wikipedia
- Star Trek III: The Search for Spock at the Internet Movie Database
- Behind the scenes on The Search for Spock at Forgotten Trek
- Filming Locations at Film in America
- Star Trek III: The Search for Spock script at Star Trek Minutiae
- "Star Trek III: The Search for Spock" at MissionLogPodcast.com
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