(covers information from several alternate timelines)
A viewscreen (or main viewing screen, main screen, or main viewer) was an audio/visual device used as early as the 2150s aboard starships, space stations, and at planetary facilities by space-faring organizations including Starfleet, the Borg Collective, the Cardassian Union, the Klingon Empire, and the Romulan Star Empire.
Generally consisting of a large screen or window located on the bridge of a starship (or operations center of a space station or starbase), the viewscreen was an almost universal facet of space exploration and colonization dating as far back as the 22nd century, surviving well into the 23rd and 24th centuries.
Typically used to display images of the area immediately around or in front of a starship, the viewscreen could provide views from all directions, as well as call up data from the library computer. It was also essential in ship-to-ship communication, allowing face-to-face conference if so desired, utilizing subspace and other communications systems.
Visual contact, however, could only be achieved when in visual range. Intra-ship communications were also possible, though the main viewer was rarely used for this function. (Star Trek V: The Final Frontier; Star Trek; TNG: "Encounter at Farpoint", "Who Watches The Watchers", "Ship in a Bottle"; DS9: "For the Uniform", "What You Leave Behind"; VOY: "The Cloud")
When necessary, the image on the viewscreen could be magnified – 24th century starships easily gaining a magnification of 106. The image could also be augmented, with the ship's computer displaying extrapolated images or graphics displaying sensor data. (Star Trek VI: The Undiscovered Country; TNG: "The Survivors", "The Bonding"; ENT: "Broken Bow")
Installed aboard early Starfleet vessels including Freedom-class starships, the viewscreen was a rectangular window located on the front bulkhead of the main bridge. Rectangular in shape, the window provided a wide screen view of the exterior space before the ship. Computerized and processed data, such as speed and schematics, could be projected or combined with the view. (Star Trek Beyond)
Installed as early as 2151 for NX-class starships, the main viewer aboard these vessels provided a wide screen view of the space around the ship, as well as visual communications. They were capable of processing multiple inputs simultaneously, as was sometimes seen when two or more parties wished to have a joint conversation with Enterprise.
In the year 2152, the crew of Enterprise NX-01 mounted a sophisticated sensor on the grappler arm allowing their sensors to detect and display onscreen cloaked Suliban and Romulan vessels. (ENT: "Shockwave", "Minefield")
Kelvin-type ships in service during the 2230s were still using window/viewscreen hybrids similar to the earlier Freedom-class. They had three windows for exterior view that could have computer data projected on it. The windows also had digital blinds and could be polarized. (Star Trek)
By 2249, Starfleet continued using the window-style viewscreen first used on the Freedom-class starships. Very similar to the Kelvin-type viewers, the Walker-class version was also split into three sections. Information could be displayed such as damage reports and incoming enemy ships and was capable of ship to ship communications. The viewer could enhance images that have been scanned by the ships scanners. The windows had a blue tint to them. (DIS: "The Vulcan Hello", "Battle at the Binary Stars")
Continuing a similar style to the Walker-class, the viewer on Crossfield-class ships featured a large window with blue tint around the edges. Unlike the Walker-class it was only a single window and not speared into sections. As part of the USS Discovery's refit in 3189, programmable matter was integrated into the viewscreen, allowing the computerized overlay to display in 3D. (DIS: "Context Is for Kings", "The Butcher's Knife Cares Not for the Lamb's Cry", "Magic to Make the Sanest Man Go Mad", "The Sanctuary")
Returning to the same basic shape of the 22nd century viewscreen, the main viewer utilized aboard such 23rd century Starfleet vessels as the Constitution-class USS Enterprise was mounted at the front of the main bridge and was generally rectangular in shape.
Though a smaller viewscreen (utilized as early as 2254) would be supplanted by a larger one in 2266, the viewscreen aboard the Constitution-class vessel generally displayed images with a blue outline and featured a number of controls mounted to the left and right of the monitor. In 2257, the USS Enterprise was seen with a window-style viewscreen similar to the Crossfield-class. (DIS: "Such Sweet Sorrow")
Capable of the same function as previous versions, this viewscreen model could also be used to display sensor data from within the starship, call up cross sectional diagrams of the ship itself, and display data re-routed from other stations. (TOS: "The Cage", "The Menagerie, Part II", "Where No Man Has Gone Before"; ENT: "In a Mirror, Darkly, Part II"; TOS: "Spock's Brain")
In the alternate reality caused by Nero's temporal incursion, the USS Enterprise's viewscreen continued the Freedom-class design up to, at least, 2263. The viewer was a single, large window roughly 25 feet wide and 10 feet high that peered out to the top of the primary hull's forward section and into space. Images, video and data could be projected on it. (Star Trek; Star Trek Into Darkness; Star Trek Beyond)
During its refit in 2270, a new viewscreen was placed on the bridge of the Enterprise, this one much larger and sometimes utilized to display alert status. By 2293, refit Constitution-class starships incorporated a digital clock mounted at the top of the screen. When the ship was moored in spacedock, the inactive viewscreen displayed a generic graphic. (Star Trek: The Motion Picture; Star Trek VI: The Undiscovered Country)
While not projecting solid holographic images, the viewscreen installed on the main bridge of such vessels as the USS Enterprise-D displayed three-dimensional images, as though observing the image with the naked eye.
Larger than that of the Constitution- or Excelsior-class starships, the viewscreen aboard the Galaxy-class starship featured touch-sensitive controls at the bottom of the screen. Using high resolution, multi-spectral imaging sensor systems and could also be controlled from a panel on the right arm of the command chair or at the ops or tactical stations. (TNG: "Encounter at Farpoint")
The viewscreen on Defiant-class starships was much smaller than those on its contemporary Starfleet vessels to accommodate the limited space on the bridge and was trapezoid in shape.
Slightly smaller in size, the Intrepid-class viewscreen also differed from those of the Galaxy-class in that a hologrid was present behind the displayed image. When damaged or deactivated, a hologrid, much like that in the ship's holodeck, appeared on the bulkhead. (VOY: "Year of Hell, Part II")
One of the more unusual viewscreen designs of the 24th century, the main viewer aboard the Sovereign-class USS Enterprise-E utilized a holographic image projected onto the front bulkhead of the main bridge.
While most viewscreens aboard Federation vessels of the era did use holographic technology, the images they displayed were generally projected within a clearly defined screen area. Not so aboard the Enterprise-E, with the viewscreen appearing from only a small area of projection systems near the floor of the forward bulkhead. When deactivated, the image projected disappeared, leaving only a blank wall in its place. (Star Trek: First Contact)
By 2375, however, such technology was replaced with a standard format viewscreen installed aboard the Enterprise-E, lasting through 2379 until the forward section of the bridge was destroyed during the Battle in the Bassen Rift. (Star Trek: Insurrection; Star Trek Nemesis)
The California-class' viewscreen consisted of a large window and computerized overlay. Unusually, the overlay filled the screen while in use, completely obscuring the window view. (LD: "Second Contact") However, after a minor refit, the viewscreen on the USS Cerritos only displayed overlays on parts of the screen. (LD: "Strange Energies")
In 2399, Inquiry-class starships such as the USS Zheng He utilized a type of viewscreen similar to that of the earlier Walker and Crossfield classes, with a large window and computerized overlay. (PIC: "Et in Arcadia Ego, Part 2")
Borg cubes were equipped with special viewscreen technology, projecting images onto four free-floating square screens in a cube-shaped pattern somewhere within the ship.
During the 24th century, starships and space stations constructed by the Cardassian Union utilized unique, holographically projected viewscreens.
Installed aboard Galor-class warships and Terok and Empok Nor-type stations, these Cardassian viewers consisted of hollow, oval-shaped frames. Images were projected into these frames, then disappeared when the viewer was deactivated.
Jem'Hadar ships eschewed traditional viewscreens for a virtual sensory display. Instead of occupying the forward wall of the bridge, the "viewscreen" was in fact a display within portable headsets (which only the Vorta supervisor and Jem'Hadar First were allowed to use). The headset was not well-tolerated by Humans, who could typically wear it only for short periods. Cardassians, by contrast, were shown to have similar tolerances to Jem'Hadar and Vorta. (DS9: "The Ship", "Call to Arms", "A Time to Stand", "Rocks and Shoals", "Tacking Into the Wind")
Performing the same basic function as their Federation counterparts, 23rd century Klingon viewscreens aboard such ships as the IKS Amar were able to display tactical information in graphic and photographic formats. (Star Trek: The Motion Picture; Star Trek IV: The Voyage Home; ENT: "Sleeping Dogs")
Consisting of screens smaller than those used by the Federation and Klingon Empire, Romulan viewscreens (like that of the IRW Khazara) were rounded-off square shapes, accented with green rectangles at the top of the monitor.
Some civilian vessels, such as La Sirena, featured a window style viewscreen on the front of the ship, used to display tactical, navigational information as well as communications. (PIC: "The End is the Beginning", "Absolute Candor", "Stardust City Rag", "The Impossible Box", "Broken Pieces")
By the 32nd century, starships like Booker's ship had large window style viewscreens that wrapped around one side of the bridge with a blue tint to them similar to Crossfield-class and Walker-class ships. The screen could display incoming projectiles and was capable for ship to ship communication. (DIS: "That Hope Is You, Part 1")
In early design drafts for both the USS Voyager and the USS Defiant, the designers contemplated eliminating the viewscreen entirely. Attempts such as the holo-communicator in Star Trek: Deep Space Nine and the suspended-in-mid-air viewer in First Contact were made, but ultimately gave way to tradition. The viewscreen was considered an important staple of the Star Trek universe.
Beginning with the 2009 Star Trek film, the traditional viewscreen was phased out in favor of a large window (or set of windows) with a digital overlay. This type of viewscreen has been featured on every Starfleet vessel appearing on screen since then, including being retconned onto the original USS Enterprise.