(written from a Production point of view)
Video 8 was an analog video tape cassette media format, and a contemporary of the similar Betamax and VHS videotape formats. The format was introduced in 1985 by Japanese consumer electronics giant Sony as the recording medium for the by them developed Handycam, a recording device specifically developed for the home movie market. Essentially, the Handicam was a miniaturized version of the VHS and Betamax (this format developed and championed by Sony itself) recording devices, and the size of the tape cassette reflected this as such, coming in at 95×62.5×15 mm, or roughly less than half the size of a VHS cassette. The tape itself was 8 mm in width, hence the "8" in the denominator.
Due to the compact size of the cassette, several Hollywood studios reasoned that the format was the preferable one over the more cumbersome VHS and Betamax cassettes, and started to release movie titles from their backlog catalogs in this format. Yet, what they had failed to take into account was, that both Betamax, but VHS in particular, had by then already become ubiquitous and had enjoyed worldwide widespread acceptance with consumers unwilling to invest in yet another new home media format. As such, Video 8 failed as an aftermarket home media format for pre-recorded Hollywood productions – as did the CED, LaserDisc and VHD formats, introduced in the same period of time, but also failing for mostly the same reasons. Still, it was exactly for its size that the format enjoyed some sort of viability for the time being on a limited scale within the hotel and airlines industries.
The "Video 8" should not be confused with the older, preceding "Super 8" home media format, as the latter was a bona fide film medium, whereas the Video 8 was, like its larger siblings, a magnetic video tape. Nevertheless, it is in this context that it should concurrently be noted that, while the format failed as a venue to sell pre-recorded Hollywood productions, it was a resounding success in what it was originally developed for, i.e the home movie market. Aside from the compact cassette size, the mere fact that homemade movies could now skip the intermediate step of having films developed, became the foremost factor in its success (Handycams designed from the start to double as an instant replay devise as well), and the hitherto for these purposes popular Super 8 format, was rendered obsolete almost overnight. Video 8 itself became obsolete when digital recording devices became widely available to the general populace in the mid-2000s.
Star Trek on Video 8Edit
Paramount Pictures was one of the major Hollywood studios who had faith in the new format and began, almost from the very start of the format's introduction, to release movie titles in the format through its subsidiary Paramount Home Video. These included six Star Trek films and these are, to date, the only ones known to have been released in the format.
Oddly, releases from 1989 onward received ISBN numbers, which were usually reserved for print publications.
|unknown||Star Trek III: The Search for Spock|
|unknown||Star Trek IV: The Voyage Home|
|unknown||Star Trek II: The Wrath of Khan|
|unknown||Star Trek V: The Final Frontier|
|unknown||Star Trek VI: The Undiscovered Country|
|unknown||Star Trek Generations|
|Home video formats|
|Super 8 • Betamax • VHS • CED • LaserDisc • VHD • Video 8 • VCD • DVD • UMD • HD DVD • Blu-ray • 4K Ultra HD • Digital|