(written from a Production point of view)
|Run time:||140 minutes|
|Director:||Ira Steven Behr & David Zappone|
|Release date:||13 May 2019|
What We Left Behind – Looking Back at Star Trek: Deep Space Nine is a documentary, taking a retrospective look at Star Trek: Deep Space Nine, its influence, meaning and legacy. The documentary was produced by 455 Films and directed by Ira Steven Behr and David Zappone. Shout! Studios released the film.
The documentary also features several of the writers breaking the story of a hypothetical eighth season of the series. Working with CBS Digital, scenes from all seven seasons have been remastered in high definition.
In addition to interviews with most of the Deep Space Nine main and recurring cast – with the notable exception of Avery Brooks, whom Behr was unable to convince to participate but did advise Behr to not just make a talking heads film – the documentary will also include Behr, Ronald D. Moore, Robert Hewitt Wolfe, René Echevarria, and Hans Beimler breaking the story for an eighth season of the series – Behr advising the writers to "check the Trek page" for the series finale in advance. 
The documentary was first revealed by Behr during the Deep Space Nine panel at the Star Trek Las Vegas convention in August 2016. A crowd-funding campaign to complete the documentary, including additional interviews, post-production, and licensing clips from the series, was launched on 9 February 2017 and reached the goal by the next day. 
The documentary premiered in New York, Los Angeles, and London. Blu-ray, DVD, and digital versions have been released as well.
Hypothetical season 8Edit
The show's writers reassembled on 8 March 2015 to break the story for a hypothetical new episode. It would take place twenty years after "What You Leave Behind", and was explicitly stated to take place in 2395.
Nog, now captain of the USS Defiant, evades weapons fire from a cloaked ship. The Defiant manages to escape through the Bajoran wormhole, and the crew are relieved to arrive at Deep Space 9.
Two weeks earlier...
Deep Space 9 is now a religious shrine, with large statues of the Emissary along the Promenade. Kira is still in charge of the station, and is now a vedek. Bajor has still not joined the Federation, and there are minimal Starfleet personnel on the station.
Quark steps into Kira's office. She is asking about an invitation on her PADD, asking if it is true. On Earth, it is 2395. O'Brien is the dean of mechanical engineering at Starfleet Academy. He gets an invitation to return to DS9. Keiko says it will be a chance to see Molly, who is twenty-six.
Ezri is now captain of a ship called the USS Emmett Till (β), in the Gamma Quadrant, "boldly going." (A whiteboard describes the ship as the "Nightengale" (sic), a medical ship.) Julian Bashir is the ship's CMO, and they are happily married. (The whiteboard adds that they have a "challenged" twelve-year-old daughter, Eddy.)
Worf is on Qo'noS. Martok is old, and Worf is going to be his successor. Martok tells Worf to go to Deep Space 9 to see what is happening there.
Jake is living in New Orleans as a successful but isolated writer. He gets an invitation from Quark, but immediately deletes it. He then goes to take a sonic shower, but is surrounded in bright white light.
Back on DS9, everyone reunites in Quark's. Quark still has everyone's bar tabs, and points out that there is interest accumulated. (Morn is still visible in the bar.) Amidst the reunion, everyone talks about Sisko's absence. There is frustration and disappointment that he has never returned. Jake is the last one to arrive at the station. It is revealed that everyone has been invited to bid farewell to Vic Fontaine, who is dying. Vic says that the real reason for the invitation is not him. Nog instructed Quark to gather everyone. He appears on a viewscreen in the holosuite, and apologizes for the false pretenses. As he is about to explain further, the Defiant explodes, killing Nog and everyone aboard.
Major Palik of Bajor tells everyone in the briefing room that the destruction of the Defiant was an accident. Later, everyone is mourning the loss in Quark's, and they start to reason that it was not an accident. Worf says that a certain treaty is very specific when it comes to the death of Federation citizens, and that Ezri is in charge of investigating what happened.
Ezri visits Kira in her office, and explains to her and Palik that the Federation has jurisdiction. Kira gives her three days to conduct the investigation. After Ezri exits, Palik remarks that this is going to be a problem.
Later, Kira walks along the Promenade with a young Starfleet officer, flattering him, and asking that, as a special favor, she see the data from the investigation before Ezri does. She walks away, and the officer is approached by Jake. It is revealed that the science officer is Joseph Yates-Sisko. Jake says that his father came to him in a vision and told him to come home.
O’Brien and Bashir discuss the investigation, but all they find are dead ends. The question remains, what was Nog doing in the days before his death?
Ezri and Molly interview the few Starfleet officers remaining on the station. The Federation presence on the station is small and powerless. They say that Nog had an obsession over the last few weeks. He and Kira had a major blowout the day before he left. Ezri confronts Kira over this new information. She says it was unrelated to what happened, and she will handle the investigation from here. She then says she wants Ezri off the station.
Worf, aboard a Klingon Bird-of-Prey, beams down to caves on Bajor and meets up with Garak. Knowing Worf is a man of honor, Garak has reached out to him. He warns Worf not to trust the Bajorans, especially Kira. Garak then provides proof that Vedek Kira, on a missionary excursion, has converted Jem'Hadar to be the new Bajoran army. Nog likely discovered this, which was why he was killed. Worf is told that he has no friends here, and not to trust anyone.
Elsewhere, Section 31 feels that religion, due to being divisive, has to disappear from Earth. They plan to destroy the wormhole and, along with it, the Prophets. The Bajorans will then join the Federation, once their religion is out of the way. Julian Bashir, as an example of a character who has lost his way, is now in charge of Section 31.
There have been tensions between the Federation and the Bajorans. Palik is specifically concerned that some element of the Bajoran government might be implicated in a crime. There is pressure being put on Kira to expel the Federation. Kira is worried about her secret of the Jem’Hadar army.
Rom is called in, and there is a "state funeral" for Nog.
Joseph meets Jake in a cargo bay and reveals that Starfleet killed Nog; Section 31 knew that he knew something and killed him. (What he really knew was their plan to kill the Prophets.)
The crew is gathered at Quark's, lamenting that Kira is kicking them off the station, but they do not want to go. Bajoran security officers arrive and draw their weapons. There are Klingon and Bajoran ships around the station, as well as the Emmett Till. Tensions are high.
Kira arrives and Palik tells her he has his orders. She steals a guard's weapon and stands with her friends. As they are about to shoot at each other, there is a bright white light, and Sisko reappears. Simultaneously, he also appears on the Klingon bridge, and the Bajoran bridge. Lastly, Jake is standing in the station office, examining his father's old baseball. Sisko appears to him and says, "I'm sorry, Jake. I lost track of time."
The episode ends on a cliffhanger.
Ronald D. Moore commented: "[The reunion] was really fun. I knew going in, when Ira and I first talked about it, when he pitched it to me, I was like, ‘That's a really cool idea. I wonder what that'll be like.’ And then going in, it took a little while to kind of sink into just talking about it as a show again. Because at first, you're just kind of catching up and you're kind of trying to remember the names of characters and what we'd established and, ‘Oh wait, where did we leave the Dominion and what was this?’ And after an hour or so, it just became another writer's room. By the end of that day, our biggest disappointment was that we had just broken a story that wasn't going to get made. It was like, ‘Wow, this was cool and this was fun.’ The next step should be somebody writing the story outline, somebody who's going to get to write the script. It was like, ‘Oh, but no, we just did this for fun.’ The fun stopped once we realized that it wasn't going to get made, but it was great. You just lost yourself in it. You just really, at a certain point, you'd forgotten it was an exercise and you really were debating story and tossing ideas and pitching things, wrestling around structure... It was really fun to be back in that for a day" 
Ira Steven Behr announced the documentary in 2016, but had been working for some years on the project. Behr commented: "We all went through this unbelievable experience that took seven years of our lives and now we've had all this distance from it, and it was like what does the show mean – what does the show mean to us as individuals, as people, and what does the show mean, if anything, in terms of the franchise and the culture... I had been interviewed a couple times for other docs, Trek docs, and I got really friendly with Bill Shatner and had a wonderful interview with him for the TNG doc and then Dave Zappone said, 'We can't do Shatner again, would you like to be Shatner'?". 
Behr also commented: "What inspired me was, I went to my first convention in 13 years back in 2012. Dave Zappone, who had done all these other Star Trek documentaries, Chaos on the Bridge, The Captains, Spock, came up to me and said, "Hey listen, Bill Shatner is not going to do another Star Trek documentary." He did three in a row. They interviewed me and him, so that's how I knew Dave. He said, 'Bill's not going to do another one, and we want to do a Deep Space 9 doc. How would you like to be Bill Shatner, and interview all the actors, and do this doc?' I never thought of doing a doc. I was just in a good mood because I was seeing people I hadn't seen. Avery Brooks, I hadn't seen in 13 years. We had this big reunion, hugs, and all this stuff. I was feeling really, really positive. I just said yes without thinking". 
The documentary was planned to be more than a series of talking heads interviews, an approach suggested by Avery Brooks to Ira Behr. This gave Behr the idea of filming in the writers room as they developed what an eighth season would be like. Behr commented: "That was an idea that I had based on a conversation with Avery, because Avery kept saying, "Don't make it talking heads only." It got me thinking, what would be something you've never seen before? There were ground rules, which was everyone had to watch the final episode of season seven, so everyone remembered where everyone was on the playing field, or at least read the Wikipedia page. We weren't going to have any cheat sheets. We are going in there with nothing for one day to see if we could get through a pilot episode of the show. And we did. Obviously, as with any show, you don't break a show in a day – and if you do, you still go back the next day and refine. This is the raw material, but it's a fascinating process. We had a fantastic time doing it. It was amazing how time slipped away and everyone was back doing their thing and interacting and arguing and getting passionate and it was really a magic day". 
Adam Nimoy, son of Leonard Nimoy, became director and a producer of the documentary after finishing For the Love of Spock.  He later stepped down from the project due to other commitments and getting married to Terry Farrell.
Nimoy commented: "After 173 episodes, people still want more DS9, which is not unusual as fans felt the same way about TOS, which only produced 79 episodes. We're sticking to the original vision for the documentary, but with some modifications. These things evolve over time, and the fact of the matter is DS9 evolved dramatically through seven seasons for a number of reasons, and we're going to be looking at that, as well as what the show was about, how it changed, a focus on the characters and how they evolved over time. Then we're going to try and take a look at what's happened over the past 17 years since the show stopped airing. A lot of the perception of the show has changed. Accessibility to the show has changed in terms of being able to rewatch the series. We're going to look at the show to see what are the elements that have appealed so much to fans in retrospect, and what has happened over the past 17-20 years in pop culture, and on the planet, to cause people to reassess DS9, and bring it out as one of the jewels in the crown of the Star Trek franchise. There's just this immense popularity, due in no small part to the fact that a number of the original cast members are still out there, are still attending conventions, are still together, and there's a lot of camaraderie and love that they've extended to the Star Trek family that I've observed from attending conventions. So while the documentary is evolving, much like the show did, we are staying true to that original concept of "What made this show so special?"" 
Partial DS9 remasteringEdit
The documentary team wrote that they planned "to follow up with our intent to scan and remaster selected shots from the series for presentation for the first time in HD. While we want to reiterate that nothing's guaranteed until we can get into details further with various departments, we've been empowered by our positive talks with CBS Television Studios, along with guidance from familiar faces Mike & Denise Okuda and VFX master Doug Drexler, among others".
Nimoy commented: "We've really expanded the scope of the project – the length of the time will expand – but it also allows us to acquire more clips from CBS from the original episode... and we are now in discussion with CBS about trying to get to the original negatives, to rescan them to give high-definition resolution to our film so that Deep Space Nine can be seen in high def for the first time. CBS is open to discussion – it's expensive, it's complicated, there's a lot of logistics involved – but now that we have the financial backing to pursue this, we're really determined to make it happen". 
Behr commented: "For many, many years – and decades, it seems – I've talked to people about getting DS9 in HD, discussing ways to make it happen. It's not what I set out to do with the doc, it would be an offshoot of it. If it doesn't happen, I'm not going to feel like, 'Oh, damn, that was a level of success we did not reach.' It's a total offshoot – has to do with money [and] other things – it's not so much a matter of the series itself, it's just the technology of how the film was shot and how the special effects were shot back then, and the changeover. It would be nice. Just imagine: if we do get a chance to do the clips [for the doc] – I'm not talking about the series – the clips for the doc, in high def. That would be... extremely cool. Plus, it would give the fans another decade of dreaming what the whole series would look like! It would be that little taste, a lovely little taste – that first injection that leads to so many others". 
In July 2017, Behr commented: "I have not been happy about the DVDs. I have talked about it for twenty frickin' years. I was disappointed with the way the show looked on DVD and the idea of giving the fans something they haven't seen before and getting to look at the show and going "Oh, wow, that is a pleasant surprise." It's something we have wanted to do since we first talked about this doc".
"We have the Okudas [Mike and Denise] involved and they are looking to see what is available and most importantly of all, what are the costs. It is not cheap. So we will have to see. There are all sorts of things being thrown around, including the possibility of finding things that haven't been seen before, from deep within the vault; possibly takes that haven't been seen or parts of scenes that weren't used. The Okudas have a wide open mandate". 
Eventually, twenty minutes of footage were selected for remastering for which four hundred reels of 35 mm films had to be scoured.  Of the scenes eventually remastered, it was the visual effects heavy battle sequence from "Sacrifice of Angels" that was the most challenging and expensive to do so (see: Remastering projects' ramifications), and it constituted the highlight of the remastered scenes, being featured twice in the documentary. 
The crowdfunding for the documentary was undertaken by Indiegogo. After the first goal was successfully reached in donations, four stretch goals were announced: the first to extend the documentary from sixty minutes to ninety minutes, the second to commission an original score for the documentary and an extended writers room feature, the third to film more interviews. The fourth goal was secret at the beginning, but was revealed later as approaching CBS for original footage from the series to be remastered in high definition.
The success of the crowdfunding campaign took Behr and the documentary filmmakers by surprise. He commented: "When they told me they were going to go, we had already been working on the doc for a couple of years. It was going to be an hour long doc at the time. They said, "We need money for the animation and for music. We're going to raise a 150,000." I said, "Can we do that in 30 days?" They said, "Well, we think so." I said, "I don't want to do it if we're not going to make the goal because it's just too embarrassing." They said, "No, no, no. We're going to make a 150 in 30 days." Then in 29 hours, we made like 159,000. It's like, "You guys seriously underestimated the potential here." It was like, "Oh my God, this is a feature film now. This is serious business. This is like a full-time job. This is not something I'd do on the weekends. Holy," you know. So, yes, it was quite surprising, and very fulfilling that the fans came through in that way". 
The filmmakers discovered a treasure trove of material from when DS9 started production in 1992. This material included audition tapes from various actors, including Peter Capaldi and Anthony Head.  
Premiere and releaseEdit
The documentary was screened in Los Angeles on October 12th, 2018 and in New York on October 14th, 2018. 
Shout! Studios released the documentary. 
Behr was approached to develop the story of season eight into a graphic novel but declined. 
Trekcore called the documentary: "the definitive and best Star Trek documentary ever produced". 
The Irish Times recommended the film to see in the summer of 2019. 
- Cecily Adams
- Marc Alaimo
- Rene Auberjonois
- Ira Steven Behr
- Hans Beimler
- Felecia Bell Rutkowski
- Rick Berman
- Marc Bernardin
- Avery Brooks
- Casey Biggs
- B.C. Cameron
- David Carson
- Jeffrey Combs
- Dan Curry
- James Darren
- Nicole de Boer
- Michael Dorn
- Doug Drexler
- René Echevarria
- Aron Eisenberg
- Terry J. Erdmann
- Terry Farrell
- Lolita Fatjo
- Max Grodénchik
- Hana Hatae
- J.G. Hertzler
- Penny Johnson Jerald
- David Livingston
- Cirroc Lofton
- Junie Lowry-Johnson
- Dennis Madalone
- Chase Masterson
- Kerry McCluggage
- Colm Meaney
- Ronald D. Moore
- Bill Mumy
- Larry Nemecek
- Denise Okuda
- Michael Okuda
- Robert O'Reilly
- Steve Oster
- Michael Piller
- John Putnam
- Lou Race
- Andrew Robinson
- Ben Robinson
- Wallace Shawn
- Armin Shimerman
- Alexander Siddig
- Luke Snailham (uncredited)
- Ian Spelling
- Ron Surma
- Nana Visitor
- Jonathan West
- Michael Westmore
- Robert Hewitt Wolfe
- Herman Zimmerman
Uncredited archive footageEdit
- Rosalind Chao as Keiko O'Brien
- John Colicos as Kor
- Louise Fletcher as Winn Adami
- Jonathan Frakes as William T. Riker
- Salome Jens as Female Changeling
- Deborah Lacey as Sarah Sisko
- Leigh McCloskey as Joran Belar
- Randy Oglesby as Silaran Prin
- Iggy Pop as Yelgrun
- William Shatner as James T. Kirk (voice)
- Mark Allen Shepherd as Morn
- Frank Owen Smith as Curzon Dax
- Brent Spiner as Data
- Patrick Stewart as Captain Jean-Luc Picard
- Susanna Thompson as Dr. Lenara Kahn
- Donald Trump as President of the United States
- Clarence Williams III as Omet'iklan
- Harris Yulin as Aamin Marritza
- Produced by
- Reggie Allen – associate producer
- Jake Barrett – associate producer
- Ira Steven Behr – producer
- Eliza Blair – associate producer
- Daniel James Chan – associate producer
- Kai De Mello-Folsom – producer
- Therese 'Tag' Goulet – associate producer
- Joseph Kornbrodt – producer
- Kevin Layne – producer
- Rob Lohman – associate producer
- David McMillian – associate producer
- Jo Dee Moine – associate producer
- Collin Perschon – associate producer
- Jonathan Ted Wright – associate producer
- David Zappone – executive producer / producer
- Film Editing by
- Makeup Department
- Production Management
- Kai De Mello-Folsom – production manager
- Art Department
- Sound Department
- Music by Dennis McCarthy and Kevin Kiner
- John Austin – sound recordist
- Paul Austin – sound recordist
- Devin Golub – sound recordist
- Camera and Electrical Department
- Sara Ab – assistant camera
- Maram Al Jaoser – camera operator
- Patrick Anenu, Jr. – assistant camera (as Patrick Jnr Anenu)
- Tyler Cherman – camera operator
- Adam Gharib – camera operator
- Ferid Hasbun – camera operator
- Star Li – camera operator
- Anvar Madraimov – swing: grip/electric
- Armando Milano – swing: grip/electric
- Don Mosley – lighting consultant
- Ruperto Luis Sanchez – camera operator
- Alexander Tobias – swing: grip/electric
- Jonathan West – visual consultant
- Other crew
- Alison Crees – production assistant
- Katie Gunderson – producer's assistant
- Alejandro Rojas – production assistant
Content gallery Edit
- What We Left Behind (Blu-ray)
- What We Left Behind (DVD)
- What We Left Behind (digital)
- What We Left Behind (soundtrack)
- DS9Documentary.com – official web site
- The DS9 Documentary at Twitter
- IndieGoGo campaign page
- REVIEW - Return to STAR TREK: DEEP SPACE NINE in the Long-Awaited WHAT WE LEFT BEHIND Documentary at TrekCore